Isekai de Slow Life wo (Ganbou)

After Darwin's house, we headed to the market to buy dinner and future ingredients.

"Well... Wendy, I'm sorry, can I ask you for dinner today?

"I don't mind..., what's going on?

"No, I'm a little bit of a worker...... but thank goodness I have to do it"

There's nothing I shouldn't do, because it's what I'm supposed to do.

That's what we have to do before the three of us leave.

"I'll be there when I'm done, so you can stay for dinner first. And you can take a bath, because if it seems too late, you can go to bed first."

"... Yes, I did. I'll pass it on."

"Say hello."

Initiatives and solutions to the saltes have not yet taken a firm and concrete form.

So I'm going to do what I can now in case I can't do anything.

Enter the alchemy room and I sit back in my work chair.

I took the material for alchemy out of the magic space and started working on it.

I think I will consciously make an image of the amulet that I can raise from my neck that will protect the three of us.

Just amulet...... I'm not amulet.

When it comes to the general amulet in the original world, it's made of fabric that you get at the shrine.

Some of them dig trees when they are foreign?

But it's metal and ore that I can handle...

Images are important when making accessories out of alchemy, and I still think of shields as metallic in design.

The three of us don't fight with shields, so it also makes sense to wish that this would have a substitute effect if we could.

First of all, let's try to make a prototype with our own thoughts in order to make a pendant top for the shield, although the decoration section has not been decided yet.

First of all, I'm going to use Orihalcon ore, which is the hardest material I've ever received from a falcon.

On top of being sturdy, it would be easy to have a higher level as ore and a better effect finish.

It's a strange feeling no matter how many times I experience that when I activate hand forming (handling), the Orihalcon ore, which I know is stiff just by touching, will be able to be processed in such a way that it is not significantly different from the metal I normally used to handle.

It was also the sculpture set that was removed.

I'm going to do it very carefully this time, so I guess I'll need carving too.

The main one is the shield that shapes with the Orihalcon.

The thinly extended orihalcon is cut out and cut out many pieces into the shape of a shield with a knife.

Similar to that, the thinly extended misrills are cut out in the same way, superimposing them and thickening them like millefeuilles, first creating a prototype of a shield with horns.

Next, deform the person who becomes the back side as he extrudes with both thumbs, so that the front side swells and fine-tuning is applied.

Mixing the misrills weakens the strength because it is silver, but I hear that silver has long had the effect of dispelling demons, so I weaved it together.

First, this completes the accessories of the prototype shield.

Well... here's the problem.

No matter how much technical skill you get, you can't design without imagination.

Is it okay for me to be what I have always been?

Clamp the magic space, take out some ore, and jewels to figure out who to use what for, but how to process the shield design in the first place......

Second, I caught my eye on one gem.

It's a diamond.

A gem also known as a diamond.

It is common to be told that it is exactly the most natural and stiff substance in the original world.

I don't have any knowledge of ore or gemstones, but this gemstone should also apply to the 'protect' I want to make this one.

I'm going to try the Brilliant Cut, which I tried before, not just for the crown part this time, but for the pavilion as well.

The point is that we should calculate the angle of incidence and reflection of the light, so that it goes upwards.

... easy with your mouth but isn't this too perfect balance...?

The crown section could barely be sharpened as you can remember, but the lower pavilion section is too difficult.

Not too long, not too short......

I scrape it slightly to confirm it, look at the brilliance and repeat the fine-tuning, finally the first diamond can be made.

Since INT is also up on the boulder, I think it is made more precisely than it used to be, but it still doesn't look like it's real.

But I think I've done quite a bit.

Even from each direction, the brilliance is much greater compared to the original diamond.

But it's too early to be relieved.

It's only after I've made up three of these that I'm in good shape...

After that, I finished making three diamonds of the same size with very detailed work.

Remove the water drain from the magic space and put your mouth directly on it.

"Phew..."

It was such a difficult task that I felt so accomplished just this….

Or it's too small, it's too difficult...

Uh... my eyes hurt...

But I still have work to do...

Okay, let's get back in the mood, put the pendant top of the shield in the hand, and start machining.

First, let's drill a hole to embed the gem.

Because the original size is small, the holes are carefully holed with a round knife using the provided microscope, and the diamond is fitted and the size is adjusted off.

You have to concentrate on not allowing penetration while paying attention to depth, etc.

Removing the overlapping orihal cones and misrills on the many layers cut out, breathe out and blow out small scraps, then take them to the cutting knife to carve the surrounding pattern.

First, I dig to make the edges appear to strengthen the design of the shield.

As thin as possible, but to the point of being clear.

Fine work continues and your eyes start to shimmer, but if you stop your hand here, the depth will change, so your hand slowly moves and proceeds with the work.

"Ha..."

The edge ends and a pendant top with a hollow shield can be created in the center.

So far it has been a cautious task inside, but the production starts here.

First, I'm going to give this pendant to Salte.

Therefore, it is decided to carve a design with the image of a salte.

The first thing that came to mind was a brooch of silver wings that I had previously given to Salte.

He seemed to like that design, so he immediately decided to make it a wing-inspired design for Salte.

It centers around an empty hole in the center and carves a design with wings in mind so that it becomes a symmetry.

Fast as the wind, imagine the symbolic wings of freedom and dig ahead hoping for the safety of the salte.

When I stopped my hand, which handled the sculpture knife perfectly, inserted the diamond in the center, and applied the stopper so that it would not fall, I finished by attaching a lowering wheel for lifting it from my neck.

Whoa, we have to dig the name we shouldn't forget.

Let's then also carve the name of Salte in Roman.

"Fantasy Sacred Silver Wings Guardian Pendant Defense Big Rise Demon Defense Big Rise Condition Resistance Unusual Big Agility Big Rise Non-Degradation Unique Holder [Salte]"

There are six abilities......

Six......!?

Oh, isn't that great?

Maximum number ever.

Besides, it's mostly effective...

You mean non-degradation doesn't degrade, right?

I think maybe the diamond has something to do with it...

He's just the last intrinsic holder...?

Try to assess the effect,

[Activate effect only if equipped by the first person to engrave the name behind the unique holder]

In other words, it became a special piece of equipment for Salte.

... I wonder what kind of treatment this would be if it had the same last name.

But I made it with Salte in mind, and if I can use Salte, is there a problem?

That is essentially five abilities.

And they all work great.

This would be worth just taking the time to build a boulder.

"Mmmm!!!

Make stretches to extend your spine, feel your back pounding, and tilt your neck with your hands to untie it.

I am satisfied with what I have done.

Then all that is left is to make two equivalents.

Instead of water, restore magic and thirst with only one breath of magic restoration potion.

This time, I can't use either "Multicopy" or "Known Magic Team" Experience Circle ".

Or I wasn't even willing to use it.

The result may not be the same, but I've decided to make it with each one in mind.

Besides, the design wanted to be based on each image.

And when I took a long time to complete the two accessories, I was attacked by a sense of accomplishment and fatigue.

I was there... and your neck got pretty stiff...

I still didn't want the series......

Still, I think we've got something good.

"Guardian Pendant of Phantom Sacred Silver Flame Defense Great Rise Demon Defense Great Rise Condition Resistance Abnormal Great Rise Non-Degradation Unique Holder [Eina]"

"Fantasy Saint Silver Hua's Guardian Pendant Defense Big Rise Demon Defense Big Rise Condition Resistance Abnormal Big Health Big Rise Non-Degraded Unique Holder [Renge]"

Eina has a pendant of a shield that embodies a flame engraved in the image of a red and fierce flame.

On the wrangle, a pendant with a shield that embodies the bright, joyful image of the hua engraved.

Aina's pendant lowers the position of the diamond slightly, with the image of a flame rising from it.

Renge pendants, on the contrary, carve holes on the upper side, with diamonds embedded in the center of the hua in such an image that their brilliance spreads.

I think I was able to express the impression I had for each of them myself.

I also believe that it will protect the three of us well about the effects.

"Okay......"

Well, how long has it been?

Due to his sleepiness, he may be in the morning if he does poorly.

When I was younger, I was an oar. What is it? It's getting a little tight lately...

I'm hungry, too, but let's go to sleep today.

But if you're going to sleep, it's in bed.

I worked on my magic restoration potion today, so I don't have to worry about falling.

If you want to heal fatigue, you should sleep on a decent bed.

Three accessories were treated to magic space, and after completing the cleanup, the alchemy room was left behind.