Helping with Adventurer Party Management

Photograph and draw natural objects as you see them.

It seems to be a natural concept and skill for a modern art educated human being, but not common in this world.

Simple paintings such as designed, rather than simplified, are just depicted in canteens, weapon stores, etc. that seem to be lower signs for ordinary people who can't read the letters, and church religious paintings, etc. seem to be mainly depicted with abstractions of people's shapes, etc.

Most importantly, I'm just talking about this city's very narrow painting experience, so when it comes to portraits in other cities and aristocratic houses, it may be that I paint them as I see them.

But, at least as far as monsters are concerned, isn't this Baron's collection habit and the height of consciousness to draw exactly what he sees a jump through in this world?

"The sketch of this giant bird's wings, it's brilliant. Even the fine structure of the feathers, as it seems, is painted. Didn't this go to great lengths?"

When I say so, the Baron seems happy

"It will, it will! At first, I tried to draw wings of birds the size of normal, but if you look closely, they seem to have fine hairs that are hard to see, because if you touch them at all, they are fuzzy. So, if it's the same bird, so I picked up the biggest possible feather, hey, it cost money, but I guess it was worth it!

"I see, big birds and small birds have different sizes of wings, and the structure is the same, so you think."

"Um. Well, maybe, maybe not. Only one of these giant bird wings is available. Anything, they bought this blade's burn-resistant, lightweight properties and processed it into armor and protective equipment for the adventurers. It's barbaric to have something so beautiful."

From the baron, it seems intolerable that the monster's beautiful feathers will be torn apart because of their adventurous flair.

I know what it's like to be an adventurer who pours precious material into protective equipment that deposits his life, and I know what it's like to be a baron who spares material as a precious research material, so I just kept it to make him nod vaguely.

That's how I listened to the story of the Baron's collection for about two hours, even nodding, and knowing the story well, I was going to ask him to accompany the very upbeat baron to the tea table.

Then a few maids came to see where they had been hiding until then and quickly prepared a tea table for the number of people on the terrace so we could have some tea with the baron.

When nobles have tea seats with each other, hosts offer topics, but when nobles and civilians are present, they offer topics to entertain nobles with the civilian population.

And, I recall having taught the Count before in the special training he received when he was called into the castle, so he shakes the subject from me.

Naturally, the subject matter is about monsters, about paintings.

The Baron seemed to have few opportunities to speak directly to the race of adventurers, and when we talked about the ecology of the monsters we experienced as adventurers, he expressed high interest.

"Wouldn't the Demon Wolf be afraid of fire?"

"That's right. They're not afraid of fire at all, but if you have a few to a dozen herds, you try to pull them away from the bonfire. We seem to understand that in the darkness of the night we are better off."

"That's a lot of wisdom for the beast's sake. You have a big mouth, but you have a small head."

Answering that, the Baron nodded firmly as he lifted the upper jaw of the Devil Wolf's skull placed on the table and peered into its cavity.

"Because demon wolves also have males who seem to be leaders with large figures. His head could be bigger."

I hold the baron's lifted skull with both hands, while I try to show him the size of a large circle.

That's how the men talk, next to them, Anne and Sarah were sipping tea looking so uncomfortable.