Jujutsushi Wa Yuusha Ni Narenai

Now, where everyone's been on my operation, let's get ready to go.

"After all, the hardest part is stopping the Spirit Beast All-Star."

"Whoa, easy for you to say, just fight Hutu and they're fucked."

"Spiritual beast opponent. Then you must be tough to escape."

The avant-garde combination of Ueda and Nakai says with a serious face.

That would be the case, too. I've seen the power of spiritual beasts. Especially since that brace attack is very dangerous, when a combination of luxuriously equipped lems and precious Arakune is returned to you in one shot.

While he's running away with his back turned, if he shoots me, it's over. A direct hit would be suspicious if even Yamada could withstand it.

"Hey, it's good to direct you to some room to attract the spiritual beast, but that, too, makes my 'Water Mist (Aqua Mist)' not very good. If you lose us and get back to Raina, you'll die in Peach River."

"If it's the stage where you stop pursuing and come back, I'll be fine. But in order to carry out the operation, we have to run so that they can follow us."

The formation when fleeing is first placed Yamada as a wall role at the rear. From there, there is a line of lower rivers where defensive magic can be cast as an obstacle for stopping, and lems where bows can be used.

In the past, Ueda and Nakai, who had no particular hands to hit on the way out, ran, and led the way across the raptor, a fake me separated by a "double shadow".

"For once, outside of formation, I'm going to set a trap that will blunt the legs of the spiritual beast, but I'm not going to be able to make a big deal out of it."

Actually, the most troubling part is the place itself, this white cloud area with nothing. In the jungle area I was in before, there were lots of ingredients in the trees, in the stone, and if I wanted to make something. But all we have here is fluffy white cloud material. You can't get any demon material, either, because it's just that cloud bastard who emerges. I just have to do something with the stuff in my hand.

"So, Peach River, if you managed to escape, which room are you going to attract me to?

"If there's a gas trap out there, it's easy to fight."

If you're aiming to stop at a positive attack, you should fight in the hall of examples, as Nakai put it. But in the first place, we were more at a disadvantage when it came to fighting normally. We shouldn't think about doing it properly.

"I'm going to lock them up in Fairy Square here."

"Seriously, Peach River, there's no door at the entrance, can't you?

Do you notice that much in Yamada on the boulder, or is it too ridiculous?

"First of all, I want to keep them as far away from Ayase as possible,"

"If we get too far away, why don't we just go back on guard?

"The operation was interrupted then. I'll make sure the spirit beast gets to this fairy square through the split, and then head down to Mr. Ayase. So it's okay if they leave on the way."

If the operation fails at this stage, all you have to do is pick another room and retry. So far, there's no great risk.

"Then, if you want to block the entrance, this fairy square is the best part, the second reason"

"So, how do you block it?

"First we make it look like we've been cornered, and we'll do everything we can to get to the square. Follow it, when the spiritual beast enters the square, there you go, Shimogawa, putting up 'Water Mist (Aqua Mist)' with all your might. Everyone retreats outside while they are taking away their sight. In anticipation of all of them leaving, the next blockade is with the 'Great Shield of Water Flows (Aqua Armacildo)'. At the same time, everyone blocks it with a whole wall"

How much safer would it be to be pushing each other across the wall than to face the three spiritual beasts head-on?

The only type of power is Engardo among them. Eagle-shaped lambdain is difficult to push the wall itself, and Soma doesn't seem as powerful. You should be able to keep blocking the entrance if you don't even lose to Engald's tackle.

"Sure, with real water, you could have used it to easily activate water magic or increase the amount of water, right?

"Well, I've never done it before, but if you keep putting up your shield, it's totally easier to have water"

"But which one of you prepared the Marutai walls?

"This isn't the jungle anymore."

"If it's a fine tree, it's here."

And, I stand like a tree-lined street, referring to the fairy walnut trees.

"What, are you okay with that hanging up?

"Something's going on around the bees, isn't it?

"Besides, if you cut it, you can't even get walnuts."

Surprisingly hesitant facades to harvest fairy walnut trees. Fairy Square has so far been an important place for us to be safe, so maybe we see it as natural and sacred. Even for me, I don't want to actively cut trees, destroy fountains, or vandalize squares.

"All this time, I'm sorry about the fairy.

It's Setouchi who lives or dies. Please forgive me here. Like that, let's pray to the fairy statue on the fountain.

"And if the operation succeeds, fails, which way, I can't stay here long. You don't have to worry about walnuts."

Whether or not we can break through Rayna will determine our progression.

"Well, let's get ready and rehearse the operation."

Oops, and at the same time a cheerful reply echoes.

I'm home.

and the missing voice in between echoed into the square.

I am the Lord of the Voice.

Across the Raptor, the Little Aide of the Learning Run. A subtle level of female face with busy eyes. Boys who look wrong like this aren't in the class, and I've never seen anything else.

"Welcome back"

And so I greeted me.

I walked out of the Raptor and walked up to me. And when he stood in front of him, he instantly turned into a black mist, extinguishing it as if it had been an illusion.

To be exact, I'm just back in my shadow.

"Hey, look again, it's creepy being separated."

"Really? It's funny if you get used to it, like a game"

While I was explaining the operation to everyone in the square, I quickly practiced using "Double Shadow", which is now also the liver of the operation, and moving my split body.

"Double Shadow": reflecting oneself, two shadows. Talk, walk, feel, be there but yourself, just a shadow.

And, as usual, the explanatory statement was a flavored text that got no guidelines, so it's a wack I actually tried to figure out what the performance of a separation is.

In conclusion, Koitz, I am seriously separated. Should it be called a shadow figure?

I have one consciousness. [M] But if you activate "Double Shadow," you have two visions, two moving bodies, two talking mouths.

I wouldn't call it the Manuke side when my first stature showed up and I saw myself.

I see, indeed, this is the wack of "talking, walking, feeling, being there," as the explanation says. Though confused at first by the sudden feeling of being two... Oh, here I am, in short, no longer uncomfortable after realizing that it's the same thing that manipulates player characters in games.

It's me, but not me. I move, but not me. True, it is a game character that grips and manipulates the controller.

This "Double Shadow" moves my identity more directly and sensibly than the controller of the game, so maybe I'm feeling a new generation of games, far beyond the most advanced VR games right now!

Even with the mysterious emotion, I was satisfied with the performance of "Double Shadow" for the first time more than I imagined. This will allow me to fully play my role while successfully riding the Raptor.

While I prepare with everyone, I strive to master the shadow. Put him on the raptor and repeat coming and going from here to near Raina's Square.

There's nothing wrong with being able to move my body, but when I move it at the same time as myself, it's hard. With the right and left hand, it is also difficult to make separate movements, so the degree of difficulty of simultaneous operation will naturally be high.

So far, I can do enough to make you walk away while I chat. But neither walks, and then it still doesn't work.

Fortunately, in this operation, if the split between the two of us can score a goal to Fairy Square, then the role ends there. All you have to do is challenge the real me to a showdown with Rayna. There's no time for me and my stature to move at the same time.

That's why I don't know what's going to happen, and even if I think about what's ahead, simultaneous operation is a technology that I want to master. Getting used to it is still going to take some time, but I feel like if I work hard I can make it into a thing.

That's wacky, I'm typing into practice, but that's just a waste of time and body.

He decided to use his vision as a watchman.

"... I knew it wouldn't budge today."

If you close your eyes, you can concentrate on the vision of your body. Conversely, I wouldn't even care much if I didn't open my eyes and be more aware of my split person.

Now my split is sneaking inside through that open door in front of Fairy Square where Raina stands and cages. Stand in front of the door with dignity and you'll find out for sure, so you're diving into the nearest bend from the square, with only your head out. Since this white cloud area is a bright white mockingbird exterior, it is easy to discover just the head of dark hair, so it is also properly disguised.

Thousands of cuts make it easy to remove mockingbird material. I created a Gilly suit that has been around since the poisonous swamp area of Basilisk. Easy to build, just coming with dark hair tied up with the collected mockingbirds. But if you put him on and stick him on the wall, he won't be so easy to find.

Thanks to the White Cloud Gilly Suit, we are still on a surveillance mission today without being safely discovered.

In the sight of the person, far beyond the entrance to the square, still in the corner of the fountain, held by the spiritual beast Sommayut, Rayna could be seen. I don't move as much as I think I'm asleep, but I managed to see my mouth moving, so now I seem to be interested in chatting.

I wonder how far a conversation can end with the fake Aoshi, but in the first place the Baiyun bastard is seducing prey in the dream world without any discomfort by using the memories of others. Naturally, Soma would only be using the same abilities to give a convenient answer for Raina.

Rayna is totally forgetting that this is a dangerous dungeon and bickering as if she were even in the classroom. Should we see it as a margin for the mighty, with the absolute power of a spiritual beast? Or should I be seen as the poor girl who escaped reality?

Well, fine. Rayna, for you, now is the last time to rest. Even if it's a fantasy fiction, you should enjoy it at best.

Now, let's put aside regular Raina surveillance, and I'll move on with my work, too.

"Yes, everyone. I'm going to explain the trap."

I call for avant-garde combinations that were masculinely sweating and encouraging the harvesting of fairy walnut trees for making round walls for entrance sealing. I'm in charge of brainwork, so I'm not working. The one with the right material?

"Damn it, Peach River, only Temei looks cool."

"Well, don't say that, Mr. Yamada. I'll help you when this is over."

Of course I want to skip the hard work, but it's also true that there are priority jobs that only I can do properly, so I want you to stop being cheating and assuming.

"First, I want you to see this"

In the middle of the car seat in front of the fountain, I spread my notebook.

"Short map of the escape route. So, here's the mark. The Point of Setting a Trap"

Unlike Goma's last attack on the fort, this time the terrain of where we fight is obvious. Almost in a straight line, with no elements to get lost in, but waking it up to the map this way to confirm and keep it firmly tapped into your head would be of little use. Even when you run away, the path you see is more confident.

"It's a trap, you can't make a big deal out of it."

"At best, is it about the poisonous swamp of the Peach River?

At first, I was only thinking about your words if I could buy some time by putting up a little bit of rotten swamp... but what I came up with worked out surprisingly well, so I had a pretty good feeling about the trick. Men are brave and try anything.

Shimogawa, show him our trap.

Copy that.

Not only was I skipping logging, but so was the lower river. With our support, this trap is complete. Now, let's take a look at the combined magic of a magician and a water magician.

"-" Acid Shield "!

From the small rotting swamp that I let unfold beforehand, the dreary, poisonous surface of the water ripples violently and lifts abruptly so that redhead brackets pop out.

The poisonous water currents twirl and dance through the universe, gathering in one place so that it can be attracted. It quickly turned into a large mass, and in the next moment, a shield of liquid was completed, exactly the same shape as the defensive magic "Water Shield (Aqua Shield)" created by the water magician.

But this shield is formed of acid venom from my rotting swamp, not clear water. In other words, it's a powerful mass of acid that just touches it, rots the flesh and dissolves it to the bone.

"Shimogawa, I made your" Aqua Shield "out of my poison swamp."

"No, I didn't think I'd make it this far."

Neither I nor Shimogawa can hide their smiles from each other.

In contrast, the avant-garde combination feels like "hmm". Totally, so aside from the subtle reaction that all the warriors in the brain muscle are, I was made to think a lot about knitting this plain merger move.

First, the fact that water magicians have the ability to manipulate liquids in general as well as water. I knew that water could be manipulated, but not manipulated when it came to hot water, which was not so accommodating, because the lower river was playing with magical water cannons in the bath water.

Between water and hot water, no clear difference is set in water magic. In addition, salt and sugar water can be manipulated in the same way as water. If you feel like it, the lower river can also manipulate the juice from the peony pan I made.

Thus, even the venom of the rotten marsh, which is the product of a spell, which turned out to be neither water nor an aqueous solution, was allowed to be the object of manipulation - but technically not.

When I first tried it, I couldn't operate at all. 'Rotten Marsh' is a spell and is probably not recognised as a hydromagically manipulative liquid.

I came up with a poisonous surface that neither Un nor Sung would say, and looking down the river dressed like a wind desperately sending magic with my right hand up. This, if you mix water in the poison swamp, you can move it, right?

In terms of results, it was a failure. I just mixed water and it doesn't work. The more water is put in large quantities the less toxic, the more operable it has become in the boulder, but at that stage, it is no longer a poisonous marsh, but a water mixed with venom. It doesn't make sense to have a poisonous solution that makes your skin tingle.

If water is not enough, then after all the other attempts to mix it, the best thing that worked was to mix blood from the lower river as well.

When I tried to draw blood from the lower river, I was reluctant, but my inquiry as a magician screamed that the surgeon's own blood should be tried, so I bled half forcefully.

I resented you so much. If the lower river speaks of water magic, even though I was stunned with tears... clear, it is the sensibility of 'acid shield (Acid Shield)'.

As such, "Rotten Swamp" became an unexpected new discovery, conditional but manipulatable by water magic. Perhaps this was possible because Shimogawa had the gift of being a water magician. Well, it's not like I found out about the level of water magicians in the public.

Anyway, it's very beneficial to us right now. I'm honestly delighted, but if I give it back, it can also be my rotten swamp weakness.

If you turn the lower river toward the enemy ahead, or if an enemy of a water magician appears, be careful.

"While you're on the run, ask Shimogawa to stick you in the aisle, mixing a regular 'water shield' with this' acid shield '"

If you just put up a piece of 'Water Shield (Aqua Shield)', it could also be broken by a single run of Engardo, and you can't have much more of an expectation as an obstacle. But if this shield eats venom when it penetrates, it might give you some hesitation, and if you come in no matter, you should be able to do less damage.

I don't know how far my rotten swamp venom will go for the spiritual beast opponent, but if you're going to set up a trick, it's the best you can do.

No, don't you think it's best? There are a lot of possibilities for this combination of rotten swamp and water magic.

"To have some effective stopping tricks in place to make the operation a success. It's really a last resort to beetle with spiritual beasts"

"Well, you're right"

"We don't want to fight spiritual beasts, either."

'Cause with that kind of wacko, we're gonna practice some more magic.'

"Oh, my God, after all, we have to do the hard work, right?"

Kechi wore it, but Yamada didn't try to disagree with anything more.

"Come on, we can't take much time, and let's all get back to work"

Oops, I honestly replied and then saw the faces moving out, my heart tickles with a hint of guilt. They all work so hard because they think it's an operation to help Rayna. I may be a very bad man because I want to use that thought to make people even risk their lives to fight for this kind of labor. I was threatening victory and enslaving it, how different it is from the mouth of a mouth.

But now because of such a whispering conscience, I have no worries, no hesitations.

If I hadn't said anything, they would have executed Rayna's rescue operation on their own. It's also likely that they will make a mere act of suicide that can't even be called an operation, which really just calls on Raina.

If I, the magician, am to advance the dungeon, I need their power, their companion. Purely because of the experience we've had together so far, and because of the emotions I don't want you to waste.

Logically or emotionally, we should not let them die here. The sacrifice of our fellow citizens is unacceptable any more. Well, for a damned woman named Raina.

"I'll pay you back, I'll make you take it."

Vengeance with burning is real. But I did feel somewhere in my heart that hating someone was confusing the grief of losing a dear companion.