Hollywood legendary director

Shooting bloody and exciting shots in a thriller is a test of skill.

After all, it has been brewing for so long, this is a climax point immediately.

At least it has to make the audience cool up. People watching it upset must mean that the film is going to hit the street.

Wen Ziren also seemed to take it seriously, and kept discussing with the shooting team with a serious expression.

After all, the script was written by him and his friend Ray Warnard. Can you not know where the colorful passages of this movie are?Therefore, he devised 200% of his brain and technical reserves for this scene.Strive for perfection in everything.

Let’s just talk about the rubber calf model of the shooting props. I started preparing it a week in advance. During the period, because of the bad effect, I didn’t know how many times I played it back and did it again. That’s why I have a sense of realism that has no difference in appearance.

On lighting, it is also adjusted many times.

White light, low brightness.The picture looks bleak.

Lyman watched by the side and had to admit that he was really talented.

Just talking about the scheduling of this scene, he probably is not as good as Wen Ziren, who can mobilize the audience's hormones to soar, giving them the visual temptation and satisfaction in their hearts.

Seriously, I learned it.

Of course, leaving aside the bloody scenes, Wen Ziren still has a lot of experience to accumulate in other aspects, but it can still be seen that there is a shadow of "Wen-style horror films" in later generations.

This is a scene where Adam and Lawrence want to cut their legs to escape from the shackles. At this moment, the basement scenery is all deliberately worn.

Wen Ziren stood behind the director's monitor with excitement, and his eyes were full of expectation-this person may really have a tendency to mentally pervert, and showed great interest in such intuitive blood.Although several close-ups he wanted were persuaded by Lehman to delete them, he did not give up completely, adding a little hint, profile shots, blood stains on the ground later, and the calf model.

Originally, this guy wanted to directly take a long close-up shot, and the scene of slowly cutting his calf with a saw was recorded sincerely.That kind of skin and flesh torn together will definitely have a sense of beauty and more impact-whether it is beautiful or not, Lehman does not know, he only knows that if it is shot like this, the film will definitely not be rated R. .

(Know that the record holder of the highest box office of NC-17 movies today is still Uma Thurman's "Love in June Flower", which is only 20 million US dollars. And R-rated movies, as long as the quality is good, it is easy Over 20 million, this is the problem caused by the audience. For example, G-rated movies can be watched by children and the elderly. The highest record is "Finding Nemo," which is close to 1 billion US dollars in the world. The gap.)

Too SQ, too violent, too bloody, and there is not such a multi-taste audience deliberately to support the movie theater, okay, even if you like to watch, can't buy a disc and go home?Don't you want face?Therefore, this market is also destined to have no hope for NC-17.Offline, you can also hope that DVDs and video tapes will sell well.

Although Lyman couldn't understand his bad taste, he chose to respect it.As long as it can be properly controlled.

Don't be too intuitive to make people look nauseous and disgusting.

Before filming started, the crew was still doing the final check.

Hugo Weaving and Jason Statham, who are going to perform, are sitting in chairs at this moment, brewing emotions.

Hugo Weiwen's sitting posture is very strange. He is close to the back of the chair, his whole body sinks as if powerless, and his eyes are closed-this allows the muscles and spirit to be fully relaxed, which is his unique on-site adjustment method.

Jason Statham was much simpler, leaning back on the chair, holding the script in his hand, lowering his head, thinking about something.

Both of them understand the importance of this scene and the difficulty of the performance.

There was an inexplicable serious atmosphere that suddenly came on the set. Perhaps everyone was waiting.

Lyman stood aside, looking forward to it.

Because of the previous shooting, it has always been smooth-since he joined the group.

The actors, especially the old drama bones such as Hugo-Weiwen, seem to be able to do well in filming.This is the first time that he has prepared foreplay carefully.

"Are everything all right?" Wen Ziren asked.

"Ok." The actor made an affirmative gesture.

"Action——"

The camera of No. 1 camera first gave the saw a close-up close-up, and the cutting chain on it looked so sharp.

Then slowly panning, pulling up and back, reflecting the whole body of Hugo Weiwen.

He didn't know what he was thinking in his eyes, looked at the saw several times, and lowered his head again, as if he was doing the last ideological struggle.

Shaking his whole body slightly, he still stood firm-otherwise, he would only die.The devil wanted to see such a scene happen.He meets him.

After taking a few deep breaths, Hugo Weaving lowered his eyes, picked up the handsaw in his right hand, and stared at the ground diagonally in front of him without blinking.Jason Statham stared at him, seeming to be surprised at his behavior.

The cameraman was so irritable that he was turning around between the two of them, constantly taking pictures.

There was a dead body lying on the ground.The wound no longer bleeds.It is the actor of the jigsaw, JK Simmons.If the final reversal is the finishing touch, the front is all paving the way for the final.His shots are all swept away, so that people know that this is a "dead man".Now the focus is not on him, he must deliberately reduce his sense of presence.

Hugo-Weiwen pursed his mouth suddenly, with obvious forceful movements on his hands.

The veins violently burst, and cold sweat ran down.

Panting with big mouths, the body was staggered and swayed slightly, but it continued.

Finally he couldn't help it, and roared fiercely, like a wounded beast trapped in a cage.The expression in his eyes changed completely, becoming bloodthirsty and murderous.

His expression was extremely painful, but he was still firmer than ever.The madness was fully expressed at this moment.

Gradually, he collapsed to the ground like a collapsed spine.

His face was pale and he kept twitching.

The camera moved backwards, and saw a section of shackles still hung on the calf, on the sawtooth and on the ground, all blood stains from the props team.It was bloody and seemed to be throbbing inexplicably.

Hugo-Weiwen seemed relieved and let out a sigh of relief.His hands hit the ground, still enduring the pain.

He did it, he escaped...