King of Hollywood

Of all the women around her, Monica was not fit for the role; Sarah was too young, to say the least, she was a little too pretty; Liv had arranged a movie and was still in the testing phase, let alone eating her stomach, and her temperament was equally unsuitable; as for Kate, she had not returned to him at that time, and her five officers were too sophisticated and not at all as American chicks should be. So to think about it, only Julia fits.

Firstly, she is not a well-known actress; secondly, she has nothing to say about her acting; and, again, and most importantly, she has always had the image of a strong, independent woman who fits the role. However, when Adrian asked Julia if she was interested, she was arguing for him and Monica, so she refused without looking. Adrian was going to talk about it for a while, but when he got busy, he forgot.

And so it dragged on, and it dragged on to the end of the year, and fortunately, with Campion's party, Adrian found a better actor. Blanchett is not only famous for her appearance, but also for her strong and distinctive role as a woman, the biggest characteristic of which is the arrogant and harsh aura emanating from the inside out - of course, she is still only a young girl today, far from having such an aura.

But that's one of the reasons Adrian invited her, and it's hard to say if Blanchett will fit the role in 10 years, if her life trajectory hasn't changed. Although Julia is more appropriate than that, Adrian still chooses Blanchett, after all Julia has too many good films. And he's very interested in her, and on top of that, his appetite is always infinite.

“How come, I'm ready, anyway, the end of Tornado is near,” Bond waved carelessly at this point, “you can let go and give the producer the responsibility, I'll go when I need you. ”

Funny to say, Tornado and Speed of Life are by Jane? De Bond directs, and Speed of Life and Death is his virgin, but now Tornado is his virgin.

When Adrian found Bond directing Tornado, he didn't even think of him directing Speed of Life and Death - which he only remembered when he got the script. So I hesitated to know that it didn't have a directorial work yet. After all, the film has a lot of outdoor shots, which is a big test for the director's scheduling. But after going over Bond's profile, that long list of assistants to countless directors still got him finalized.

This proved to be the right approach, although the late film was a bit unfinished, Adrian, who had seen the flowers, knew that the earlier version was no worse than the original. Naturally, the direction of Speed of Life and Death has fallen on Bond, who, after all, has always liked to use the Original Horse to reduce risk.

Bond didn't refuse at all, even though he'd just finished making a movie. As I said before, just as he was in desperate need of an opportunity, Adrian not only gave him the opportunity to invest $50 million with Warner, which was enough to make Bond fall apart, and Adrian's insistence on activating him in such a big production in front of the Warner delegate was still in sight.

“Well, the investment in this movie isn't as big as it was last time, but I'm sure you'll do better, Jane.” Adrian patted him on the shoulder, and he didn't feel it was wrong to do so at all. You know how to convince Warner to let an anonymous man in charge of the tube, he paid a good price and didn't fully squeeze its value?

“I also believe that the actor you recommended is always appropriate, Ed, that Kate was good last time, this time...” Bond looked at Blanchett with a smile, “not bad either. ”

“Last time that Kate?” Blanchett asked curiously.

“Kate? Beckinsale, pretty good girl, hardly needed a double for the dangerous lens. While filming driving towards the tornado, he was accidentally injured, broke two ribs and was lucky to have no obstacle.” Bond explained, "Very strong. ”

“Well, Jane, don't flatter the lady, don't forget there's a brilliant young man here.” Adrian smiled and seemed reluctant to talk more about the issue, and Blanchett seemed to hear something.

“Oh, yeah, Keanu's pretty good too, we've had a little flirting before, and I know him.” Bondhaha patted Reeves on the shoulder with a smile, and Reeves waved his hand, “That's okay, I'm looking forward to working with you. ”

“Me too," Adrian nodded, "but, Keanu, stop smoking * *. ”

“I know,” Reeves put his smile away and gave a solemn expression, "I've quit since that happened to Raven. ”

“Fine, then, I'll leave you alone.” Adrian patted his arm and looked at Blanchett: “I look forward to seeing you surprise everyone, Kate. ”

“You'll see.” Blanchett replied with a smile.

“By the way, if there's time, maybe we could go for a walk together, I know everything about Los Angeles, I could introduce you to the city, just like you introduced me to Sydney.” Adrian, who wanted to walk, suddenly said so again.

“I will.” Blanchett nodded with a smile and a different look in her eyes.

After leaving them, Adrian made a few more rounds in the crowd, looking at the time, ready to find Natalie and go to the projection hall together, not a few steps, and suddenly someone grabbed his arm from behind.

“Do I have to come to you on my own?” Sarah Beethooth chewed her eyebrows slightly and then appeared in front of Adrian, although she didn't seem to notice the grudge in her tone.

“Oh, Sarah,” Adrian smiled with an apology, "I just stopped in one lap and forgot you were at the premiere, can I apologize? ”

“No,” Sarah sighed a little lost after seeing him for a few minutes, “I understand, after all...”

She shrugged her shoulders, barely squeezing out a smile, and a contradictory look in her eyes. Adrian sighed in her eyes for a few seconds, suddenly holding the girl's waist and walking into the corner, and Sarah struggled a little and didn't move.

The whining sounds echoed in the deserted hallway, and the girl lifted one foot backwards, if not backwards against the wall, perhaps on her ass. The entire body was raised 140 ° back, embraced in her arms and completely renounced resistance, leaving her lips and tongues intruded.

Finally, after several breaths, the two finally separated, and Adrian, with an oppressive breath, held Sarah in her arms and rubbed her face in her arms, sucking on her earlobes from time to time. Sarah also leaned blushly in Adrian's arms, some faintly holding him tight, slightly panting.

“Is that how you apologize?” Sarah, who adjusted after a few minutes, raised her head and asked, hidden in her eyebrows was the spring spirit and dissatisfaction raised by * *, the subconscious slightly curled up at the corner of her mouth, the appearance of laughter and non-laughter was quite glamorous, plus her already somewhat foxy face, which looked particularly tempting.

“I just thought it would make you feel better," Adrian whispered softly in her ear, "how about we go to Southern California or Arizona after the new movie thing? I'll be back in two days, tops. ”

“Really?” Sarah said, reluctantly, while her fingers kept drawing circles on him.

Since that day, Adrian has had more Sarah on his appointment itinerary than Monica and Julia, but for some reason they've never dated in Los Angeles, either north to San Francisco or Seattle, Washington, D.C., or east to Nevada or Arizona.

It is also for this reason that they date for a relatively long time, but in comparison they appear to be brief and infrequent. But just like that, Sarah was falling into Adrian's hands little by little, as you can see when she went out with a contradictory look and came back laughing.

“So cold, still mad at me?” Adrian grinned and pinched her red lips.

“So what do you think I should do, Ed?” Sarah glanced at him dissatisfied, "jumped up and cheered? ”

“That's not necessary," Adrian laughed, "just give me another warm kiss. ”

And then I couldn't help but kiss her lips again.

“Your stupidity makes me miss it.” He said after another long and hot kiss.

“Really? More than your... lovers?” The Sarah star lying in his arms asked half-open.

“Of course not, but you have something I miss more.” Adrian hits her ear and lowers her voice, "for example, your little hands. ”

Sarah's face suddenly blushed to the root of her neck, and she couldn't even say a word. Two people on several dates held each other in a bed, but Adrian never ate her, just saying she wasn't ready. Nor did Sarah find herself in a paradox, except that although she did not enter into “deep” communication, there had been several activities on her hands like the last one.

“Well, let's not talk about it. Let's get out of here. The movie's about to start.” Adrian kissed her cheek, then hugged her waist and walked out, then let go of her hand as she walked out the hallway.

“There you are, Ed.” A voice immediately came from the side.

“Nada? What can I do for you?” Adrian looked at Natalie unexpectedly in front of her and introduced her to two other girls: “Sarah, this is Natalie; Natalie, this is Sarah. ”

The two girls nodded amicably at each other, but Sarah had only a curiosity in her eyes, and Natalie's eyes flashed a little, not knowing what was on her mind.

“I was already sitting in the projection hall with my mom, and then I heard Gary say you hadn't come in yet, so I came to you bravely and turned around in the front hall for a few laps without seeing you. I was going to give up, but I didn't expect to see you here.” Natalie shrugged her shoulders, but her eyes were still flashing, even though she was in good control of her emotions.

Others might not see anything, but they couldn't escape Adrian's eyes. After guessing something, he laughed softly in his heart and said, "Okay, I know, I'm on my way. ”

As the airtime draws near, visitors enter the screening hall to enjoy the film.

After the film's logo, the film quickly entered the title, which began with a fierce shootout, the ghost of Lyon entered the drug lord's lair and killed the dry batter clean. But the most shocking shot was when a fat drug lord looked around nervously with a gun behind a dark passage, and a hand with a knife suddenly came out of the dark and stuck it on his face, and the method of merging with the dark won a lot of accolades.

In a matter of minutes, Lyon's qualities as a killer were rendered, while the next series of shots, drinking milk, cleaning leaves for young people, sitting on the couch with sunglasses to sleep, and watching Rain in the Cinema revealed a childish smile, which in turn revealed this killer's contradictory and simple life.

And of course, there was a meeting with Matilda, and Matilda's cigarettes and being reprimanded by her father also told the audience what kind of family she was born into. At the same time, the Great Rebellion Stan appeared, and the way he sniffed around Matilda's father like a dog simply showed his nerves.

Next, the most classic part of the film, Stan came to Matilda's house the next day, listening to Beethoven start a massacre, and Matilda, who was out shopping, escaped a robbery but was in danger when he came back. The girl withstood her fears and walked straight to Lyon's room, ringing the doorbell desperately.

Lyon, in contradiction, hesitated for a long time and finally called the door to the girl who cried silently at the door. The moment the bright light sprinkled on Matilda's face, there was an absent sigh of praise in the projection hall. Though I've seen it countless times in my previous life, Adrian did it twice with a light tap, even though he made it himself in this life.

With Stan announcing that another child had not been killed, the police guarding the door quickly became suspicious, walking to the door of Lyon's room and sounding, Lyon, who had been guarding against it, was also pointed out behind the door at gunpoint, but Matilda simply solved the problem, turning on the TV with a remote control. The sound of the Transformers cartoon suddenly reassures the police outside the door, which is a normal family behavior.

That, together with the scene where he had previously walked down his door, showed how agile the girl had been. But then the audience began to mourn and mourn their families and their brothers. I have to say, Natalie's acting particularly well in this segment.

Matilda thus entered the life of Lyon, and the two began to interact, and the subtle emotions began to take root. Lyon no longer sleeps on the sofa, and the colours of life have increased considerably, as has Matilda's first taste of being protected. If there were no future, perhaps they would have lived like this for the rest of their lives, but a vengeance persisted in the girl's heart, and one day she went back to her old residence and heard the Great Rebellion Stan's office.

After hesitation and hesitation, she chose not to tell Lyon, but to revenge herself, needless to say, and was caught by Stan. Lyon then broke into the police station to save her and killed Stan's two accomplices, and the provoked Stan found Lyon's contact, forcing Lyon's whereabouts behind him to take SWAT to resolve the problem once and for all.

The final showdown came, and Lyon fought countless special police officers armed to the teeth with one hand, no matter how powerful he was, a man's power was always limited and he ended up trapped inside the room. He managed to open the vent, but the hole was too small to allow Matilda to leave alone. Under the parting of life and death, Matilda, despite her reluctance, eventually left under the persuasion of Lyon.

The audience always hoped that the good guys would get good news, and the plot seemed to be developing, and the injured Lyon found an opportunity to change into a SWAT uniform and go out with a breathing mask, and when he saw it coming out smoothly, he was hit to the ground by a bullet coming from behind. Turns out Stan had found his figure before, and in order to kill him himself, he deliberately threw out all the SWAT officers in the underground aisle. But the bad guys still had bad news, and Lyon was covered with grenades, and before that, when Stan checked his prey, he pulled the loop and ended up with him.

Eventually, Matilda went back to school, and buried the basin under a tree of young people who had witnessed their emotions.

“We're safe now, Lyon.” She watched as she mumbled, and then the camera pulled up and the song rang.

While the lights were on, the warm applause rang, nothing else, just in terms of the story, it was great, there were ups and downs, there were * * pavers and turns, and a movie that could tell a great story had succeeded for the most part. Besides, "This Killer's Not Too Cold" has done quite well in terms of color and music, and it was unexpected to get such a warm round of applause from three actors.

“You hear me, Nada, at least a quarter of the applause here is for you.” Adrian leaned down in her ear, sitting beside her, whispering, while the girl's eyes glistened to those who were clapping, and she couldn't help but get excited.

“Take it easy, it's just the beginning.” Adrian then said so again.

The next day the newspaper was commenting on the movie, saying that the three of us were acting in praise of Natalie's performance.

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