Hollywood legendary director

Entering July, the 2006 summer vacation has unknowingly entered the end.

And this year's summer vacation ushered in the worst time of the fight in mid-June.

"X-Men 3: The Last Stronghold", "The Da Vinci Code", "Old Nowhere", "Break Up Men and Women", "Cars", and "Superman Returns", all the works with good box office are crowded together. If it weren't for the wide audience base, it would be too much.

Of course, this is also because the first few works that were released first harvested a wave of box office and are not at the strongest stage of screening. Works such as "Mission Impossible 3" and "Outside the Fence" have quickly vacated their theater share.

At this time, the box office situation of "Old Nowhere" is even weaker. Although the word-of-mouth is maintained, both IMDB and film critics have high scores, but less than one or two million in a single day and less than one percent of the film sequence. 3. The number of theaters has also been reduced to 215, which is announcing that it has entered the final stage of painting.

Even more tragic is that on July 7, the second part of "Pirates of the Caribbean" will also be screened. This is another box office hit, but it has nothing to do with Firefly. "Already made a rough profit.

Nice, the set of "Untouchable".

Early in the morning, several staff members carried several large wooden boxes and took out several paintings bought in the gallery and hung them on the wall.

The filming sequence of this film is from difficult to easy.

At first, I finished filming the background scenes of the passersby, then some supporting roles, and finally transferred to the two leading actors to complete the last few shots.

As the shooting progressed, everyone's enthusiasm for work remained good, perhaps because of the smoothness, there was no moth.

"Why is this painting so expensive?"

"Because it is a work of art."

"Artwork? Thirty thousand euros? I can paint the same thing with 50 euros of paint from the building shop."

......

Seeing Omar-Hee’s skillful complaints and François’ habitual accommodation, Lehmann nodded in satisfaction, and then shouted: “Yes, it’s great. Thomas, adjust the position of the number one to the left of the door 30 degrees, wide. Jing, Ryan, ready to take the next shot, this one is over."

Hearing Lyman's call, François Lisso stood up and re-applied makeup under the leadership of the makeup artist.

The methodical shooting makes the entire crew run very efficiently.

Because I have read the original work, Lehman’s grasp of the shooting direction in his mind is very clear, and he can even handle the lens better and more appropriately at any time, and there will be no many discarded clips, and the workload will be less. It also means that the shooting progress can be faster.

All studios like this kind of confident directors, who have short schedules and high quality.

This is also why "fast shooters" like Spielberg are Hollywood sweets and pastries, but James Cameron is a cause for concern. It is not that his movies are not good, but that he always deviates. plan.

This kind of uncontrollable and changeable shooting is really overwhelming for many people.

But after the first priority of the mass scene shooting, the latter part is really easy, shooting 7 or 8 segments a day is simple.

After all, the two protagonists are in a very good state, and the long-term performance allows them to substitute their emotions unconsciously.

After another scene was completed, seeing François moving his body, Lehmann asked amusedly: "How is it, is it enough?"

"It's okay, now I'm waiting for the finale. Playing a role like this is still unfriendly to my age."

Lehman couldn't help but laugh at it.

At this time, Omar-Hei, who put on a jacket, walked out of the dressing room.

Lehman turned his head and said: "The next shot is the turning point in your life when you leave Philip. You should be more serious, serious, less slick and amused. It is best to show some dismay in your eyes."

Omar-Hee listened to Lehman's instructions and nodded slightly.

In private, this guy is also a very happy and cheerful person, and he can often speak humorously.

After getting along with the crew for a long time, he is no longer cautious, and his personality is somewhat similar to Deris.

In this group of shots, Philip also saw Deris' younger brother, learned about his family, and realized that he could not always let Deris take care of him. His family needed him so much, so he helped him find a new job.

Therefore, this scene is also more prone to tears.

In other words, "Untouchable" is a very heartwarming work, with a smile, touching, and the plot is not dull, coupled with an attitude of tolerance towards French humanities and class relations, it will be loved by most audiences. There is no reason.

These days, too many people are suffocating a hostile spirit, and they have to watch more movies like this.

After more than 20 minutes of preparation and arrangement, Lehman came to the director's monitor and observed it. He felt that the position was okay, and then nodded, "All departments prepare."

The field note stepped forward and gently pressed...

Omar-see sat next to François and chatted about his story.

A black man whose adoptive parents are not biological, is poor, has complicated family relationships, and has young siblings who need to be taken care of.

François heard him speak in a very casual tone, and it took a long time to speak: "You need to go back."

"What about you?" Omar-Hee frowned after spending so many days with him, obviously embarrassed.

"They need you more than I do." François tried to suppress as much as possible, pretending to encourage: "You can have a better life."

Omar-Shee turned to look at François. He was about to say something, but was interrupted by Lehman: "Omar, your expression can be more relaxed. Although you don’t want to give up, you have a cheerful personality. It makes me frown, I am willing to accept a new life, but I can't let Philip go. You have to grasp this degree. You can even ease the sadness with a chuckle."

The original version here is mostly close shots. When a single person speaks, only a short shot of a single person is given. This is more emphatic, but it ignores the atmosphere. It is not as good as the middle shot. Two people are in the same frame, just like old friends chatting.

And this performance also focuses more on the atmosphere. It shows that the two of them have changed from an employment relationship to a partnership, and there is no sense of restraint. Although the parting emotions will be heavy, both of them have very strong personalities, and there is no mother-in-law. On the contrary, after speaking out, it was very straightforward, and a little sadness passed quickly.

Anxious but not too anxious, this is not a miserable drama, it is almost like this.

Omar-Hee was touched by Lehman and noticed that some of his tone was too low and his personal settings were inconsistent. He quickly replied, "Okay, I will pay attention. I'm sorry, let everyone do it again."

Omar-Hee is still very good at being a human being, no wonder he can be a black man.

I was able to apologize to the crew around me for making mistakes in the filming, and my mentality was very calm.

Moreover, the increased workload is not a very comfortable thing. To say this, it can also relieve everyone, and the emotional intelligence is good.

Lehman made an OK gesture, and the crew immediately reset.

After five minutes, the shot restarted.

This time it was done very well, and nothing went wrong.

"Okay, this one is over."

Lehman took a sip of water and looked at the time. It was already 4:30 in the afternoon. This set of shots estimated that it took more than forty minutes to shoot. He was obviously a little tired in a wheelchair except for François, who could not move above his neck.

Feeling that the rest of the time can’t be taken, Lehman said loudly, “I’ll be here today and I’ll leave after watching. Ryan, lock the props in the warehouse, Thomas, put the camera back in the car. The rest, tomorrow Remember to be on time."

Everyone jotted it down and heard the end, they were very motivated to quickly clean up the set, which should be carefully placed and prepared in advance.

Then return to the hotel to eat, rest or play.

This can be regarded as some pastime for everyone after work.

But after the filming, Lehman returned to the room and started to check the scenes scheduled for tomorrow, so that he knew what happened, and he could quickly give a solution if something went wrong.

The director is always the one who cares the most and pays the most when shooting.

Even enough sleep is difficult to guarantee, but it's just that there are too many chores during shooting...