"To sum up, the technology is immature, the technique is uncertain, the drawer is not growing, and there is no prospect of recovery for the cost of tool development."

And Michelino Festival summed up my story.

Once again, to list, it's a terrible story.

"It will."

But it's a shame.

And Michelino Auxiliary Leaked His Voice.

The parchment on hand is printed with a small but lively portrayal of the Demon Wolf.

"I've never had a chance to see something in person called a demon wolf before. To fold back and forth with Mr. Kenji to the countryside, just listen to his voice, that's something I felt terrible about. If you had seen a picture like this and had prior knowledge, you would have had a completely different impression."

I had previously taken three midwives, including Michelino in a deal with Priest Nicolo, in the form of educational traineeships to the countryside.

In doing so, he fomented monster threats and threatened to train the Midwives, who were a weak civilian elite.

Maybe he still cares a little about that time.

"I, too, find it a shame to let this technology get buried. So why not publish and encourage rather than monopolize and ban?

Michelino Sabbath had lost his word for a little while about whether he was facing my suggestion, but when he sat back in the chair,

"Let me know more"

I said.

◇ ◇ ◇ ◇ ◇

"What we can do as a department that manages the mark of the Church is to pay for the Baron's painting. On the contrary, nothing else should be done"

And I only said the conclusion first.

"What else should I do?

"That's enough"

Michelino Midwifery seemed to think about it for a while trying to interpret my thrown conclusions and background, but eventually sighed like he'd given up, urging him to keep going.

"Tell me why"

I nodded and started talking.

"This technique of copper printing has a future. No matter how faulty it was, you can tell by looking at the printed picture. I think this is something Michelino would agree with."

Glancing here, Michelino Auxiliary nodded.

"The Church should be a supporter (sponsor) of this painting. That is how we should honor the Baron, the painter, and collect the cost and pay the Baron for the number of copies of the painting printed. I think we should use the powers of the department of the Church's mark for that."

"Why do you do that?

And Michelino Auxiliary asks.

This is the most important part of this meeting.

Separate words and explain clearly.

"There are two advantages. The first advantage is that if this painting is to benefit from social recognition, the workshops and new paintings that have previously worked on religious paintings in the church will compete to enter this technique to the best of their ability. By doing so, you can expect to develop writers and improve their skills.

As a second advantage, the Church's representation of the right to paint on the back shield will enable it, as a department, to benefit of the same kind as it benefits from managing the Church's mark. In other words, it is the new right of the department that manages the mark of the Church. Can't it be much better than limiting technology?

And when I throw it at Michelino Sabbath, he closes his eyes and thinks with my suggestions.

Sneak a lick of the nervous, less dry upper lip.

There was a sense of whether copyright would be recognized in this world, and we were in that watershed.