Hitsugi no Maou

Blaze's house was a shelter (shelter) that used the wreckage of the collapsed tower, and more than half (naked) it was taken in by the trees.

Once inside from the top (please) part of the overturned tower, suddenly the trunk (miki) of the giant tree is blocking in front of me, poking the laundry lowered at the tip of the branch.

"There's a gap (sukima) over here," Blaze giggles at the girl staring at her floral hipster, showing her right hand side. Between the bark skin and the stone wall, there was a vertical (freshly) gap, as the words say.

Step over the roots of the trees, struggle slightly to get through the gaps, and the landscape appears like a wide tunnel. Old stone material through history sparkled in lead (nagging) color illuminated by the light of electricity plugged in sparsely. Sabitoga honestly shared her thoughts as she looked up at the staircase and the terrace protruding toward the sky, painting a spiral in front of her.

"It's spacious, well ventilated, not too dark or too bright. Where's the end of the tunnel headed?

"Emptiness. Just like the bridge I was on earlier, it's broken into the sky. Directly below the tunnel exit is the waterway. That's not the height you can get off without tools."

As Blaze put it, the tunnel seemed slightly inclined. A degree of inclination that you wouldn't notice if you weren't aware would make you look raw in height and head for the exit into the sky as you walk through the long tunnel.

While aiming for an incendiary fire that can be seen behind his sight, Sabitoga said, "Isn't it too big to use as a pure dwelling," looking (though) at the storerooms and toilets dotted in the tunnel. There are more than dozens of steps of goods and equipment scattered around each other in vast living spaces.

When it comes to using space for luxury, inconvenience stands in between. Blades took his foot. He spanned the stairs loud, woom, and sounded like a cow.

"A tower the right size for life will take away from each other with an early victory. Especially in the heart of the settlement, a safe tower with lots of neighbors is highly competitive. Even when this ruin was a city, I'm sure the land price was fixed in the same way. The rich are at the centre, and the poor are driven to the outside.

Most likely this tower itself was a guard or a mercenary stuffer. One staircase is wide, no railings, no sign of being built as a safe place to live. "

"Barracks... He said he was pressed for a watch, but that has something to do with living here, too?

"... I've been telling you that Oren should live here. It wasn't until the next day that I decided to stay in the house that I found out the exit of the tower was a shopping mall. Thanks to you, while you were in the settlement, it was inevitable that you were on watch or that you helped."

"I don't know if you believe in someone who's been tricked once."

To Gidlett, who blushes softly, Blades wields a bat, "Because there was no place left for me to live!" and peel off his teeth.

"Considering living under ruins and bridges without roofs, it's so superior! Unlike you who lived in a tent for 10,000 years, it's delicate. This way!

"Well said. For a couple of floating grasses who can't stay in one place."

To giddlit laughing low, Sabitoga said, "Couple? It was when I returned the word I heard.

Sabitoga groaned. The stairs groaned. When you stop moving properly, there are those who wear calves.

If I lowered my gaze, a woman slept in the shadow of the stairs. A loosely wavy brunette spreads on the floor and Sabitoga's shoes are stepping on it.

Faster than putting on his shoes, Blades rushed over with a smile and hugged Sabitoga with incredible strength. A woman rises at the feet of the astonishing Sabitoga and squeals her shoulders in a stirring manner. The woman was wearing blue travel clothes, just like Blaze.

"It's my wife's charcoal. Cute, isn't it? Like figurines."

"Oh, figurines?

Sabitoga unwinds Blaze's arm back to the ground, and he glances at the woman again. The small woman, who slept on the ground, let her big round eyes twinkle for a while and conferred (eh shudder) with "Hi" in a smaller voice than Gidlett's twinkle.

A woman with large eyes was often considered beautiful, but even her rounded, disc-like eyes had different pressures. Sounds good if you say it's like a cat, but one way or another it's close to that of a bird.

Hissing that the rabbit's eyes were just like this, Sabitoga returned a meeting (eh shaku) with Lady Charcoal about the woman and her gaze back to Blaze.

"The couple came to Devil's Island?

"Oh. We're both rooted adventurers. We decide to live and die together."

"... there is no right answer to the devil's island tactics. Maybe it's a 'yes' way to fight with your loved ones by your side..."

"Oh, no, nothing. Charcoal isn't all I have."

A lightly said blaze has explored the nostalgia (two places) and offered a piece of paper. When Sabitoga peeks in with the girl, the piece of paper depicts a delicate (naughty) toddler (naughty) painting.

"It's my daughter," Blaze explains, looking around at the same face, with a blissful pro-food face.

"Ash Bourne. It's our couple's" angel, "left in their hometown."