King of Hollywood

While Dennis lost some of his fans because of the film - some cult movie enthusiasts think it's a betrayal for him to go to romantic comedy - he also reaped more fans.

“I never thought he would be so sexy and handsome, which is completely different from the cynicism in Two Big Smoke Guns and the decadence in Memory Shards, so charming and reminiscent," said a young female fan.

Basically, a good part of Dennis' fans in this movie are young women like that, and if he keeps it up, maybe he'll be Tom too? A popular lover like Cruz. And one of the reasons why this happens, besides the fact that the acting is excellent and the characters are very appealing, is the huge contrast with the images before, which is sometimes very appealing because the contrast is too large.

That's why Adrian insists on having Dennis perform "Four Weddings and a Funeral," and the actors have more or less their own fixed framework, although some people have large frameworks that can play many different types of roles, such as Pacino or De Niro; others have small frameworks and narrow choices, such as Cruz.

Some things are natural, such as appearance and the temperament that extends from it, and even if an individual works harder, they don't change. Can you imagine a handsome Tom? Cruz going to play a shitty, shitty comedy? Can you imagine a tough guy, Bruce? Is Willis going to play an awfully euphemistic love scene? Even old skeletons like Pacino and De Niro still have their own blind spots, let alone others? It's just a compliment to be able to play any role.

But in any case, actors with a wide range of plays always have a much longer lifespan in their careers than those who are narrow. As I said before, Adrian decided to hold Dennis up, not only because of the fun encounter he had had at the beginning, but also because of the great plasticity he had shown. To put it simply, Dennis is now a piece of rubber mud, and he can pinch himself to any image he wants. However, Dennis is not too soft yet and will be stereotyped if he maintains an image for a long time, so Adrian arranged this romantic comedy for him after a few cult-type films, so there's no need to say much about the results.

In short, "Four Weddings and a Funeral", which was released at the end of the summer holiday period, became the most popular film in early September, and romantic romance comedy was a very popular type of film throughout the 1990s, with Julia and Dennis performing as well, although there were always a few sharp critics, most commentators did.

Since the format is very good, the company naturally starts to advertise more to maintain the momentum, such as arranging talk shows on the crew. LaVerne wanted Adrian to be involved once or twice, but he refused.

“How many producers have you seen on the talk show, Ralph? Yes, there is, but how much? If I was a director, and I directed the film, I wouldn't mind, but I'm just a producer, and I'm a listed person, so forget it.” Adrian said that, of course, for more than that, it just doesn't make sense when something is broken.

You know, the visibility of the tabloids is very powerful, although the producers of a film are the most easily overlooked, and the Four Weddings and a Funeral, from the actor to the director to the writer, are remarkable, not to mention the producers behind the scenes. But don't forget that Adrian also has the title of a miracle director, and when she had a scandal with Julia, she was sworn that Dandan had deliberately modified the script, and Curtis admitted in an interview that the script was based on an outline provided by Adrian, which is no wonder that the tabloids put their imagination to good use.

“Adrian deliberately modified the script in pursuit of Julia? ”

“Four Weddings and a Funeral - a masterpiece by the miracle director. ”

Articles with titles such as these appear in the tabloids and attract a lot of attention, enriching Americans' conversations after tea meals. So Adrian doesn't want to talk to them on the show. Although it doesn't matter whether the public knows it or not, it's all what you want, but it's better to keep a little low profile now.

In spite of all this, Adrian has put his energy into something else, the later part of "This Killer's Not Too Cold" is unfinished, and some of the filmmaking of the investment is nearing its end, and consideration needs to be given to how to schedule the screening.

It's impossible to arrange for Thanksgiving - Christmas - New Year's Eve, which is already intense, and in addition to the big films from various companies that are going to be shown, there are also a number of films that are going to be shown to impact Oscar at this time. If you put all of these films in this period, you and yourself compete for a box office... if only one or two of them are fine, it would be stupid.

In fact, it doesn't take much thought, and although Delicious Emotions and Real Lies are late by the end of the year, they are definitely not in time for publicity. A movie, unless it starts with a big controversy, that everyone is talking about, like Howard's End last year. Otherwise, without adequate publicity, even if the quality itself is better, it will inevitably be ignored.

Actually, it's not just a movie. Isn't that everything? At a time when this information is developed, the importance of propaganda has become self-evident. Don't some directors who want to make an appearance prefer to promote themselves by deliberately shooting films that are taboo and challenge society's acceptance of the bottom line?

Well, that's a long way off. Anyway, the two films don't have to be considered for release this year, which invests almost 100 million dollars, so they have to be earned back. As for the latter, this is Monica's deliberate work to open the scene, and naturally it cannot be done. Even if it does not have such a resounding effect as the Four Weddings and a Funeral, it will have to achieve a significant result. So it's better to spend more time promoting it.

As for Night Visits to Vampires, they only start at the end of June, and the film needs to be well crafted. It can still be done by the end of the year, but it's impossible to show it, it's not Adrian, the perverted director. Besides, he could have promised to get an Oscar nomination for Kirsten. If the spirit of the little girl wasn't fully demonstrated because of the rush, how could he let someone fight for it?

"This Killer's Not Too Cold" is almost done, but it doesn't need to hit an Oscar, so it's perfectly possible to give Natalie a great show at the end of the New Year's season, like "Four Weddings and a Funeral."

In fact, it's less important than one reason to say that all three of the films scheduled on the slot were designed to impact Oscar. Needless to say, the Schindler List is one of the most important films in the Bosworth Film Industry this year, and the early publicity has begun silently, naturally there should be no mistakes. If the publicity program goes well, getting the best movie and the best director, the best adapted script awards will be virtually no problem.

And then Tom? Hanks and Denzel? Washington star, Jonathan? Damy directs The Philadelphia Story, which is for the best male lead. You know, Hanks got the first little Goldman of the Movie Emperor, and then the second because of Agan Zhengzheng. Adrian was able to consolidate his position and reputation by giving Hanks Cicada the opportunity to pull Damy together as a Philadelphia Story and become a producer himself. Winston? Adaptation of that political novel in Groom has begun, and Adrian will be writing the script himself and directing and producing it, only to have to clash with Groom, who insists on participating in the adaptation.

As for the third part, naturally the director of New Zealand, Jane? Campion's Piano lesson, in Adrian's memory, was the closest female director to Oscar's best director before the trucker's ex-wife, and unfortunately she met Spielberg and his Schindler List.

Adrian didn't mean to change that. Can Campion get the best director, and he has nothing to do with it, as long as Holly stars? As long as Hunter gets the best lead.

Last year, when he made a record two films to keep Pacino and Thompson waiting for the Movie Emperor and the Queen of Movies, he gained more influence than he thought. Think about Julia, who had difficulty cutting him off, and think about Kirsten, who had taken the initiative. This year he intends to continue, and of course, he cannot work as hard as he did last year, which is too tiring, so he finally chose to give them up as producers.

As a result, his main focus over the next half of September was on the three films, such as his deliberate trip to Australia for a celebration party in Campion.

In the original space-time, Campion's large-scale film was supposed to have been produced and attended this year's Cannes Film Festival in the first half of '93, and not only did Campion get Gold Palm, but Holly? Hunter got the best actress. But now, because of Adrian's presence, the film, although in Bosworth's hands, was delayed for several months, and the Cannes Film Festival was missed.

But that's okay, some of the festivals are, in terms of seniority, the Venice Film Festival at the end of August and the beginning of September, the first film festival in the world. And the Piano Class unexpectedly beat the Blue * * Pick and picked the Golden Lion, and Holly? Hunter killed Juliet, too? Binoche won the best actress of the Venice Film Festival, and more surprisingly, Harvey? Keitel also got the best male actor.

Obviously, the Piano Class is more like a fish festival in Venice than the diverse Cannes Film Festival, known as Little Cost Independent Film Paradise, and no wonder it's back in Campion, Australia, for a party celebration.

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