Hollywood legendary director

"A New York Tour" is still being filmed, and the progress is neither fast nor slow.

"Chain Saw 2", the deadline has not yet arrived.Wait slowly.

After Wen Ziren went to the crew of "New York Tour", he was also happy.Perhaps it was this theme that aroused the desire for creation, and followed Zach Schneider to perfect the expression of this novel image of zombie every day.Less one-sided, more accurate, and even beyond the genre of other zombie movies in the past.

This is what they want to do.

As for the top, he himself completed the filming of "Hellboy", and now he has entered the post-editing session.

To be honest, for filmmakers like Lehman who don't like to intervene in creation and give the director enough shooting space, the top is 10,000 satisfied.

That way he can edit all kinds of whimsical shots of his own into his own movies, so he is also very happy.

The monster image he created is always different from other directors.

Perhaps it is because he always likes to give monsters some humanity and even strong humanistic thinking, not so thin.

Everyone has things to do, and after a few days of leisure, Lehman also ushered in the task.

In the theater of the Warner headquarters building, Barry Meyer is watching the edited feature film of "Million Dollar Baby" with a group of executives.

After reading it, they all felt that the quality was good and very good.

Is it a matter of course?

Warner thought about the same as discussed before, planning to premiere in Cannes first to gain a reputation.

For a drama movie like "Million Dollar Baby", it is the safest way to win awards, nomination, and then release.

And this year's Cannes Jury, Warner is very familiar with it.

Quentin Tarantino was invited as the chairman.

In other words, Cannes will change the jury every year, but in exchange, the composition of its members has always been in the majority of the United States and France.

I don't know if this has always been an alternative power distribution and compromise.

After all, of the three major international film festivals, Cannes is the hardest to introduce Hollywood influence.

It has also succeeded more and more in starting its own sign, faintly overwhelming Berlin and Venice.

It is more prestigious than trading volume, platform capacity, or someone else's reputation. Now they all respect Cannes.

But it seems that Hollywood is gradually turning Cannes into another beautiful vanity fair.

We don't know who affects whom more.

There is no need to be clear.

For Lehman, it is useless to be sure that his own affairs are more concerned than others' affairs.

After a little chat, Barry Meyer said with a smile: "After Cannes participates in the exhibition, we will compete for the Oscar at the end of the year. We will arrange all the public relations, contact the film critics and the artificial forces.

Boy, if I hold you so vigorously, why don't you miss me?

Barry Meyer thinks a lot. Anyway, the benefit of this movie is to win awards and word-of-mouth. Warner's connections in this area have always been good. If it is really successful, it will not only earn solid market results, but also be appropriate. To show Warner's background and to win Lehman better is really killing two birds with one stone.

This is why he chose such a project to cooperate with Lehman and test the waters.

On the one hand, the investment is not high, which is a misunderstanding, and the loss is not big; on the other hand, if you can tell such a story well, you can figure out what the whole person is like in the process of directing and cooperating.

So, between filmmakers, between the director and the distribution company, it is a scheming to properly complete the whole story.

Calculate, calculate.

The gains and losses and rewards are even more straightforward.

Of course, Lehman is also quite thorough.

Although I don't know what Barry Meyer's idea is, at least Warner's intention to win him is clear.

"Mr. Meyer..."

"You don't have to be polite with me. You are a capable director, and Warner likes to work with capable ones. When this drama is over, I wonder if there is any time to cooperate again?"

"There will be this opportunity." Lehman answered with a smile.

After a while, this kind of courtesy ended, and the filming session ended.

Lehman greeted everyone and took the initiative to leave.

Out of the projection hall, walk in the direction of the elevator.

Press the floor, the elevator door is about to close.

Suddenly two men came in again.

One of them was wearing a suit and holding a briefcase; the other was dressed casually but with a pair of sunglasses on his face.

The elevator moved and went down.

The one wearing sunglasses suddenly took off his sunglasses and said in surprise: "Director Lyman?"

"Are you? Kim Kerry?"

The two are actually not familiar with each other. After saying hello, for a while, they didn't know how to speak.

The atmosphere is a bit awkward.

In the end, Lehman asked, "What's the matter with you here?"

"An audition for a movie."

"Haha, did it go well?"

"Never."

Uh, how can people answer the conversation?

Lehman found out that in private, Kim Carrey was completely different from the image shown on the screen. He was not talkative, not very cheerful, and even said he was a little quiet.

For an unfamiliar actor, the only way to get to know him is works.

Unfortunately, the film is said to be a true artistic presentation, but it is not true.

The elevator was still going down, and several people were looking at each other in the narrow space.

Seems to be thinking about something to break the deadlock.

In addition, the person next to him may be Jin Carey's agent or assistant, and Jin Carey always looks at him.

As if to let him speak.

"Ding."

The first floor is up and the elevator doors open.

Lehmann was about to go out, and the man who didn't know his identity finally said, "Director Lehmann, are you free now?"

Lyman has heard this kind of similar invitation verbal language many times.

Since he has a strong box office harvesting ability, and none of them failed, many people in the industry like to get close to him.

Either talk about cooperation directly, or build friendships and wait for future cooperation.

Lehman could also faintly guess what the two people wanted.

What can an actor demand?

But he still turned around and glanced at Kim Carey.

Thinking carefully, nodded, "I have time."

On the road, during small talk, Lehman also knew that it was Sangler, UTA's agent, who accompanied Kim Carey.

As for the fact that they came to Warner headquarters today, they were indeed discussing projects.

However, it turned yellow in the end.

As for what the project was and why it was yellow, he didn't elaborate, and Lehman didn't want to ask.

Instead, he is more interested in Kim Carey himself.

How does such a slightly dull actor perform the exaggerated comedy effect on the screen?

Quite curious.

Is it possible that every comedian hides another personality and possesses the ability to make the audience laugh?

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