Hollywood legendary director

The line of screenwriting has been developed for so many years and is also very mature.

In Hollywood, many producers have complete teams of screenwriters.

The most famous one is Jerry Bruckheimer. This guy has a really good vision and there are so many screenwriters, especially good at series.

Every time this guy has a new idea, he will gather a group of screenwriters to discuss.

What three-stage style, lines, character, etc., the whole book is subdivided from inside to outside.

For example, for a script, let a certain group start and set the tone of the whole.

Then another dedicated team will figure out character descriptions and set conflict points, and then there will be other screenwriters who write specific scenes that need to be written. For example, this is a very delicate description of feelings, so let this person write about the emotional changes of the hero and the hero, such as this one who is good at fighting. , Then write specifically about fighting scenes.

In short, relying on this kind of professionalism and fluidity, it may be just a whim of Jerry Bruckheimer at first, but it can also be abruptly compiled into a mature script, full of commerciality.

As for Jonathan, he has the strength in this area, and he is especially good at hammering out a bunch of ideas.

In other words, he has a sense of smell for what the audience wants to see and what they like to see.

In the cigar house in the fairyland, everyone was full of conversation.

The idea just now was directly agreed.

Lehman laughed and said: "If you want to give Batman more humanity, you have to pull him off the altar. You said, if you set him to a higher level of force than ordinary people, it will hurt and die. How about mortals who are afraid and hesitate?"

"Good idea." Nolan nodded decisively. "This is what I want."

He stood up slightly and said seriously: "The original intention of my creation of this story is because Gotham is full of crimes and the inaction of the judiciary and the government. People expect a hero to protect them. Batman is the hero, but he is also a hero. Mortals, this is a story of a weak person who dared to help others after a series of incidents."

The more he talked, the brighter his eyes became, as if the whole thought was opened.

It turns out that everything that bothers and puzzles has answers.

He said: Why is there Batman, because even if you have a wealth of money, you may die once, under a black gun deep in the alley, just because you have money;

Why is there Batman, because everyone endures in the dark, praying for God’s salvation, but God never loves the world, there is a voice in the silence, he stood up, this person who stood up became Batman;

Why is there Batman, not Kellaf body armor, not a bat chariot, or that cool jacket, but a choice, a person is not angry with injustice, and roars...

Lehman was also deeply touched by the words.

He finally understood why Nolan would make such a story.

In other words, if it weren't under the banner of Batman, he would be shooting a hero.

This is why Batman is suitable for him.

His story is not false.

In other words, in his understanding, a superhero should not be that he is strong, but a person who only does 200 push-ups more than ordinary people, who can have firm beliefs and a fair heart, which is far better than Omnipotence is more touching.

The body of a mortal is comparable to a god.

......

The general tone of the whole story is set.

Lehman suggested: "Today is also a fate. A few talents will gather together. If we have the intention, we will directly define the framework of the movie. Warner is still waiting for it. Mr. Jonathan, please trouble you to write. , Complete the first version of the script as soon as possible."

The cigar smokes comfortably, this person also tastes right.

Jonathan nodded readily and said: "Don't worry, I promise you won't delay things."

Ryan has also been smoking a cigar, listening to it, completely aroused by the story, and said happily: "Come on, I can also help and give some ideas or something."

"..."

Jonathan put down his cigar and said: "The whole idea of ​​adaptation is in place. Batman's growth is generally clear, but the plot is not enough, and the role conflict has not been settled. Let's talk about the plot arrangement first, or think about the role first. set up?"

"Character, with a character, there is a story, and the plot can unfold naturally. I will start first..."

Lehman paused and said, "It must be a villain, bad guy, etc. finale, but what is the purpose of the villain? What about those who are destroying the order of Gotham? Gang leader, perverted drug lord Scarecrow."

"Yes, the Scarecrow can also lead to the Arkham Asylum, which is considered an element in the Batman comics. But what about the righteous side, Gotham City police chief Gordon, and the prosecutor. Set the prosecutor to How about Bruce Wayne's childhood sweetheart? The ambiguous emotional scene can also aggravate Batman's humanity." Ryan also said hi.

"Emotional drama can, but can't deliberately, how about setting it to be like-minded? There is mutual favor, but it is not officially established?" Lehman said again.

"It's okay, anyway, the main line of the story should revolve around Bruce Wayne's growth." Nolan also smiled: "His fighting skills are set to learn from a master, and in the end the master is inconsistent with his philosophy. The two have another dispute."

Jonathan also suggested: "This story must be a sequel. If you want to create a complete Batman, the first part can only slowly change in this respect. Gotham is also a city that is slowly destroyed by order. "

"Then this drama conflict will all come out..." Nolan sighed: "Criminal elements in some cities represent internal stubborn illnesses. The transformation of Bruce Wayne is the main line, as well as experience and thinking. It’s a wonderful story."

"Awesome. The martial art section is very good. It shows that Bruce Wayne became Batman by himself. Even without the help of those technologies, he would be a knight who punishes evil and promotes good." Lehman gave a thumbs up. "However, I think it’s more interesting. The person who can teach him fighting skills also has an organization leader. It is also the big boss in the first part, which gives the audience a great sense of comfort."

"Organization means strong strength and rules. It can also be said that Bruce Wayne is unwilling to abide by the rules of the organization. He acts with a different philosophy, and he will turn back in the end. This way the conflict can be stronger." Jonathan pondered.

"It is reasonable. In this way, there is a climax, and the audience will be more satisfied. Otherwise, the tone of the whole film is very plain, which is not conducive to commercialization and entertainment." Ryan also said.

"Well, that's it. With various main characters plus some settings in the comics, there can be eight or nine characters. No matter what, the characters are satisfied."