I Heard I've Been Dead For Thousand Years

Lin Meng was shocked when he saw the contrast between the two, thinking of seeing a handwritten note left by a saint who was proficient in melody in the library of the Shijue old man thousands of years ago.

It is recorded in the handwriting that the melody saint who left the handwriting and an eminent monk who is not sanctified in the Buddhist garden but who is proficient in melody discusses the Tao, inspired some insights and finally eradicated this insight and created a melody exercise. .

The exercise was called "Tian Yin Du". This exercise made Lin Meng quite strange at the time. The strange thing is that this exercise is not an ordinary one of killing, charm, illusion, enlightenment, and washing of the soul. An effective tone and rhythm technique, but an ordinary piece of music that seems useless.

It's the kind of music with the most moderate tune and very plain.

But would a saint jokingly create a useless exercise, and use a handwritten note to record the origins and insights of this exercise?

Lin Meng didn't believe it at the time, but he didn't understand the rhythm, and couldn't see any mystery from this seemingly ordinary tune technique, so he had to turn his head and re-read the saint's insight and the origin of the technique in this script.

After reading this, Lin Meng discovered that this exercise is not simple. The usefulness of this exercise is just like its name, just above the word "degree", which means degree.

It is even more assimilation than degreeization.

The manuscript records the process in which this saint travels around the world and encounters a monk who is proficient in rhythm and talks with him.

In the discussion between the saint and the eminent monk, he knew that the direction of the eminent monk's melody learning was different from the direction of the ordinary melody at that time.

The high monk incorporated the rhythm into the Buddhism, and it was not the Buddhist lion roar and the eight-tones of the dragon.

It is a technique of rhythm similar to Zen chanting.

Only the unique technique of temperament incorporates the means of influencing people's spirits, and it is not directly applied to the spirits like ordinary techniques of temperament.

Rather, it is more subtle, directly acting on people's xinxing through divine souls.It can help the eminent monk to transform human beings into Buddhism in this way, so that people abandon evil and do good is close to becoming a Buddha!

That is to say, the rhythmic secret technique created by the eminent monk can have the effect of changing people's xinxing, but this is a new path that has never been seen before, and it immediately attracted the rhythmic saint.

The saint and the eminent monk discussed the Tao for seven days and seven nights and made great achievements. After leaving a sacred man-made for him to thank him, he returned to his cave mansion sacred place to retreat for a hundred years and created the "Tian Yin Du" .

This exercise is a tune that can change the character of people. The ordinary and plain tunes recorded later are just basic tunes. The practitioner can adapt and use the basic tunes according to their own needs.

From here, Lin Meng also learned that there is such a rhythm technique in the world.

But this is only in the record. A thousand years ago, Lin Meng himself had never heard or seen anyone in the world who could use the way of rhythm to change a person's xinxing except for this manuscript.

I just know that the Buddhist school has a Zen, singing, degree, and transformation technique. I want to know which monk's method has been passed down within the Buddhist school.

But outsiders who practice the way of music do not have the unique insight and vision of the music saint at the beginning, and cannot discover the treasures of the music related to the music in this Zen singing technique. It can be said to be a treasure mountain without knowing it.

Until today, when Lin Meng heard the two pieces of Ren Pingsheng and Shen Mengzhou, he thought of the sage handwriting, and realized that this is Ren Pingsheng's tempering Shen Mengzhou's mind with his own rhythm!Use the way of rhythm to untie the obsession in his heart!

What a high means!

Lin Meng couldn't help but exclaimed in his heart.

At the moment, Lin Meng seems that Ren Pingsheng and Shen Mengzhou are not so much an ensemble, as they are playing against each other!

Ren Pingsheng is using his rhythm as a pioneer, constantly attacking Shen Mengzhou's heart defense and attacking Shen Mengzhou's obsession!

And it has worked!

Lin Meng was overjoyed, hoping that Shen Mengzhou could get rid of his obsession, but couldn't help but worry about whether Ren Pingsheng could support Shen Mengzhou's obsession.

Because at the end of the saint's handwriting, at the end of the secret technique "Tian Yin Du", there was still a sigh of helplessness from the saint.

"Although this method changes the human nature, it is not suppressed by the power of the soul, otherwise it is a soul killing technique. It loses a word of sound and is not the way of sound. Although this method is an unprecedented method, its success or failure is Whether the user himself has enough energy and perseverance to persevere, and whether he has enough emotional input to save others. However, the way of music emphasizes affection and meaning, and it can be suppressed by non-spirit and soul. If there is no sentiment and unwillingness, no matter how deep and deep is the secret method! "

Lin Meng still remembered the last sigh left by which saint, he seemed to be quite dissatisfied with this secret technique but could not improve it.

If you can ask a saint to repeatedly emphasize the need for perseverance and emotional devotion, the difficulty must not be underestimated.

Even if Ren Pingsheng didn't use the "Tian Yin Du" created by the saint, it would never be possible to make up for this lack of help even the saint was helpless. It would be an extremely difficult task to save Shen Mengzhou.

Thinking of this, Lin Meng was taken aback again.

By the way, which melody technique did Ren Pingsheng use? Was it created by later generations, or was he groping for it himself, or was it the "Tian Yin Du"?

Lin Meng tends to be the first possibility. He doesn't think that Ren Pingsheng has a talent that can be compared to a saint. He has explored such a secret technique of rhythm by himself, and he does not believe that such a terrible luck in his life can be passed on by the saint.

However, Lin Meng listened carefully and carefully compared the basic tunes of "Tian Yin Du" in his memory.

In this contrast, Lin Meng took a breath and exclaimed in a low voice:

"Sigh... It's really the voice of the sky! How can Ren Pingsheng have such a great luck to be inherited by a saint?"

But what puzzled Lin Meng was that as far as he knew and heard from Shen Mengzhou, this Ren Pingsheng had nothing too different from ordinary people except for his talents, and there was no mysterious background. It came out of the gate of the saint.

In Lin Meng’s view, the people who came out of the Saint’s Court were just like Lingtian Spear Immortal Bai Lingxu who were as open and revealing everywhere, at least they had to be of unknown origin and full of mystery. They could never be Ren Pingsheng. .

Could it be that the court of the melody saint was gone, died in the holy years, and the law of inheritance flowed out?

Lin Meng thought of another possibility, but he was not sure, which melody saint who left the manuscript, Lin Meng only knew from the content of the manuscript that his holy name was seven-tone.

As for the other Lin Meng, I don’t know. Shijue old man has a collection of books covering tens of thousands of years, which involves hundreds or even thousands of saints from ancient times to the present. Lin Meng cannot read all of them.

Regarding the impression of the seven-tone saint in Lin Meng, the master Shijue old man’s library has read it himself, and there are only one or two books about this saint except for the handwriting. I only know that this person acts in a low-key manner. The mountains are not dewy and he likes to travel around the world. Besides, there is no record of whether he is still alive or not.

If Ren Pingsheng is really a disciple of a living saint, then it is not easy, but how does Lin Meng look at Ren Pingsheng is not like a figure from the court of a saint, but rather believes which saint died. In a certain period, the Holy Land was destroyed and the Holy Law flowed out.

"Inquire about it afterwards."

Lin Meng grumbled, and continued to hide behind the tree, observing the ensemble of Ren Pingsheng and Shen Mengzhou in full concentration.