It completely collapses and arrives at the position of what was formerly an "unidentified floating island" that fell to the ground.

The damage on the ground is practically non-existent because it is still within the "Saihate" zone, but it is quite a big councillor if the urban floating island completely collapses and falls.

This seemed to be a spark in the giant castle that existed, or, in part, the fire was rising.

I had never seen the labyrinth (dungeon) together and ate (...) et al. (...) often because it ended with the wreckage buried in the dragged out place, but it is quite an eggy scene.

"Well, it's better than when you were treating multiple labyrinths (dungeons) without expression when you were sick. The demise of Saihath was completely working in the second half, except that the target was a demon (monster), and the God of Destruction came and went."

Tama, I'm not following that.

I think a lot about (...) of (...).

Even my people were thinking about being "powerful," so don't crush them as emotionally as a labyrinth (dungeon).

"That's right. You were more ruthless when you were traveling with us, su."

Jean hangs on to the chase.

No, that one...

"Tsukasa did it on purpose so that I and Jean wouldn't have to be scared of their power. We were laughing, too, because Tsukasa was laughing at us when the helper turned his gaze on fear."

Nay sucks Jean in a bit of an angry tone.

"... it was. Excuse me, Mr. Tsukasa."

"... No, I don't mind."

That's about it, Jean.

How important is your mood.

Nay seems as happy as ever lately, but you're getting stronger than that.

I can't imagine since we first met, but depending on the "way we meet," it changes this far. Oh, I'm glad to see it.

I don't even feel like this one is absolutely right, but at least it's better now than it was at first.

Both Jean and Nay live each day laughing.

Jean also feels she can claim some more of herself, but if that's the secret to a couple circles, she can't pinch the extra mouth.

- I might not be able to tell you about people from the side.

But I appreciate the two of you figuring it out, but this is uncomfortable when put into words.

"It sounds like a good story, but I don't think ordinary people have a choice but to turn their gaze on fear? Because I'm a little scared right now, to be honest."

Although Aria jokes, she shares her thoughts that aren't even lies at all.

I think Aria's beauty is to be honest enough to be attached to these idiots.

It's better than being silent and awe-inspiring.

That's right.

Fear of overwhelming power is natural.

No one doesn't think about the possibility that it can be directed at them.

So instead of worrying about it, we have to use that power to get it right - at least to gain trust in what we think is right.

If you keep doing that, you will also be able to see the simulated battle over the King's capital Farandine with one hand of barley wine (ale).

"Even if you turn the world (La Vulcanan) against your enemies, I'm on your side, right?

With a lovely look, a lovely trick, our wife (Christina) says something horrible.

Jean and Nay are also nodding as a matter of course.

Both Aria, who normally opens her mouth to the side with half eyes, and her balls, who are challenging the limits of how far she can express her "can't do it" emotions with her cat, are silent.

The combination of wife (Christina), Jean, and Nay at times like this gives a little scary air.

The fact that it is not a joke or anything tells the story naturally.

Seto and Tis, Sarah and Mr. Cecil are similar around here.

Is it reasonable for Aria, who is still unfamiliar, to pull it off?

Including me, you should be aware that there is a slightly strange group of places on the axis (...).

If Aria is not dyed by (...), then it is likely that a common sense perspective will add to her peers.

I don't know what to do if I talk to Zhu, but it could be a matter of time.

Well if some crazy (...) and (...) were there, it wouldn't be a problem if I could use my powers correctly.

It's the way of power that matters.

We put our precious opponents on the scale of the world (La Vulcanan) and others (...) and we are a group (...).

It must be reasonable in a sense to be seen in the eyes of fear.

I'm a little uncomfortable with my balls shutting up though.

"Now, jump where there's a junction reaction (...) Bu (...)"

I don't need to travel to the point of crashing a large demon (monster), but what I just dropped is an urban (class) floating island.

It is not realistic to search and walk hard.

Because it is a magical group, "metastasis (teleport)" can be used as a matter of course, but without my silver prosthetic eye (left eye), it would also be bone to identify the so-called weird (...) and (...) place (...).

Sometimes it's like after a catastrophe.

(* · D ·) σ < life reaction

Tsukuyomi is pointing me to the exact position.

If you jump on "Transfer (Teleport)," it's a flash.

But it's a life reaction. Ah...

Being displayed in green instead of red means that it is not like a demon (monster) or a warcraft, but a human being.

In this world (La Vulcanan), beasts (serianthropes) and subhumans (demi humans) are also included in the human race, so it's more likely that they're not normal people that I think they are.

But the problem is that such a reaction comes from the remains of an unidentified floating island.

And even protected by a fairly powerful juncture.

That's why I didn't hesitate to knock off "Floating Island".

"... it's a trap"

"... that's a trap"

I can only assume so.

Fortunately, it also coincides with the views of the balls.

It's a trap, no matter what you think, to be sealed in a "floating island" that can't be helped by modern technology in this world (La Vulcanan).

Assuming this anomaly is a "great disaster," if you say so in my preferred development...

If you are a true "Brave Man and Three Virgins," you will be attacking the Castle Labyrinth (Dungeon) and encountering it at the bottom, as it should be.

If so, it is the woman who housed the power of the "Virgin Class" who is protected in the conjunction.

Of course I have no memory and enter the fellow position of "Brave Man and Three Virgins".

Actually, it's the presence of the "great calamity" side, around the time before the final showdown, where my memory returns and I'm hostile, betta.

Ideally by then it will be a triangle between the brave and the main heroine?

I don't care if the main heroine is Lasbos and the main heroine.

I'd prefer a happy end to urbanism, but you don't even like being a bitter end.

"... you know what you're thinking so you can take it"

Funny.

Seal that mind reading ability.

"Well, you'll see."

Unfortunately, the brave man (Jean) is happily laid on the ass of his only wife (Nay), and in case it's such a trick, my intervention would ruin the expansion.

There is no rush or tragedy of love when "The Brave and the Three Virgins" become the Four Virgins.

After all five of them jumped on the "transfer (teleport)", as expected... no, there was one that was going diagonally up the prediction.

Beauty sleeping in a giant crystal (crystal) that is probably a junction.

Long dark hair and brown skin close to black.

The colour of the eyes is closed and unknown, but its beautiful and adult shape is not in the Tsukasa family at present.

Let's say it's a coloured sister frame, and the lips on the sushi are strangely colourful.

He wraps his protruding chest, buttocks, and creased hips in a single piece of black silk costume that surpasses his wife (Christina) and Aria.

Dark Elves! Images of Dark Elves!

Long live Piotace!

- Calm down, me.

Though.

"... Wow"

"This is..."

There is also so much in be (...) ta (...).

I'll definitely be one of them and betray them later in the deployment.

We can trust each other by then.

Jean and Nay are honestly very surprised by their wives (Christina) and Aria, who are unfamiliar with that kind of be (...) ta (...) exhibition (...) opening (...), putting their balls down with their mouths opening sideways with half eyes.

Yeah, me too.

I think he would have reacted like that around Kegalenaki.

Oh, Mr. Aria, you can't break the line yet.

Maybe that triggers (triggers), and I think there's going to be some weird (events) happening around the world (La Vulcanan).

I don't think it's coming off.

But this whole development, it's definitely the work of a family of balls, "weird."

It's a "great disaster" that's going to unfortunately unfortunately unfold, but, well, if it's going to be about Jean getting burned down by Nay, should we do it?

Ha ha, Jean also gets the pain of that hand.

She's the opposite of Nay. She's a grown-up beauty, so isn't she good for flowers on both hands?

I feel Nay looking at me with his jitsy eyes, but I don't care.

In the meantime, we are returning to Farandine, the king's capital, without breaking the line.

Let's get everything we can ready before we pull the trigger (trigger) for "Great Disaster (Event)".

"I hope the new heroine responds by following the old service."

... Oh, my God, my balls.

Well, I don't know what kind of development your family would like, but let me rewrite it to my happy ending in the end.

Tragedy can also be immersed because it is a story.

If possible, there is no need for tragedy in reality.