Hitsugi no Maou

Sabitoga and Hanlin gathered the remains of their enemies in one place (one place), covered with pebbles and soil, and buried them (seemingly poorly), although with some difficulty.

It was to hide the stench of death from other enemies, but now that the stench of blood and oil has spread so much, I don't know how effective it is.

We needed to prepare for a new enemy attack. The two of them decide to go back to the fort (by the way) and practice countermeasures with their peers.

The gates of the fort, which had fallen apart (crumbs), had been rebuilt every time by the hands of the struts, but on the other hand the gates, lifted by the power of only three men, were, by the way, trees rotten, chipped, and holes empty (ah).

When the fire is extinguished, it has been repaired with chipped floor coverings, but it won't hold up for a few minutes if a fierce, crazy skeleton protrudes.

Straw and the others saw they knew that, and they were digging (cheeks) back the dirt just behind the main gate, creating a pit. It is loaded with long ladders to give allies by the hole and stones to hit enemies who have fallen into the hole.

The first aid to bottom-up the defense of a ruined fort was the one inside. But Sabitoga soon realized that the hole in the wall where the burning skeleton had gone was still intact, and went to repair it with the rest of the floor coverings and grass rope.

If the devil hits me with all his might, every wall will eventually fall apart. It was still wiser to move to other bases as soon as we got the rest we needed.

Sabitoga blocked a hole in the fort and then finally reported back to the Straws. Knowing who the skeleton is, Straw runs to make sure that the remains of the courtyard are indeed dead, and Ledge is informed of the possibility that his arson put a hold on the enemy, only to loosen his expression a little.

The girl, who heard what Hanlin had mouthed about the skeleton and the immortal water, put an indescribable look on her face and pushed her silence.

After each (every) turns his/her thoughts around and exchanges some opinions, he/she finally carries off the red night.

Leaving the fort is tomorrow morning, sleep and watch numbers were decided as the usual rotation. Spread the bedding on the third floor archers' field of duty, and the watchman will guard the peepholes and the downstairs in turn.

Eventually, those who lay down began to take a nap.

- I can hear the applause (scissors) of 10,000 lightning.

I hear noisy instruments and shouting Hail in a shitty tone.

I knew right away it was a dream. That's a sight of the past. It's a historical ugliness in my country, Purge Gunnar.

Send the clothes of the executioner to Sabitoga (Yu) through Metropolitan Street with a smile like that affixed by the people.

Applause. Applause. Applause.

Sabitoga's applause in his homeland is an act that originates from the expression of admiration for brilliant theatre.

Theatre. Play. farce.

The people pretend to admire Sabitoga and accuse everything of being a beast.

The feeling was the same for Sabitoga. All the people celebrate the departure (shudder) of one executioner in a semi-frequent manner. Send out a man on his way to an island of demons that he will never return to with a royal life, in words that are not in his heart to return alive.

We're all playing the play that the evil man who took the throne wants.

The thunderous applause is the bursting sound of people's dignity.

The sound of ruin, where dignity is lost from the country, irrevocably.

That's on Sabitoga's back, clutching to his ear. Saunter your body and mind, defile your soul, like a scar...

"You're miserable enough."

Sabitoga opened her eyes to a clearly audible voice. In the center of the bright red vision, there is the face of Hanglin.

As I lay down, I grabbed Hanglin's neck. Knowing that he does not possess weapons or hazardous materials will not let go of that hand.

I couldn't untie it.

"Don't test me."

Hangulin laughed at Sabitoga, who also said openly that she was willing to kill him, as she peeked into the other person's face.