Hollywood legendary director

This is a nice statement, but is it more affectionate or dissatisfied?

Are there many people who have won prizes, or many people who have not won prizes?

It’s good not to be pointed at the nose and scolded. Lehman said in an angry voice: "The director is not good, who wants to obey only one person? If there is only me and a judge, I will recognize it, but so many vote together, I consciously cannot convince Others also support the movie I'm watching. If it doesn't work, why waste time, and my own movie also needs such an opportunity. Don't go, don't go."

On the other end of the phone, Luc Besson felt helpless.He was commissioned by several seniors from the organizing committee and promised to come to the Lyman platform-not only the director needs fame, but the film festival also needs the support of the famous director, otherwise the niche film festival in any region will not Baba’s invitation to international directors to pay high-value appearances will make people walk around.

why?

Just for the reputation of those directors, it is definitely to give the film festival a face and gold. Just think about it. If no famous filmmaker in a film festival is willing to participate, who will recognize the authority and fairness of the selection?

What can't be recognized is pure self-confidence.

And Lehman is now an authority in the field of film, and if it is a bit more imagery, it is just like the bluff of a long list of titles before.

Looking at the titles, the Palme d’Or winner, the Oscar winner of the best foreign language statuette, has made a blockbuster movie with a global box office of over 700 million, not to mention several celebrities and actresses. Isn’t that a well-known member of the movie?

If it doesn't, the threshold for this movie is really high-obviously impossible.

Luc Besson thought about it, and then he gave a compromise plan-anyway, the first task is to invite people to be judges.

I just want Lehman to serve as the judging panel for the non-competitive unit.

Well, the Cannes Film Festival is divided into a main competition unit and a non-competition unit. The latter includes the director’s fortnight, short film competition, film cornerstones, etc., which are mainly to promote newcomers. It is not too formal and it is not necessary. Lehman's "public appearance" is eye-catching.

After entanglement, what else could Lehman say, so he had to agree, but he also understood that he did not have so much time to be responsible for the preliminary selection work, and he clearly said that he would not have much time to spend on it.

Luc Besson fully agreed.

When this matter was set, Lehman had some expectations inexplicably.

In his opinion, it is indeed like Eva said that it will be very face, there is a kind of satisfaction and vanity.

Lehman also doesn't think his ability is enough to be elected as a judge.

As a dual soul, deeply imprinted by the memory of the original owner, Lehmann is sometimes cynical and can't look down on many French literary films, but he is actually infected by mainstream values, and he still hopes that French films can get better.

Otherwise, why did he spend so much energy on shooting more in-depth movies?

On the one hand, this can be regarded as a means of making a name, which can improve the qualifications of the director; on the other hand, it is not to satisfy the more pure production concept of the filmmakers, and I want to support this kind of subject matter in my heart, and prevent literary thinking from my The company disappeared completely, and everyone played business together.

No matter how you question it, the Cannes Film Festival is the number one international film festival and the pride of French cinema.

You know, the higher the status, the farther you see.

So his hesitation is because he is worried about being scolded and conflicting with his own interests-he is really a judge of the organizer, and he is embarrassed to award the prize to his own company's work?Really shameless.

People still have to cherish one's face while alive.

And if you switch to a less noticeable non-competitive unit, then Lehman will be more acceptable.

There is not much to say about this, anyway, Lehman's psychological journey is like this.

Hanging up the phone, Lehman also lost the nature to complete the great harmony of life, instead put on a coat and ran to the study to write the outline of the script.

The script he wants to give Sofia is a sci-fi, but essentially a literary love movie that takes place in the future.

To sum it up in one sentence, "Do you want a lover tailored for you?"

Love always allows people to interpret different tastes, and for some people, love is too heavy, too heavy to accept that their life is changed, and they don’t want to feel bound and depressed because of promises, and they don’t want to worry about not satisfying their lover. What they need is the requirement that they can always feel the beauty of love without burden.

Will there be such a relationship in this world?No compromise, no tolerance, no change...

Fantasy shines into reality, and in the future, there will be a girlfriend generated by an artificial intelligence operating system to give the most spatial sense of love in all aspects, and the story begins with this kind of human-computer love.

In fact, there are many similar movies depicting artificial intelligence.

"Machine Butler", "Me, Robot", "Robot Story", "Robocop"...For artificial intelligence, including the director, there are always many ideas born, some are becoming reality, others are not yet .

The script selected by Lehmann is 2014, Spike Jones wrote and directed the work "She", also known as "Untouchable Her" and "Lovers in the Clouds".

As a writer, the male protagonist Theodore writes love letters for people who are not good at expressing emotions. His love words are touching, but they are just writing for others. His own life is still a mess.

After divorcing his ex-wife, he was always inexplicably lonely, melancholy, and lonely, which is consistent with the tone in "Lost in Tokyo".

Sophia is particularly good at this kind of delicate emotional expression, even if it is all trivial shots, and there is no moving storyline, but she always feels comfortable in the love movies she directed.

Perplexity and loneliness are the two major themes in her movies, and it so happens that "She" all fit.

The subject matter is appropriate, the investment is not high, and it will not bear the great risk of failure. It is more fame and fortune. Is there a more suitable work for Sophia than this.

More importantly, Lehmann couldn't make this movie, and his style couldn't play with such delicate, feminine fantasy love.

But Sophia can.

Lehman carefully described the story background of the script and the character setting. Sophia added the rest of the details, and he couldn't write the flashy style.

No words for a night.

The next day, Lyman took the script to find Sophia.

——Not the manor last time. Sophia rents an apartment outside.

In the living room, Sophia and Lehman sat opposite each other, flipping through the script in their hands.

The more I look at it, the more satisfied I am. Just as Lehman speculated to her, she really likes delicate emotional expressions.

The charm of Theodore and Samantha's love affair lies in that no one knows the future. Their love is not as hard and glued as ordinary lovers. Although they get along day and night, they are separated by an untouchable network.

But it is precisely because of this that Theodore does not have to bear the real responsibility, nor does he have to worry about the prospects. What he is afraid of is the contradiction between the two people due to various reasons in real life.

The quarrel was what Theodore tried to avoid.

But is this relationship perfect?

——Too perfect but loses the human touch.

Samantha is not love for Theodore, more like a person's accommodation to the pets around her.

Because it's virtual, it's artificial intelligence, it's an edited program, and the disparity of species determines the basis for emotional breakdown.

"There is no love without pain in this world. Everyone has their own shape. In order to love someone, expose their shape to the other person, and for the other person to unconsciously change their original shape more or less. The process cannot be smooth, so there must be pain. But this pain will polish the love more brightly and firmer."

Sophia liked this theme very much.

She accepted the script and said to Lehman: "I need some time to continue polishing. When I finish the script, I will come to you again."

Lehman can do nothing.

If Sophia doesn't understand the story thoroughly and fills in her own thoughts, this movie might not be made well.

Anyway, the fertile water does not flow into the field of outsiders. The Coppola family can become the allies of the fireflies. Sophia is not an unlearned director who can only welcome her-although his dad helps her a lot, it really can't help her.

Lehman was quite willing to pull it.