＜Infinite Dendrogram＞

□ ■ < Sauda Mountain Road ·??? > Mountain Top Collapse Site

They were fighting in the fall (pit) of the summit.

Their battle to cut as they changed their position visibly... was between the beasts.

That was natural in a way.

One or truly the tiger of the beast, the one against the other... there is no big difference.

Because they were both hungry.

To the activity of life, the opportunity to wave your body to its fullness.

That's why I strip my fangs off and wave the blade as my instincts do.

And they think to each other.

"Don't finish me off yet," he said.

The pattern of the two struggles was - mutual (...).

[Fighter] with a sword in both hands - Figaro is waving his own blade as he avoids countless "Aggressive Slash Boundaries" on a single piece of paper.

A tiger unfolding a junction - [Out of bounds tiger closer] also takes its slaughter with a barbed junction and turns to a further counterattack.

Step by step.

Each other's blades still do not reach their lives, yet they approach each other.

From the side, the fighting between the two was mutual.

But if you look at it another way... it was unnatural to be mutual.

-Imprehensible

Even though it was trapped in the beads, [Closer] is a 600-year-old warcraft.

Furthermore, fierce men who have slaughtered numerous enemies before being trapped.

The intuition of measuring the enemy's power (level) is met.

If you follow that intuition...... the level of Figaro in front of you is less than 50. One lower position is still incomplete.

That's right, Figaro's level is 41.

If you have a Job Level status, you must have lost without combining.

But in reality, Figaro crosses with [Closer].

He skilfully avoids closer attacks, waves the sword in his hand and outshines and cuts the Slash Boundary.

Normally, it's impossible.

Status and level do not engage.

Even if his status is high, he should be broken before he breaks the line with a few striking swords he has.

- Gear?

If you don't have enough levels, make up for it with your gear.

But it also contradicts.

Because powerful equipment requires the wearer to handle the level it deserves.

Exceptions are privileged weapons that are obtained by destroying < UBM > like [Closer].

Or…….

- Is that an accessory?

For six hundred years, [Closer], who has seen people's livelihoods among the beads, also has knowledge of the tools people use.

Therefore, we also know that accessories do not demand levels from the wearer.

I am also aware that Figaro's equipped four rings and one brooch, that is the accessory.

- But that's not as good as it looks.

The idea is correct.

The four rings are all rings that raise their status.

It's a common magic item in Legendary, each raising STR, END, AGI and DEX by 100 at a fixed value.

It can't be anything to fill the local power that lies between Figaro and [Closer].

Therefore, [Closer] could not see why Figaro would shoulder himself.

And the other thing, [Closer] had something inexplicable.

"...... ugh!!"

For a moment, the power falls out of Figaro's leg.

[Closer] wields "Slash Boundary" for that gap.

Figaro bounced on the opposite leg from the weakened one, barely dodging but still getting his flank slashed thin.

Yes, Figaro occasionally shows tiredness during battle, as he does now.

That has been the case since the beginning of the fight with [Closer].

From the beginning Figaro was hurt, and also fatigued.

It's like, "I've been fighting someone and I'm still fighting [Closer]”.

But still, Figaro moved fast, his powers strong, and his swordsmanship skillful.

- It's puzzling.

- But it's funny.

[Closer] did not further account for the indissolubility of Figaro's condition.

What matters to [Closer] was that Figaro was a strong, mutually reinforcing opponent with himself and, above all, an opponent who could enjoy the struggle.

There's nothing more to think about for [Closer].

Yeah, I don't even need to think about it.

That Figaro... wears an empty (...) [jewel] on the back of his right hand, etc.

◇

If you seed it, the reason Figaro is able to fight [Closer] against each other, as well as the fatigue he has, is the same.

Figaro has been fighting [Closer] for three hours now, all the time (...).

Even Figaro continued to fight while Shu was creating cavities and tunnels that would become battlefields with the Tudormans.

The opponent remained in his [Jewel] “Instant Monster".

Purchased by a young [fighter] for training...... Homunculus which is inexpensive but disappears in less than an hour.

A monster that can only be used for training with a setting that strikes what you put out.

[Jewel] in Figaro had that in it without a trio being used.

It was an abomination of the "instant monster” although I bought it as recommended, making it extra.

Figaro liberated them in turn before this battle.

That's how I kept fighting for three or three hours of one-hour training.

Shortly after that I went into battle with...... [Closer].

That's why Figaro is tired - that's why he was able to fight [Closer] against each other.

Figaro's Embrio currently has two unique skills.

"Selection of Wu (Arms Selector)", which enhances the equipment in inverse proportion to the number of equipment.

And “Enhance your gear in proportion to battle time," Dance of Life.

At this stage, Dance of Life increases the equipment-enhancement capabilities of each area by 1% per three seconds of combat time.

Figaro continued the fight for three hours just before he fought [Closer] and went straight into the fight with [Closer].

That is, 10800 seconds.

3600% for the enhancement value.

Yes, Figaro was up to thirty-seven times the performance of his equipment after three hours of warm-up (...).

At this time now, the four rings that raise their status also add to the strengthening of the base values through the Selection of the Wu, each raising the status of Figaro by more than 4000.

That's so much status that it moves beyond the advanced realm to the superior level.

At the same time, other weapons and protective equipment have been strengthened, and the sword will not break even in meetings with the Slaughter Boundary.

By three hours of struggle and two skills, Figaro crosses five minutes with [Closer].

Yes, since Figaro decided to fight [Closer], he thought, "This is the only way I can do it".

Shu was using every hand to assemble the winning muscle, while Figaro had only one of those winning muscles to take.

I had to "improve my abilities and bump right out of the front”.

That's a man named Figaro.

He was a man who didn't know any other means than to hit this world directly from the front with all of his raw stuff that had stalled until then.

Nevertheless, it's not like Figaro didn't get lost.

He also felt bad looking to keep fighting for hours and standing on the battlefield with fatigue and scratches.

Above all, there was an aversion to using "instant monsters” in itself.

I immediately realized why I had an aversion to "instant monsters" … in the process of running them.

“Instant Monster" is pushed into [Jewel] all the time and if he comes out and moves out, he dies in less than an hour.

I looked at it unconsciously, overlapping it with my true (real) self.

Rest in the mansion all the time, with yourself, who will have a seizure and die if you move your body as you wish.

So Figaro has so far unconsciously avoided the use of "instant monsters”.

During the warm-up, Figaro noticed that...... he was laughing.

- Then you don't have to repel anything.

- Because it's not like me anymore.

- Not to me right now.

- To me, knowing the joy of sounding my heart, burning my life, and making it work.

- Because I'm more terrified of not being able to do it than death.

That's how he challenged [Closer] after a three-hour struggle with “instant monsters” that overlapped his past self.

He threw himself into a life-burning struggle, shouting his heart out.

◇

- Stronger than the first.

When the battle time was over thirty minutes, the idea came to the back of [Closer] 's brain.

That was obtained by Figaro's response to the attack.

The sword pressure is stronger than at first, and the blade is beginning to devour within the bar-shaped Slash Junction.

Yes, the Dance of Life is enhanced in proportion to combat time.

At this time now, Figaro's power continued to strengthen, even in his battle with [Closer].

- The more you fight, the stronger you fight, or

[Closer] quickly figured out the identity of his unique skills because of his wild exploration and experience.

And think.

- This is troubling

Distressed.

What's bothering you is whether you settle early or not.

The longer we take the time here to become a long-term battle, the stronger Figaro will be, and the winning and losing balance will bias [Closer] 's defeat.

Now, [Closer] was wondering if it would be okay to end the battle with such a powerful enemy here.

The time I thought about it that way was a few seconds for the hon.

The answers derived are:

"Here...... settle"

Until then, far exceeding the number of "Slaughter Boundaries" unfolds, filling in the fallout.

Numbers beyond the reach of man in the earth, like depressed dense forests, "Slash the Junction".

Even winged birds are chopped up in the air, like cages.

Out of bounds that inhibit everything in heaven and earth.

This is the special that [Closer] spends all of his remaining MP to unleash.

It is also known as Dead End of Life.

A skill once knitted by [Dragon Emperor] and then by more than a hundred years of time and meditation in the beads.

[Out of bounds tiger] strongest claw teeth, widely dimensioning enemies in more than a thousand "Slash Boundaries".

Yes, as the activation of this skill demonstrates, what [Closer] chose was a short-term showdown with maximum output.

The reason I chose that is not to be afraid of Figaro, which is intensified.

Rather, the opposite was Figaro's fear of running out of strength.

After three and a half hours of combat, Figaro's fatigue is also about to reach its limits.

Therefore, [Closer] had no intention of doing any longer prolonged battles.

Because I didn't want to end the battle with my best fighter, the Dragon Head Snake Tail.

And the thought... so did Figaro.

"Thanks"

Figaro... appreciated the sight in front of him before the thousands of blades created to chop himself up.

Figaro was the same as [Closer].

I didn't want this struggle to end in a boring way.

Therefore, he uses up everything here too.

Remove all protective equipment except lower body protective equipment with AGI correction.

The accessory also removes the ring that raises the END.

Slots for one weapon that was increasing with fourteen basic equipment slots and [fighter] skills.

Out of a total of fifteen equipment slots, eight become unused.

At the same time, the Selection of Wu, an inverse proportional enhancement of the number of equipment, was activated… his STR and AGI, DEX exceeded 10,000… completely reached the realm of super positions.

By contrast, the defense returns to that of the lower ranks… [Closer] 's attack would kill him instantly if it hit him directly even once.

So the two are ready.

Expand all of each other's potential power, and now, at this time, settle the most heartbreaking struggle ever raw.

And the wind was filled with a slight silence,

- Figaro moved.

He removes the bag - the item box - from his lower body gear pocket.

Throw it in the air - directly above [Closer], and at the next moment it was piercing that item box with the left sword I threw.

Immediately after, the item box bursts - countless items that were stored inside are scattered.

It's recovery items, material items, food and water.

And countless weapons.

The sword, the great sword, the spear, the long spear, the bow, the arrow, the axe, the dagger, the clam, the iron sphere, the many weapons held by Figaro for use by the dark vessel… [the fighter] are scattered in the air.

Figaro also kicks the ground again and rushes out as the weapon pours down.

He then grabbed a long spear on his left hand and was leaping into the air with a bar jump procedure.

Above the dense forests of the Slaughter Junction of Never Passable Land.

There is also another "Slaughter Junction" unfolding there, into the air.

"- Wow!!"

[Closer] roars, and moves the "Slash Junction" in the air to carve Figaro into fine dust.

But on the verge of the slaughter junction hitting - Figaro's body jumped in the air.

Seeing, he was slamming his right sword into the "Slashing Junction" in the air and leaping himself in the air with that recoil.

At the next moment, Figaro was grabbing a dagger with his left hand that was falling in the air and throwing it towards [Closer].

[Closer] moves the Slash Junction to pay for that dagger, but during that one act Figaro's figure has disappeared from [Closer] 's sight.

Immediately afterwards, a spear that flew in without him stopped [Closer] from sewing his feet to the ground.

"Nu!!"

Skip the Slash Junction without even looking in the direction you flew in.

Something sounds crushing.

The source of the sound is the sword that Figaro held in his right hand and used to control his orbit in the air.

That is what is scattered by the Slaughter Junction, making Figaro completely helpless.

And there are no weapons around there that you can grab.

"Over, good enemy!!"

All of the Strike Junction, which was in heaven, earth, and fallen, arrives to envelop Figaro in the air.

Figaro will be fine, and the battle will be settled.

――

At the moment that seemed so, Figaro was (...) beating his right foot to the Slaughter Junction, which reached Figaro the earliest.

Using his own foot instead of a sword for postural control, Figaro was jumping again in the air, kicking the part of the face of "Slashing Boundary".

By forcing himself to dive through the gaps in the Slaughter Junction, which flies in to converge, while his whole body is shredded - Figaro was cutting through the dead.

What should be feared is the guts that did it?

Or the identity that made it up.

◇

Once a skilled fighter, before this battle, Shu expressed Figaro in one word.

an exotic material, and.

That is not ironic. From a skilled fighter or a shu with real, martial arts experience, it really was a delicacy.

The motor nerve was such a delicacy that the reflex nerve could tell immediately that the intuition was… extraordinary.

That's the only thing that would have prevented me from crossing with [Closer] so far, even if my status was just high.

Figaro is why we're fighting this far.

A young man born sick, unable to be aware of his own talents and not having the opportunity to show his shards.

But having set foot in a free world, he was - realizing all his potential at this moment.

◇

Cutting through the "Slaughter Junction" of the decisive death, Figaro grabs with his hands a certain weapon that was falling into the air.

The name of the weapon is [Blaze Axe].

Among the weapons Figaro possesses, it boasts the greatest attack power.

At the same time, remove the DEX lifting ring.

I don't need technology from here on out.

Take all of yourself to this blow... and beat it to the [closer] that is sealing your movements under your eyes.

"CROWZAAAAAAAAAAAH!!"

"Shhhhhhhhhh!!"

[Closer] Also responds with a blade at the same time as you can roar.

That's the Hidden Sword - the last Slash Junction that was hidden in [Closer] 's mouth.

ejected from his mouth. It pierced Figaro's throat, which would no longer alter orbit or pay -,

――!?

- Lose momentum with nothing done.

At the same time Figaro's equipped brooch - [life-saving brooch (...)] was scattered,

- Figaro severed [Closer] 's neck.

To be continued