Gou in the Ninja World

With a weapon in your body, killing your heart...

This is what the ancestors of the previous world said.

In this world, kaleidoscope writing round eyes is naturally a sharp weapon, and it is also a sharp weapon in the sharp weapon, but when this sharp weapon is controlled by a nine-year-old child, it is different.

A nine-year-old child, even if he has the mind of an adult, can his body support the consumption of the kaleidoscope writing wheel?

A sharp weapon can sometimes be a double-edged sword.

If Yukimura knew that he might have awakened the kaleidoscope writing round eyes, when faced with Danzo or other dangers, would he choose to use the safest strategy to retreat?Or do you have no self-knowledge, relying on your own kaleidoscope to write round eyes, trying to kill the existence that threatens you?

The result is conceivable. As a traverser who grew up in the honeypot of the peaceful age and has basically never been wronged, when you are subjected to unprecedented insults, especially if you have someone who thinks you can counter it. When using weapons, do you choose to bear the burden?Or is it 30 years for Hedong on the spot, and Hexi for 30 years?

Yukimura could imagine such a result.

With a body of only nine years old, what is the use of even having a kaleidoscope to write a wheel?Although the kaleidoscope writing wheel eye is very powerful, it is only a tool. In this world, the powerful are never just tools, but people who use tools.

Therefore, if you have a weapon in your body, kill yourself, and be cautious, the most important thing is not the first two sentences that have been sung by people, but the last sentence.

Only those who are truly cautious and those who have real self-control can control powerful forces and not be controlled by their irrational desires.

"That's it."

Thinking of this, Yukimura sighed slightly, although he was still a little awkward, but after thinking about it, he was relieved.

It is true that there are some selfishness and worries in Sarutobi's words. If someone who does not know clearly hears these words, some dark psychology may immediately develop, such as not letting me know myself. Power is for better control of me, you will be wary of me and the like.

However, after all, the decision at that time did not cause any serious consequences. Since I can still sit here and talk with him about the money, after thinking about it, I have not been bad in these years, and I have not been abused or treated badly. The rest of the awkwardness and so on will naturally disappear.

"So, am I qualified now?"

After a pause, Yukimura spoke again, since Sarutobi Hizen will now talk to himself about this matter in person, it means that he thinks he is wise enough, even if he says everything clearly, it will not cause any disadvantage. as a result of.

"Ok."

Sarutobi nodded emphatically. There may be a gap in the past Yukimura. However, after this incident, a Yukimura who can protect the villagers in times of crisis can choose to come forward to protect their companions. Basically Has met his expectations.

So, he raised his head, at this moment, the two smiled at each other.

"Yes, although I have said it once before, but now, I still want to say it again, welcome to Konoha, Yukimura!"

Half an hour later, the two finally ended their meal today, waiting for Yukimura to bid farewell to Sarutobi and then return to their home, it was already more than seven o'clock in the evening.

Yukimura returned home, walked in the door, took off his shoes, and then walked into the bedroom, preparing for the work he hadn't done before.

It has been three days since the attack occurred. In the past few days, due to the delay of various chores, he has not painted a page of the original painting. The manuscript will be handed in shortly. Before that, at least this statement must be written. The manuscript is finished.

So he went to the workbench and sat down, picked up the pen, and put out his drawing board, just when he was about to paint.

At this moment, he swept his gaze and suddenly saw the drawing board in front of him, the manuscript of the manga that he had just finished tracing before and had not had time to finish it.

On the black and white paper, half a page of the original painting that was not completed in time is printed. The protagonist Kurosaki Ichihu wears a black death tyrant costume and holds his own Zanpakuto Zanyue in a very cool and handsome posture. Ai Ran standing in front released a strong crescent moon.

Looking at the picture presented on the paper, Yukimura was stunned and stood still for two seconds. Suddenly, there was a sudden excitement, and a classic national curse from previous life emerged.

"by!"

I don't know what came to mind, at this moment, Yukumura was already sweating coldly behind him.

What kind of world did I travel to?

Gou in the Ninja World

Chapter 175 Dimensional Fusion

"Reaper" is a comic from a previous life that was carried by Yukimura to raise funds for his usual practice and life.

At present, Yukimura has not finished the drawing. After all, he is also an amateur manga artist, and this manga is too long. Even if you use ninjutsu to draw pictures, the current progress has just developed to the most exciting stage in the early stage, that is, the protagonist Hei Saki Ichigo confronts the plot of the early boss Aizen Soyousuke.

There is no other change in the plot compared to the previous life. Yukimura just copied the things in his memory. He didn’t think much before, but now suddenly, a glimpse of the scene, the scene in front of him, Yukimura's kind of extreme soul shock.

Of course, what shocked him was not the plot in front of him, but the scene, which was too similar. The scene in the comics was really too similar.

The world composed of black and white, solidified everything, fixed characters, actions and words, fixed states, and stopped time and space. This state is too familiar to him at this time, although it is only in comics. An image of, but it looks, brings him a feeling of deja vu.

Think about it carefully, the scenes shown in the comics are so similar to his own Tiandi and Li. Isn't the phenomenon he saw in Tiandi and Lishi exactly the same as when normal people read the comics?

Heaven and Earth and Li, Yumura’s kaleidoscope writing wheel’s left eye ability is just like this. At the moment of activation, everything in front of you will become a two-color world composed of black and white, everything in the world, the actions of characters, and things The operation, even the choice of stars, will all stop, just like a cartoon that has been opened and spread on the desktop.

A manga is placed on the table for one day, two days, one year, two years, or even ten or twenty years. As long as no one and other things continue to flip it, the plot it shows will always be Stop at the page that was turned.

For the real world, comics are so simple, even if the characters in the comics have such great power, even if they can destroy the world, the ability to restart the world with a snap, but for the readers watching it After all, he is just a fictitious character in the painting. As a thing that does not exist in itself, how can you paint and perform well?

After all, comics are just comics. If I don’t open the next page, then no matter how strong you are, you can only be frozen in this picture. Even after one thousand and ten thousand years, you will never be able to move forward.

Just like the manga placed in front of Yukimura, Crescent Moon rushed towards Aizen, seemingly close at hand, as if he could reach it in the blink of an eye, but if you don’t turn to the next page , If you don’t take the initiative to reveal the next development of the plot, then this short distance will never be touched forever.

It seems how similar to Yukimura's abilities, heaven and earth, and standing, the trick that makes heaven and earth everything, the stars and the sea completely stagnate, as long as this trick is not released, then everything in the world will be like the comics in front of him, and no progress is allowed.

"Could it be... the power of my left eye..."

Thinking of this, Yukimura took a breath of cold air.

He felt that he seemed to understand the reason why he could only move by himself when he displayed the heavens and the earth and the standing, and could not change the state of other people or things.

Think of the whole world as a comic?

In other words, the ability of my kaleidoscope to write round eyes is not actually to stop or freeze other objects. In fact, it is not other things that are changed, but myself?

Change your state at the time.

Yukimura suddenly realized that he himself seemed to have understood it wrong before.

If, as I expected, the ability of my left eye is so and so, then everything can be explained clearly.

The two-dimensional world, whether it’s comics or animation, for people living in this world, this is a living real world, but in the eyes of readers who read the comics, what the comics say is just A story composed of successive images. Within the images, everything is fixed. As long as it is drawn on paper and printed, then the content on it is immutable.

Whether it is a character, an animal, a plant, or a building, even an inconspicuous grass, from the reader’s point of view, you can always only look at it and look at its shape in front of you. There is no way to deal with it. It makes any kind of change.

In the same way, from another perspective, reality also limits comics. Even if the things in comics are designed to be powerful and theoretically invincible, they cannot have any impact on objects in reality.

As some people have said, comics and reality are two parallel lines that never intersect.

You Kakarot is strong?

Oh, Super Saiyan destroys the planet with a shock wave, Super Saiyan god destroys the universe with three punches?