Hollywood legendary director

After spending more than two hours loading all the shooting equipment on the truck and sealing up the set, Lehman told everyone about a dinner in a hotel.

Is it the finale? Besides, Lehman still has some ideas to win.

Two-thirds of these behind-the-scenes people are owned by Europa Pictures. However, after cooperating with so many works, both parties are very familiar with each other. What Lehman wondered was whether he could establish a cooperative relationship with these people. Even if you don't cooperate with Europa Pictures, you can still make a move.

After all, a production team with a tacit understanding of shooting is sometimes more valuable than someone with strong individual ability.

The actors, after the filming, went back to the hotel.

And Lehman also went to Europa Pictures to talk to the relevant person in charge about the copy, and went there to register the right to use the studio.

In the evening, after dinner, they went their separate ways.

Next, it took about a week to cut the first edition of the movie. Ryan and Thomas were concerned about the rest, but Lyman bought a plane ticket and flew to Los Angeles.

Without him, "Saw Fright" also needs him to stare.

......

In the post-editing room of Warner Studios, Wen Ziren showed great enthusiasm for Lehman's arrival.

The movie was shot as early as early September, and he has been busy editing for these days.

People with experience can also help refer to it.

Soon, Wen Ziren and Ray Warner put the samples into the player.

On the discerning screen, Jason Statham looked at Hugo Weaving helplessly, begging not to kill him.

In the end, he still failed to be cruel and saw off his leg. Instead, Hugo Weiwen picked up the pistol on the ground and shot it in the shoulder.

After falling down in response, Hugo Weiwen said loudly that he had done it as required, and the door to the basement opened smoothly.

He dragged his body and crawled hard.

After a while, Jason Statham woke up, and at the juncture of the shot, Hugo Weiwen stayed in his hands, and did not kill him.

But seeing that they were about to escape, he collapsed again.

Shouting not to abandon him.

Hugo Weiwen made a promise, and after agreeing to go out, he immediately went to the police to rescue him.

Not long after, only Jason Statham was left in the cramped basement bathroom with a corpse on the ground.

Suddenly, he seemed to have seen the scariest thing in the world, the corpse actually got up from the pool of blood.

Shaking his head and shaking his head, in his most desperate eyes, he closed the door again...This paragraph was cut very well, with a bright rhythm and delicate sub-shots, which seemed quite tight between the back and forth perspectives.

Logically speaking, it should be a proper movie climax point.

As a result, the jigsaw played by JK Simmons just came out. Without saying a word, it was too agile when closing the door. The picture suddenly changed, and the lens was inexplicably drawn to the middle shot, and then it disappeared?

"Is this the complete film?" Lehman looked at the screen that was no longer lit, quite painful.

"Well, how?" Wen Ziren asked expectantly.

"What do you think about this last paragraph?"

"Leave it blank, give the audience a little room for imagination."

"But, you have laid so much in front, isn't it just for this final character reversal? The plot has reached this point. The tune is still a little bit higher, won't it appear uncoordinated, the audience will also look upset. "

"Not good?" Wen Ziren asked weakly.

"of course."

Later, Lyman watched the film again.

When I re-watched it, I kept pointing out some small problems, "At the beginning of 9 minutes and 3 seconds, the dialogue is being refined. Don't analyze everything, leave some suspense to the audience... 30 minutes Here at 58 seconds, this shot is too much, it seems that the scene is too boring, not tight enough...and at the end, you use the tones well, but you need to add a little jigsaw front lens, and finally When closing the door, also give a close-up, try to put the perspective on the jigsaw..."

After that, several people watched the sample video several times, from early in the morning until five o'clock in the afternoon, and lunch was eaten in the editing room.

Finally, the original film will be shown again.

Even Ray Navor, a pseudo-producer, can feel that the rhythm of the film is much smoother.

As for the director Wen Ziren, I definitely don't want to change it. After half a month of post-production, he really wants to incorporate all of his shooting concepts.

But in fact, he doesn't know how to watch movies. He also keenly feels that these subtle changes really make the movie more colorful and the visual experience is more shocking.

"Thank you." Wen Ziren said sincerely after watching the cut film.He now understands why people's films always have good results, and the sharpness of this editing is different.

"No, no, this movie is better directed by you, and I am nothing."

Although everyone loves to say good things, they can't easily obliterate Wen Ziren's efforts.

This "Saw Fright" was originally an idea, and many shots are also very imaginative, especially for the shaping of the horror atmosphere. There are too many advantages.His role is nothing more than icing on the cake.

"Did someone do the soundtrack?" Lehman pressed his head with his finger, and asked suddenly.In later generations, this film can be well received, and the wonderful background music is also a lot of bonus points.

"Well, I'm asking someone to do it, but I haven't found a match yet." Wen Ziren sighed softly and said.

"In this regard, keep your eyes on it."

With this, Lehman can't help much.After all, each director has different aesthetic preferences.Besides, he doesn't understand music. In this regard, he has always asked Hans Zimmer's team to outsource production. He chose it entirely based on his feelings.If the tunes given by others are considered appropriate, it is usually fine.

After cutting the film, Lyman called Shirley Lansing, the CEO of Paramount Pictures, to inform her so that she could prepare the pre-publicity of the film.

As for Shirley Lansing, the level of emphasis on this project is the same. She is more concerned about Lehman herself. After hearing this, she also said that she would find someone to arrange corresponding matters.

Initially, it is scheduled to be released in October, and they will meet to discuss the specific day.

After hanging up, there is nothing to need him here.

Thinking about the agreement with Warner, Lehman couldn't wait to finalize it.

He came here this time, and there are a lot of things.

In addition to "Chain Saw", "Million Dollar Baby" project after he finished filming "Micro Love", he can also initially agree on the general shooting process.

So, after leaving Warner Studios, the next day, he quickly invited Warner to invite...