King of Hollywood

Chapter 61 Similarities

Chapter 61 Similarities

At the beginning of the film, a young woman was refused a job at the hospital, and when the doctor couldn't help but correspond, the camera gave her a close-up of a helpless smile, apparently a similar refusal more than once. Then the lens shifted, the woman stood against the wall in the afternoon sun, the sunglasses hanging on her face, appeared lonely, the director's precise application on the face sè made the previous helplessness clearer.

Apart from Adrian's love five-part, Julia has tried many horns in the last few years, but this is the first time she's dressed in such a vulgar manner. However, the vulgarity is customary, but there is no sense of discordance. Instead, it gives a feeling that she is what she is, and Julia sees that she is just right about her temperament.

What's next, car crash and courtroom, Albert? Finney also appeared, there was not much confrontation in the courtroom, the other lawyer just used a little trick to piss off the actress Irene? Brockwich, because of her slogans, eventually lost the case, so much so that Irene had only a few dozen dollars left in the bank to piss off her own lawyer.

It was just a few shots, but in about five minutes, Irene and Ed's xing grid was initially outlined, a powerful, almost rude, and a cautious, somewhat good old man. This gathering was filled with the contradiction of the theatre xing, which instantly stirred up the audience to watch * *. Especially when Eileen finally had no choice but to break into Ed's office and ask him to fix the job, Ed thought about saying yes a few minutes later, and also agreed to her request for an advance, making everyone look forward to the following.

But the rest of the story doesn't seem to be what they expected, and although Irene was not seen by the office because of her style and outfit, she still worked hard to prove herself. But she never expected that when she went to investigate a case herself, and Ed herself allowed it, she was fired when she came back!

“I thought you were going to play.” The old man said with an innocent face.

Am I such a miserable woman in your eyes?! So many days running around investigating and doing my best to study to get such a secondary fruit?! Eileen also left unequivocally, not even the old man's suggestion that he would make a few more calls to help her find a new job.

“You're just trying to alleviate your guilt! I won't make you happy!” Eileen announced so, and then he corrected his anger and went away.

This play doesn't have many great places on the clip, it's a common technique, but sè colors are always used well, dusk can make people feel a warm and uncomfortable atmosphere, like "Bones in Winter," the clip is normal, but the perfection of the actors' sè performances and the presentation of the raw cold sè colors blend perfectly to fully explain that hard feeling.

Although this was an unexpected setback, everyone knew that the spiral would inevitably follow, and indeed, soon an old lawyer came to the door because a professor at UCLA called and told them that the maximum legal content of hexavalent chromium was 0.05 parts per million, while Irene investigated the case with 0.58 parts per million of hexavalent chromium in the water, so he wanted to know what was going on.

Of course, Irene was the kind of woman who had to ask her to go back if she wanted to know, not to mention the fact that she had a lot of bills to pay, and...

“I'm asking for a raise and employee benefits, including dentists.” She said with her child in her arms.

Ed thought it was blackmail, but after a bargain, he had to say yes: "Okay, 10% plus benefits, that's my bottom line! ”

It can be seen from here that he has begun to acknowledge Irene's abilities, but even if he were tough enough, the helplessness on his face under the close-up was still very clear, which gave rise to a lot of laughter, and Adrian's handling of the details gave many viewers a fondness for this old man, who had eaten so much in Irene's hands.

And then, naturally, work began, and the old man was surprised that Irene was able to gather so much information, and even so much from the Water Authority: "How can you go in there and do whatever you want? ”

'Cause I have big tits. ”Irene answered very directly, leaving the old man speechless again.

This kind of dialogue is naturally the favorite of the audience, although they don't show it clearly, and Irene's initial vulgar and rude image has slowly begun to shift to straightforward and cute. Then, after more than half an hour of paving and character shaping, the main line of a face-to-face decision with the Pacific Power Company was finally pulled open.

A series of investigations and confrontations made old lawyers angry and tired, especially when they threatened to use $28 billion of money randomly, finally angry at Irene's whereabouts... he shouted at Irene so much, then Irene shouted in a louder voice than him... The old man stopped and laughed and the audience on the screen laughed, so direct and spicy, it was really Irene, but that's why she looked so cute.

Driven by a strong sense of justice, Eileen not only urged Edgar to intensify his investigation, but did everything in her power to push the case forward and even went to the electricity company's water source to take samples for testing. Despite the considerable results achieved, the opinions of hundreds of households had finally been unified and the court had finally taken up the case, she herself had begun to face many problems.

Kids, for example, because she's running around.

o Lack of care, she missed the first time her third child spoke, and the electricity company used delays to force Ed to work with other, more well-known law firms, who began to finger each other and have a rather blind eye to non-Koban-born assistants like Irene. In addition, her safety was threatened, not only by anonymous telephone calls warning her, but also by the smashing of several windows in the house, which scared the children into shouting and lit the fuse of the breakup with her new boyfriend.

That's the price of heroes, Irene in reality? Brockwich did receive threatening phone calls and did get smashed through the windows, but the difficulties encountered, at least Ed gave her a lot of support, and the partner's law firm did a good job. But who made this a movie? American heroes will never fail to frustrate and struggle, nor will they ever lack the character to spin around them.

Ed was also a big shot in the whole case, at least in court. He was the one who fought for those people's interests, but who made it a movie? Drama xing and conflict xing are always important factors in a good movie, not to mention that Irene is the star of the movie, so it is destined that the story will not be too inky in the court debate, and that others other than Irene will be co-actors. In fact, the lead actress of Bones in Winter? Dory did the same, except that her hard and cold life dramatically diluted her hero sè, and even so did not prevent critics from comparing the two films.

In short, Adrian did quite well in the story, with the experience of previous generations, replenishing those flawed places with perfect detail reinforcement and careful regulation of his best sè colours, even if the mat was a little long and even without the excitement and the images, the audience was still firmly attracted.

Irene's Ben.

o Much has been accomplished, and Ed has further recognized her ability not only to give her a check for $5,000 to rest, but also to tell her that you need to rest when she moves because she can't publicly prosecute but can only request a court decision. You can't help me like this, and this case can't leave you alone.

Ultimately, they persuaded all residents to promise to let the court decide - that although there was no jury and no appeal could be filed once the suit was lost, at least compensation would be forthcoming - in addition to Irene, a man who had observed Irene for a long time, who was responsible for destroying documents at the Pacific Electricity Company, found Irene.

“Don't scare him away, you have to calm down," Ed said immediately after receiving the call, realizing this was a good opportunity, "don't forget, if it wasn't for you, I would have gone to Palm Springs to enjoy it. You are very persuasive, don't ask him too many questions, everyone has a * * to talk to, try to make him speak voluntarily..."

Here, Ed has fully recognized Irene's abilities, as has the audience under the screen, especially at the end.

“You... how did you do that?” Cooperating lawyers were somewhat stubborn after obtaining documents signed by 90 per cent of the residents, as well as evidence from some columns.

“I was ignorant, I didn't go to law school, and Ed lost faith in the system, and I had to betray * * and blow 634 people in five days... I was really tired.” That's what Irene, who was always avenged, said.

Under the screen, laughter carries a round of applause.

With such evidence, the Pacific Electricity Company naturally lost and had to pay up to $330 million in compensation. Of course, the courtroom scene skipped, and that wasn't the main character Irene's home, and as an inspirational film, heroes naturally had to have a successful ending, so she ended up with a boyfriend who went back to her side to visit those who had been compensated.

“I want you to see for yourself what you've done for me.” She said so to her boyfriend on the way.

And not only was her boyfriend moved by it, but underneath the screen was another round of applause when the original visiting household received high compensation.

But it would be a big mistake if you thought it was over, with a little tail behind it, and Ed moved into a bigger office building with the firm as soon as he got his lawyer's fee, and Irene had her own office. Then Ed deliberately swallowed up a check for the dividend when he handed it over to Irene and told her that he didn't think the numbers he had negotiated were appropriate, so he made some adjustments.

Otherwise, Irene began to fall, and a string of words kept coming out of her mouth, leaving Ed with little to no mouth to return, and eventually had to leave the check, and Irene wouldn't stop until she saw the numbers on the check.

“As I said earlier, the amount you offered was not appropriate, so… I added some.” Ed stood at the door and said, "Hey, hey, smile.“ Didn't anybody ever teach the Queen how to apologize? Your apology sucks! ”

At last, the avenged old man jumped back proudly, leaving Eileen with her mouth open for half a day to squeeze out a mosquito-like thank you. At the end of the screen, there was another round of laughter and applause, and then a warmer round of applause after the film.

“There is no doubt that this is a perfect piece, whether it's Julia and Albert's performance or Adrian's level of guidance, which is quite sè. This movie has been adapted from the real world, Irene? Ms. Brockovich won the largest civil indemnity case in the history of the United States a few years ago as Xing, a single woman who had never attended law school and had little knowledge of the law, and who was the mother of three children, helped her boss gather key evidence with her courage and perseverance, allowing the court to release $333 million in compensation to Pacific Power.

In this era of heroic deprivation, Irene's story is striking, and wonderful with a hint of rebellion, Adrian grabbed it and showed it in movies with great skill. He didn't use too complicated a clipping technique, like Bones in Winter, where the details and sè tune up and down, just like Bones in Winter showed the hardness characteristic of winter in the Missouri Mountains from beginning to end, and Never Compromise overflowed California's passion and persistence from beginning to end.

It has to be said that Julia performed extremely sè, which should have been the best show of her actress career to date, and that Irene's strength, candor and sense of justice had been fully interpreted by her and, although a little vulgar, vulgar and cute. Albert's performance was not lost to Julia, and Ed, the old lawyer who played her, complemented her perfectly, and the interaction between the two was always the funniest part of the movie, anti-Alan? Eckhart, become a horn of nothing.

Comparing "Never Compromise" with "Bones in Winter" is pointless. Both films are very sè and distinctive. One has to admit the miracle of the miracle director. The style of "Never Compromise" and "Bones in Winter" is the exact opposite on the same subject. Both are described as strong and inflexible in difficult environments, with a relaxed and definitely successful atmosphere from beginning to end, while the latter is deeply rooted in reality and seeks to show the cold and cruelty of life.

There is no need to analyze which one is more profound. It is an inexplicable question. Adrian has directed too many films with completely different styles. No wonder people say that he is a full-time director. It is hard to believe that these films are made by the same person. The only thing that can be connected is the use of the sè call. Yes, Adrian was almost insane in the use of the sè tune, and watching every movie of his was great in the use of the sè tune, which is probably one of the reasons why he took over the Big Eye Ring from Kubrick.

Anyway, Never Compromise is a great movie to watch! ”

- The San Francisco Chronicle, Francis? Sayn.

The San Francisco Chronicle, the main newspaper under the chess of the newspaper group that cooperates most closely with the AC media, naturally brags about Adrian. If it was written before the movie was released, it could be ridiculed by many people, but after the movie was released, it was a sign of approval.

“Julia? Roberts and Albert? Finney did an amazing job in the movie, and she didn't lose to Natalie?

o Telman and John? Hucks. "- The Los Angeles Times

“Adrian's" Never Compromise "is similarly sè, perhaps not as heavy as" Bones in Winter ", but unusually eye-catching.” - Empire

“Adrian proved once again that the miracle director deserved the title, and that the two films were equally sè.” - USA Today

You know, just a few days ago, the media singing these hymns more or less speculated that "Never Compromise" was better than "Bones in Winter" under the same subject, but they never expected Adrian to make Never Compromise look so good... That's right, it's very nice, that's the first feeling of the average audience, there's no lengthy explanation of the legal term, there's no jigsaw court play, but there's Irene, who's rude and straightforward and has a sense of justice, and Ed, her lovely old man who can tolerate it, and the tension of the drama is spread out just right, making a lot of people see it smelly.

The weekend box office is the best proof, with 1800 yards getting 20 million in North America in three days, perhaps less proportionally than Bones in Winter, but then the potential for amplitude is definitely much higher, even more so in the Christmas archives.

This is also why many critics praise Never Compromise as an inspirational film that does exactly what it takes to tell a story, shape a hero, and present reality, even if someone is willing to make a prick. Perhaps in the weight of uncovering lu reality, "Never Compromise" is far less than "Bones in Winter," but the same type of "Never Compromise" is more popular with the audience, so...

“If Adrian had made Bones in Winter by producing Never Compromise, the latter would certainly have been even more remarkable.

Frankly, it would be more interesting to see this kind of thing than to read a tabloid reporter's premiere of Adrian holding Julia's arm to Never Compromise, but sometimes, praiseworthy or provocative, it links Never Compromise to Bones in Winter, even for many film critics who did not compare the two films in the first place.