How the Villain Lives

Reviews

Yes, the law of living long and long villains has finally come to an end.

I want to get out of the compulsion to use it every day, and I want to cool off (but I'm starting a new piece soon, right? I don't think so...) On the other hand, I'm a little grumpy because I'm finishing my work. In a word, how cool is that?

Once the villain lives, below, the villain is finished, but there is still a pity. Once I finished all the big loaves and stuff, but there were also the loaves that I couldn't recover and the settings that were buried. A few of them are typical: Lee Young-gi, who first appeared and was supposed to act as an informant, Yukiko, who was supposed to be a loyal pet of the main character, and the other strategic backyard, which was supposed to come from the city of NPCs, the neighbouring stronghold.

They were all the same unfortunate materials, but as the story unfolded, they were naturally buried by the elite, the employees, and the high-powered, perfectly compatible characters like Yu White Woo. I could use them to show you more dimensional and interesting stories, and I'm sorry I didn't, and I'm sorry.

And the other thing that's unfortunate is that the slum came halfway through the story and passed it on to the fishermen. I paused because I had a recharge, but I wrote forcefully because I thought the slump would get worse if I kept handing it over without recharging.

And of course, as a result, I got out of the slum, but the story I wrote during that period was a little bit less intuitive and less probable. That's why a lot of people said there was less immersion in the middle of the day...

The next thing I'm going to tell you is not about the interior of the work, but about the work itself. So many of the novels that I've read so far, and the novels that I've written, are basically about justice winning and winding up evil. Even if the protagonist was a villain, he would often break even greater evil or do good. Even if you have a real bad guy in your head, you don't get to have a happy ending.

In that situation, I wanted to write a story about a bad guy getting a ride. not having your own justice officer, not having a reason not to pitch, not having a reason not to have any open-mindedness, just a simple villain playing. But this was surprisingly difficult to balance. Fantasy fiction basically had to be a surrogate, so you couldn't put in a dumb character with no power, no wisdom, no tenacity.

But if you don't make your protagonist too strong, you're a bad guy who doesn't cover up his means and his methods, and you lose more roughness, and you lose tension. You have to have strength, but you have to have moderation.

Moreover, if the protagonist's power is to rely on talent, it will return to its original preaching situation because of special items or skills that only the protagonist will inevitably acquire if the story progresses later. So what I thought for a while was that there was no talent, no rat horn, no item red, no ability red, to fight talented people was complete.

The next thing I knew, I had to decide which type of villain. In fact, the first concept of Sung-hoon was Jack Apron. It was a perfectly evil incarnation from the very beginning, and it was an arrogant and brave character. But the problem was that I didn't have the confidence to drag this character to completion. Somehow, I thought I could write in the early mid-1990s, but then I couldn't, so I thought about it and I found a simple answer.

'I guess you could just model me?'

When I got into extreme situations like Yooseong Hun, I forgot all about human rights, friendship, recognition, morality, and all of that, and I thought, what if I was like me, it was very subtle. When you're in a favorable position, you pretend to be in front of others, but when you reverse your relationship, you immediately bend over, and you don't have any great or great intelligence, and you're just as brilliantly reminded of the little tricks to get out of the way.

Honestly, I think it would have had some impact on your popularity. The protagonist in a novel is always confident, without bending his will to any pain, regardless of the severity of the offense, but that person is hard to find in reality. However, Yooseong Hoon would have been more immersed, even if he was stronger, because he was a common villain whose roots could be anywhere nearby.

(Of course, I am a very good ordinary citizen in reality.)

That's why the assassination is complete, but it's more meaningful to me than any novel I've ever written. It's a real shame to finish it. Of course, I'll finish it, but... Hmm.

In fact, Yooseong Hoon and Miri's loving everyday life, Yooseong Hoon and Miri are actually lower at night? There were many things I wanted to write about, such as the evening, the counter Arben, the servant who crossed the line, the second part of the Assault Act, the Arben Regression Act, but the Assault Act was actually over from the moment the Grand Chamber stopped and all the major rivals disappeared. When I've written other stories, it's just my own people. of course, because we don't know what it's going to be like to be human, but we might use it later.

As I was writing down the 471, I couldn't help but feel the things I wanted to say, and the reviews got so long. That would mean that the end would be a pity.

However, we will return as soon as possible to the next pseudonym 'Modern Talent' or 'Everyday Thinking Only', so I ask for your attention and support again. (Given the duration of the recharge, it could be a fortnight to a week, faster than that.)

Anyway, once again! Thank you so much for doing the same with the method of assassination. ^ ^.