Illimitable Until Death

Chapter 133: The Sea of Death

And while Alisa was taking care of the formula, she was in a deep coma, and she was in a very strange state.

To be more precise, it's a wonderful place to go.

“The sea? ”

At this time, the square stands on a sea of endless sight.

However, the ocean is not the same as the ocean in general.

In terms of color, the general ocean is a pleasant azure, while the ocean here is a deep darkness.

That's right.

It's a black sea.

Standing above this black sea, looking around, you can't see any waves, only surprisingly calm like a mirror.

In such a case, the square had to lift up its own pace and slowly move forward.

“Putong...”

With the fall of the footsteps of the square, a few waves finally emerged on the sea surface, centred on the square, turned into a circle of ripples, and spread out in all directions.

Then, beneath the ripples, the calm mirrored sea surface suddenly emerged.

I was surprised to see the scene.

Because what you see is a man lying in a coffin.

That's a gracious old man.

“Grandpa? ”

Yes, it is.

This old man, is the grandfather of the square.

Seeing this scene, Fowletton understood.

“This is the first time I've seen Death. ”

It was that experience that made me realize for the first time that I was different from others.

Thinking about it, Fang Li took another step.

“Putong...”

Once again, the surface of the sea is centered on the footsteps of the square, with ripples.

The ripples spread and swallowed up a little bit of what was reflected on the surface of the ocean, but it showed a different picture.

But it's a view of a man lying in a bloodbath.

There are also memories of this scene.

That was the scene of an accidental fall that was witnessed as a child.

“This is the second time I've seen Death. ”

With this in mind, we seem to know what's going to happen next.

So, the mile continued to move forward, very slowly, one step at a time.

In such cases, ripples are constantly rising on the surface of the sea, changing the scenery from one to the next.

These visions, although different, all have one thing in common.

That's the moment when things die.

There are deaths due to end-of-life sleep.

There are deaths due to accidents.

There are deaths due to intentional injuries.

There are deaths due to sudden intransigence.

Under the footsteps of the square, a scene of death emerged successively on the surface of the sea and appeared in front of the square.

It's not just human death, it's animal death.

There were mice that were preyed on by cats.

There are pets crushed to death by vehicles.

There are poisoned pests.

There are dogs that have been fed to death by humans.

There are even cockroaches that were shot dead by slippers, centipedes that were used as medicines, animals that were slaughtered for meat, and so on, all kinds of deaths.

Finally, even the scenarios of plants and trees withering or being cut out are almost all-encompassing.

So, at this moment, the image of the moment when all sorts of things ended all appeared in the eyes of the square in the most intuitive way.

There is only one perception of this.

“Is there only" death "here? ”

At least, at this moment, the square is surrounded by all kinds of "death".

Moreover, all of these "deaths" have occurred in the life of the square.

So at the end of the mile, what is happening on the surface of the ocean is no longer normal death, but death in the general world.

For example, scenes of immortal monsters with luminous hearts massacring humans.

Again, for example, the scene of a confrontation between a mysterious creature in the name of God and a warrior of the Phage.

And even the scene of these monsters fighting to the death is presented in the same way.

These are all related to "death".

Then, after these "deaths" are shown, the rest of all kinds of "deaths" also begin to appear on the surface.

Though there is no sound, the scene's most intuitive scene of death reveals despair, fear, sorrow and sadness, but it is transmitted without a scratch.

“Ordinary people, if they stay here for a while, they go crazy right away, right? ”

However, there was no slight fluctuation in the mind watching such a scene calmly.

At last, however, we understand three things.

“It's deep in my soul. ”

So, when you immerse your consciousness inside your soul in the square, and use the holy marks that are deep in your soul, the square is drawn here.

And the scene of that scene on the surface of the sea is the end of what has been recorded in the soul of the square so far.

That is - "death".

This is the first thing we understand.

As for the second thing, Fang Li finally knew why he was indifferent to death.

'Cause I'm already numb. ”

Whatever it is, once you see more, you'll feel numb.

That is the situation in the square.

However, instead of feeling numb about death because too many deaths have been seen, it is because too many deaths have been recorded in the soul that people feel numb about death.

Even if you don't know what the cause is, the soul in the square records the death of everything you've seen so far.

Even if the other party did not die in front of the square, the moment he saw the other party in the square, the other party's death automatically engraved into the spirit of the square.

This is why we are numb and indifferent to death.

“This is also why I am comfortable using direct death eyes. ”

That's the third thing we know.

The human brain cannot understand the concept of death.

So, even with a straight-death eye, once used, it puts a heavy burden on the brain, eventually leading to brain death.

However, there are no side effects in this regard.

Because too many deaths are recorded in the soul of the square.

So, for the square, understanding death is as natural as human beings need to eat, and naturally there is no burden.

I should have thought of that.

“Now that the holy marks have chosen me, it is only normal for my soul to have something unusual. ”

With such a sudden enlightenment, the figure of the square began to sink into the sea and disappear.