Helping with Adventurer Party Management

Jilboa spoke as he stepped out between his glances and headed to the holding room.

"Kenji, was that good?

"Oh, enough"

What measures did we take to attack the enemy?

It's about suppressing the opponent's head (top) before the enemy reacts.

If the enemy uses their own head (top) authority to attack us, we can talk to the top of it.

Around here, where the story of the organization is interesting, the top faculty that brings the organization together often works in the direction of fighting for organizational defense up to the point, but often in the direction of encouraging control when facing inward.

If you describe it like it's a real life thing of a group around Hiroshima, you can say, "Keep it up. The face of the group is crushed. Bye! And do it!! Or" I told you the story! I don't think there's anyone complaining about this! is the difference. "

It is often the case that the top doesn't know what the ends of the hands and feet are doing when it comes to large tissues.

Even more so if it is a poorly ventilated vertical tissue.

This measure will exploit and combine the faculties of the organization with poor communication.

In short, I talk to the top before what my hands and feet are doing is passed on to the top.

In doing so, the top has to control the runoff of his hands and feet over Fuko.

At this glance, the Swordtooth Corps took the Earl's word (Senchi) that it was a "special victory" for shoe making.

The offering is the physical proof thereof.

Naturally, the workshop will be decorated with replicas of luxury shoes (replicas) dedicated to the Count, appealing to the Count's authorization.

The enemy cannot interfere with the footwear business. For it is an act of crushing the Count's face.

A direct violent intervention prevents the Sword Tooth Corps.

Perhaps it is necessary to dedicate a different pair of shoes each year, but as a cost of security it is cheap.

That's how you buy time for your business to grow.

But the enemy probably won't come complaining of direct violence, he said.

If I were to do that, I would have done it from the beginning.

This attack should be either just a look or simply not have the mobility to wield the surface.

As he was heading back to the hall of sight, he saw a sculpture that he did not see in the aisle when he arrived.

I'm being led to a different place. We're not headed to the holding room.

Ha, and I saw the instructor's assistant, but I can't read his expression because he's turning his back.

"Jilboa," he whispered with caution.

"Oh, I know," Jilboa tapped lightly on the hip-sword pattern.

Well, I don't care what comes to you, but I, I'm round back...

After walking for a few minutes in preparation for an unexpected raid and shrinking his nerves, he was still allowed into a separate room from the holding room.

"Please wait here"

and the attendant urges you to open the door of the room.

Isn't this what the attendant opens up to me?

"Seems like this isn't the same holding room you stopped by when you came?

And I was gonna buy you some time to ask you a question.

"When you return, you are to wait here"

And I'll give it back.

That's a lie. We have investigated the flow of sight beforehand.

I've never even heard of that. Damn, the inductee forgot to buy it.

"What do we do?" Jilboa asks.

"It's your chance to worship the other person's face. Thank you for inviting me."

The assistant seemed surprised to hear me speak equally to Jilboa.

But I don't have time to hang out with the confusion of such a wood-end official.

What's beyond the door open? Are the assassins flying in large numbers or are the guards holding their spears in line?

Hopefully a bunch of upper-class beauties are waiting to be intrigued by the wild charm of the lower bitch man.

Now, look at the nobles, it's round two.