Kikanshita Yuusha no Gojitsudan

Let's sort things out first.

This morning, Ayumi went out to see a Persian art exhibition in Tokyo with Akimi.

Today was the first day of the exhibition and the Ambassadors of Country I were invited to a commemorative ceremony.

Human beings seen as armed terrorists broke into the museum that is the venue.

I can't reach Ayumi and Si at the moment.

It is likely that they are being held hostage in time.

Yeah.

It's bad, isn't it? I don't care what you think of this.

Check other TV stations for possible false alarms.

Looks like the other stations are simultaneously running special shifts to cover the news.

Exceptionally, only one station only streams terrop and shows B-grade horror movies though. Well, this is the usual thing, so I'll leave it.

First, we need to find out where Ayumi and Xi are and if they are hostages, we need to help them.

This is a matter of decision.

Secondly, I want to keep my powers as secret as possible, except when it's unavoidable.

It's essential for the rest of my peaceful life.

Then I had to disguise myself, but now I have a cosplay hero costume (or mask) in front of me.

All right!

Let's borrow this.

Well, of course I can't tell Saito why, so I'll hang the magic of Sleep on Saito.

In just 5 seconds Saito fell asleep to collapse.

From Saito's head when he fell on the floor: 'Gon!' I heard a noise, but I decided not to care.

I'm not supposed to wake up until about evening, so let's just clean up and come back and return the costume.

I'll put a cushion under Saito's head because he's so pathetic if he stays like this on the boulder.

At that time, Saito's smartphone caught my eye, so when I tried to activate it, it didn't seem to be locked, so I'll check for suspicious photos of Yayumi.

I tell you not to get me wrong, this is my duty as a brother.

There doesn't seem to be any particularly harsh pictures. There's a two-shot photo of Saito and Ayumi, but this is who I was when I was there, too. It's not funny, but I forgive you.

There was a picture of Cedar's chest tile, so I forwarded it to my smartphone and then deleted it.

How about it!

I ate the extra time.

I quickly put on Laoder's mask again.

You can't just leave this room like this.

Someone might see me, and you can't keep Saito asleep and leave me alone without locking him up.

So let's move on with the "Transfer Magic".

Nevertheless, metamagic cannot be transferred directly to the museum because it is necessary to embed in the destination the demonic squares to which I will be an indicator in advance.

The demon squares are ready to jump and move out of there.

I moved to the rooftop of the university building where I set up the Demon Square for emergency use (to prevent tardiness).

Although this school building is unlocked, students rarely come, and it's a dead end from the bottom, so I set it up for the transfer.

Now, for the upcoming journey, I'm going to fly away with 'flying magic' because public transport, out of the question, takes time and risks being seen by people.

Most people wouldn't notice if the magic of 'Inhibition of Recognition' were used together.

I check my surroundings just in case and then magically float around.

Once it rises straight up, it looks from the ground up to the hard altitude, and then starts moving towards the city.

It won't take that long if you can fly through the sky on a bike or at a distance that takes about 4-50 minutes if you run on the ground.

If I kept flying for about fifteen minutes, I could see a park with a museum.

Pause and think over the museum.

First, I had to check the location of Ayumi and the others, but I knew immediately that Ayumi was looking for them using exploratory magic because she was wearing the magic conferred necklace I had made.

Apparently, he's in a building on the side that doesn't have only one place in a row.

Exploration has shown that there are many others. Perhaps some of them must be Cedar.

Most people seem to gather on the side of the wall away from the entrance, but this may be the raider's instructions.

However, unfortunately, my exploratory magic can only be seen on a plane, so I didn't even know what floor Ayumi and the others were on.

This is the limit when it comes directly from the top, but you should be able to get a more accurate picture by exploring it from the diagonal top of the building.

I think about rescue steps.

Nevertheless, there are not many options that can be taken.

In the end, we have no choice but to release the hostages while disabling the armed raiders from the entrance.

I guess it would be different if I even had covert skills, but I don't have such handy skills as raw hate. I never had a chance to learn.

In the first place, there are only intelligence agents and criminals in the other world who seem to have covert skills.

I've been a serious brave man. I never had a chance to get close to them.

Recognition inhibition can be used, but this is difficult to recognize in the first place, so it's not unrecognized.

It will not work if it is noted, and it may be less effective for some people. It would be almost pointless close, especially if the other person is on guard.

At the end of the day, we have to go all at once in the industry.

And another thing.

The news reported an explosion, so it's possible the target has a bomb.

When it comes to terrorists, you have the image of a bomb.

Think of it that way and probe if there are any bombs planted around.

... There it is. By the way, they're placed under the bench by the fountain on the station side.

There seems to be a police line of regulation around the building where terrorists are standing, and there are a large number of wild horse-like people around.

Of course there are a lot of people around the fountain.

If you don't do something about the array first, it's bad to leave things intact that you don't know when they're going to explode and get casualties.

I get off next to the bench by the fountain.

(Looks like) suddenly they see me and the people around them make a scene.

Well, naturally, right? Because all of a sudden a temporary O riderwie O d cosplay guy appeared out of the sky.

Besides, the people here should know that the terrorists are occupying the building on the immediate side in its current progression.

What do you say yourself, but I'm too suspicious.

Nevertheless, I don't have time for that right now.

Wrap the bomb immediately under the bench with a 'barrier' and throw it in the item box for now.

Time stops inside the item box, so this bomb will be time-bound, but remote, but it won't detonate.

There's no way I can handle a bomb in the first place.

I used to read something about bombs being put in liquid nitrogen and processed, but that doesn't seem to be enough to disable the explosive itself just because electrical circuits and operating parts stop working at low temperatures, and I don't have that skill to dismantle detonators.

I mean, there's no way you can just do that to a college student.

So I'll give it to the police later and have it handled.

Well, from now on, it's a speed battle.

I hear you heard the noise from the people around you. A few police officers are running this way in a huge shape.

We can't get caught for now, so we jump up again before the officers arrive.

And 'exploration' of the interior from the diagonal top of the building in question.

Confirm the location of the hostages and the terrorists.

First, there is a man with a small gun near the underground entrance where it is lobbied. There doesn't seem to be any hostages on that floor.

Next, one person each near the entrance to the ground floor section and the center of the exhibition room. Hostage-like people are gathered in the shape of Co on the wall of the floor.

Upstairs section above it, one at the entrance and two on the floor. Looks like this is where the most hostages are. Apparently, Ayumi and the others are on this floor, too.

As soon as the confirmation is complete, I shall begin to act.

I can see some of the people around me looking and pointing, but the terrorists at the entrance don't seem to notice, so they go inside all at once.

Fly all at once from a place wide open toward the basement to the front of the entrance and stick inside at the same time as landing.

Suddenly I show up in front of him and he jumps and kicks at a guy who can't react and is on the bar. Totally Lao Darkick as a shape.

Aim and kick the small gun that stood in front of your body.

Confirm the feeling of the small gun shaking, while immediately striking 'Thunder Strike'.

"Uggh!!

I heard a groan for a moment but the man stays down and stops moving.

There's a little smoke coming out of my body, but it hasn't turned black, and my head hasn't turned afro.

Yeah, you look fine. Once I checked, my heart seems to be moving.

It's troublesome to be left alone and resurrected, so grab the collar and throw it outside through the entrance.

After that, you're surrounded and watching. The officers will get you.

Looks like there's plenty of them.

Step inside the floor again.

A guide panel for the exhibition is installed on the front side, and a little exhibit can be seen on the back side. Looks like a staircase going up ahead.

Apparently, the main exhibit is upstairs on one or two floors.

By the way, I just realized that the exhibits here don't have to be a little expensive, do they?

It's about to bring it all the way to Japan for exhibition, so when I say it in Japan, it's like a national treasure or something important.

That means it'd be bad if you broke it in battle, right?

Just in case my identity falls apart and you get a claim for damage, you're gonna be stuffed for the rest of your life, right?

No, no, no, seriously, I just want you to give me a break about that.

Can you go into Ayumi and Shizumi's place at once and take the two of them back on the transfer?

But in that case, there's a good chance that I'm who I am.

In the end, if you want to save Ayumi and Akimi, and you don't even know who they are, there is only one way to defeat all the terrorists (assholes) and rescue the other hostages.

Besides, don't let them use guns or damage people or exhibits even if they do.

Yeah, that's an explosion of difficulty.

Even though I have to do it, make it hard -!

Well, stupidity doesn't progress the situation, and when we get here, we'll have to do it later.

Anyway, the terrorists (both assholes) are currently dispersed, so let's just deal with them individually.

When it comes to it, it can't be very flashy.

It would be even more troublesome if you were put in a cage in one place and held hostage as a shield.

Place a 'sound barrier' on each floor to keep other floors unnoticed.

Decide on the steps and carefully approach the stairs leading to the first floor.

Then there were signs of someone coming down from above.

I hide myself in a blind spot from the stairs and ask how it goes.

A man with a small gun walked in alert on the floor where I was.

I deploy the 'sound barrier' at the same time as the man enters the floor and runs right after him towards the man.

It's about 10 meters as a distance, but it's only a leg away for me, where my physical abilities lightly outweigh people's limits.

Pack your time in an instant.

The man's face attracts amazement.

I tried it on a man and all of a sudden something in the mask would just have appeared in front of me with a black scuff.

but that's not what I found out.

I grab a small gun and point the muzzle down, smashing the arm of the person with his finger on the trigger and smashing the bone.

Hit the soles of the palms into the dovetails without giving them any more whilst they raise their voices.

The blow plucked the man's consciousness and collapsed to the spot.

This is the second one. There are four more terrorists (assholes) in this building.

I peel off my white eyes and throw the falling man outside, just like earlier.

Well, do you want to go upstairs then?

I walk up the stairs carefully so I don't make any noise.

Put a 'sound barrier' across the floor first in front of the entrance to the floor.

And peek softly in to see what's going on inside.

So what I saw was a man who was still about to fire a small gun and a boy in front of him.