Kaiko Sareta Ankoku Heishi (30-dai) no Slow na Second Life

As I happened to be passing through the open air, I saw Gacita.

He was doing something.

Squeeze your good bow and arrow tightly and finally release it.

The arrow away from the bow flew with furious momentum and stabbed him in a spot precisely after the swallow's yuku broke off and straightened the track.

Zassy.

On people's heads.

"Hmm?

Exactly. 'What are you doing?' and freaking me out.

For a moment I thought it was a doll, but no doubt an arrow seemed to pierce the head of a living human being.

What are you doing, Gacita!?

Too many arrows to wake up to the feeling of shooting people!?

"No, they guessed it again. You're strong."

"I'm scared!

The person who was shot with an arrow pulls the arrow out of his head as if nothing had happened and returns it to Gashita.

And Gacita.

Squeeze the arrow you gave me back again with a crisp bow, then shoot it off.

Zasu.

Stab me in the head again.

"No, no, they guessed it again this time. You're very strong."

"Scare!!"

Once again, pull the arrow out of your head and return it to Gacita......

Gacita also once again leads me to the arrow I had him forward and lets go and zazzles me on the head......

"Wait, wait, wait...!

Exactly. I wanted to be left alone.

He looked familiar to someone with an arrow penetrating his head.

Isn't it Ida from "Heaven and Earth"?

One of the Four Heavenly Kings of the Demon King Army long ago.

Even after his death, he appreciates his achievements and is invited to another world called Valhalla. He says he keeps building himself up forever while fighting there without getting old or dying...

"You left, didn't you?

At least that's what you said last time, right?

Even my mother took off the eternity of things and moved on to a world where she would never rise again.

What are you doing in this world?

"Oh, Darriel, huh? In this day and age, the amazing mighty still hold their breath."

What are you talking about?

"This bowman, for example. He recognizes the space as it is and controls the direction of the arrow by reading the orbit that must hit the target. If he's as capable as he is, he'll be able to shoot all over the stormy night forest."

Huh.

That's Gacita is now our number one adventurer, so I'm in trouble if you do that......

What causal relationship does that have to do with persevering through your head...?

"Aniki! I'll have this guy coach me now!

Instruction?

"Yes, I have defensive magic that deflects me from orbiting every attack by distorting space. This is the ultimate defense of theoretical impossibility."

Indeed.

Ida, who once excelled in earthly attribute magic within the Demonic Nation, eventually reached such ultimate magic.

Even space was made manipulative as a kind of substance.

If space can be distorted and flexed like clay, vectors can also be distorted moving through the space.

If you use it, you will never hit yourself with a course attack.

It just goes off along the distorted space in an unanswered direction.

It would be supermagic to say that conceptual magic on one dimension over this simple physical attack is sometimes just chosen as the Apostle of Valhalla.

... so.

What's wrong with that?

"Gashita-kun can break through my space distortion barrier."

"Huh?"

"As a celebrity of bows and arrows, he seems to excel in his ability to recognize space itself. With the flow of wind and the distribution of humidity, we understand the structure of the space, not only in the eyes, but also in the ears and skin. Then I can see how the space distorted by me is actually distorted."

If we can get an accurate picture of the distortion of the space, if we release the orbitally corrected arrows along it, we will hit the target every bit...?

"He's an Aura, and he's free to change the arrow's orbit.... in the end my space distortion barrier and not a completely indispensable defense. There are many tactics."

For example, the most candid is a wide-ranging attack without some gaps.

If you lay down an attack with density and breadth that cannot be removed, whether you escape or avoid it, you will be hit in any case, no matter how much space you distort.

The ladies who once fought Mr. Ida, even that Inferno tried to attack Mr. Ida in this way, but ended up unsuccessful.

If your opponent comes with a saturated attack that goes beyond the capacity of a spatial distortion, you can welcome him with more than that large-scale spatial distortion.

All I had to do was respond with a force push that exceeded a force push.

In fact, Ida, who can be counted as one of the strongest Four Heavenly Kings in history, has as much magical bottom power as it can.

So neither the Ladies nor Inferno stuck out Mr. Ida's spatial distortion range while doing the saturation attack that he cited as full force, and couldn't defeat him.

"A tactic that reads the distorted surface and modifies the orbit is also close to a positive-attack method. Even Valhalla had dozens of enemies trying to defeat me that way. So the measures are adequate."

Ida keeps distorting space at all times so as not to let the enemy read the spatial distortion structure.

If the distortion keeps moving, the distorted surface that I have read through because of it will also become meaningless in the next few seconds and I will have to reread it from scratch again.

I'm not just relying on transcendent magic.

In order for the strongest Four Heavenly Kings in history to be the strongest, more relaxed efforts and ingenuity were needed.

"That's why you want to compare your moves to this Gacita-kun"

"Ha...?

As a bowman, Gacita can accurately grasp the structure of the surrounding space.

"If you can't do that, you can't shoot a hundred shots and hit a hundred! 'But it's just amazing to be able to do it.

Ida always keeps the distorting surface moving against the enemy who reads the spatial distorting surface in that way.

When this happens, it becomes a quick-reading battle about how quickly the attacker reads the spatial distortion surface and how the defender keeps distorting the space beyond it to render the enemy's analysis meaningless.

"So, that's why we fought earlier. The sooner he reads it, the arrow hits. If my distortion speed wins, the arrows come off. I guess."

So you're saying that an arrow has been stabbed all over your head?

"Neither does Valhalla have an archer who reads through my space distortions as quickly as he does. Opportunities to exchange moves with rare users are valuable. We have to take care of it."

It was the apostolic idea of Valhalla, who was still dying and continued to seek battle and strength.

Ida was given an immortal to keep fighting forever by the Demon King, so there's nothing wrong with where the arrow stuck him in the head.

There was nothing vitally wrong with Gashita releasing a hyun and an arrow and sticking a zassy thrust in his head.

Hyun, Zas.

Hyun, Zas.

Hyun, Zas.

Hyun, Zas.

Hyun, Zas......!

"Come on, you!?"

"Yeah ~? Didn't you say you didn't hesitate to poke around? ~!?"

Tajitaji gasita to Ida, who can be cut abruptly.

At least as I watched, all the arrows were hitting Ida's head.

I mean, Mr. Ida's total loss.

"Gashita is reading through the special magic of the strongest Four Heavenly Kings in history...!?"

It was a current fact that Tsujitsu did not fit without thinking about it.

... No, before that.

In the end, I come back to this question.

"I wonder if he's still not leaving...!?"

Mr. Ida was sent to capture Inferno, who escaped from hell, right?

Now that the inferno's gone, shouldn't you just go back to Valhalla?

I mean, you did say that before, didn't you?

Why are you sitting there?

"Well, no."

'Well, no' will do.

I do not want to be caught up in the problem of Mr. Ida alone now because there are so many problems ahead of me.

Since Gashita is involved in a good way, Ida's rep will push him.

"I have an important discussion to discuss, so I'll ask you later."

"Huh? Don't push me on my own, Aniki.

I still don't stop taking headshots while Gacita leaks a cry.

Well, let me count on you, Gacita.

To focus on the important meetings that are about to begin.