King of Hollywood

ps: Modified

Adrian shouldn't have come to the premiere of World War. Tom is the star of the movie? Cruz, even though his hands-on return to the hotel in Cannes and Nicole was half a month ago, and his subsequent statements to European filmmakers diverted the attention of the majority of people, there was a constant eye for it.

After all, when things were going on between him and Nicole and Cruz, rumours of Adrian hooking up with Nicole for directing The Open Eyes Ring never broke, and it's been circulating on the Internet from time to time. If he appeared on the premiere red carpet of Cruz's film at this time, or even met Cruz, it would certainly have caused a huge wave of news in the media, and the previously chilled rumors would have returned to public view, which is definitely not a good thing.

Of course. To Tom? Cruz's attitude towards Adrian, if we met on the red carpet, must have gone crazy. There are only two situations in which he can do this, either by being nice to Adrian and lending himself some positive attention to the current state of attention, or by using this method to clog Adrian and Nicole. Of course, with Cruz's character and wisdom, the former would not have thought of it or used it, and the latter... never would have thought of it.

So Adrian's participation in the World War premiere was very low-key, and his main goal was to test Hollywood Jews' reaction to Pianist through Spielberg. While it's easier to get through Weinstein, it doesn't have to be that urgent. But Spielberg, who directed the Schindler List, was undoubtedly the best fit, and the sooner he prepared, the better, after all, he had another goal, not to appear on the red carpet, not to meet Cruz.

In fact, that was basically achieved. Even though it was somewhat unclear between the two, the meaning was clear, and Adrian took the opportunity to say that his production of Pianist was influenced by Spielberg. This is important and it is necessary to gain the support of the Jewish community in order to achieve its goals. In any case, the Hollywood Jews make up a lot of money.

In a sense, he is a game among several parties, so as long as it is good, it should be fought for. And of course, grasp the extent of it, as long as it's well controlled. The wire is still stable.

To be honest, Adrian really didn't want to direct the Pianist himself. Although he had people go to Spiman and reissue Dead City, it was just a bargain to sell a favor to Polanski or a Jewish group. So Adrian almost said yes when Polanski came to the door to buy the right to adapt, but then he thought about it carefully and pushed his plan to a higher peak, which was why he was on the list, and now he has the situation.

So, that's it for now. You can start the movie. After talking to Spielberg, he greeted several acquaintances and Adrian was ready to leave. He was sneaking in, not much guidance, and naturally there was no need to go to the screening hall to watch World War, and Cruz certainly didn't like to see him before the movie started or ended.

But when he was about to leave through the side door, a little girl's voice called him: "Mr. Cowell. ”

“Hannah?” Turn around and see Dakota? Fanning gasped to catch up.

“I'm so sorry… Mr. Corwell.” The little girl who stopped breathing twice showed a smile, "I hope I didn't interrupt you. ”

“Oh, of course not, I was just leaving. Besides, just call me Adrian or Ed.” Adrian looked at her curiously, "Can I help you? ”

“No, it's nothing,” Dakota explained, “I just wanted to... thank you. ”

“Thank you?” Adrian picked the eyebrows.

“Yes," the little girl nodded, getting out of the cute somewhat shy smile, "I know that you've been taking care of me and recommending some great characters to me, and I appreciate it very much, so... so I've always wanted to thank you in person, Corwell... Ed. I wanted to find a chance in the future, but I just heard Mr. Spielberg say you were here, didn't hold it... so I came... I didn't see you, so I guess you didn't want too many people to know, so I found this way, I didn't... I didn't mean to bother you...”

She was a little stubborn, her little face red, her eyes moving around, and she seemed too shy to look at him, which made her look extraordinarily cute.

Adrian picked out the eyebrows slightly and changed to a gentle smile: “It's nothing, you're a very promising girl, I recommend you should too, don't bother to thank me. ”

“No," the little girl said firmly, "maybe Ed didn't think so, but I know that without Ed's guidance, I wouldn't be so easily honored today...”

She said, holding her chest up as if she had mustered courage, looking at him with big blue eyes: “Can you guide me more in the future? ”

Once again, she picked her eyebrows slightly, and Adrian suddenly fell down in front of her and rubbed her hands in her blonde hair: “Of course, as I said, you are a very promising girl. ”

“Thank you." Dakota smiled brilliantly, picking up her toes and taking a quick peck in his face before running away.

Another fairy, huh? Adrian softly hummed in her heart as she watched her back slowly rise. No, more than that. She's a little smaller than the fairy at the time. Tsk, tsk. Especially if you are a very young girl. Is it lucky or unfortunate to have such a young child?

The problem was thrown behind her head, and no matter what Dakota implied, she was too small now. So, even if the current wave is not over. Arguments continued on both sides of the Atlantic, and Adrian was still being watched by many, and the creation of Pianist was continuing, and he soon became involved in the shooting of the new film Out of Control.

“This is a very simple lens, you just have to walk from here to there, no extra body language needed. But it's also a complicated shot. The focus of the lens will be on your face and you need to express at least two or more emotions.” In the huge studio, Adrian told Natalie so.

“Not specified?” Natalie spoke with her lips shut.

“No,” Adrian nodded, "it's up to you to decide what feelings. Though it was done through the Montage technique in the later stages, I still hope it will be done by you. ”

After that, he began to greet the lighter and the prop artist, and when everyone was in position, he started shooting.

"Out of Control" doesn't have many scenes, most importantly at home and in the company, and then there are a few outdoor scenes, so 80% of the content can be done in the studio. As for the remaining 20%. There are too many exterior areas outside the studio, even if they are not suitable, as long as Adrian is willing to invest, pull the curtains around, and move the background up during later production.

So even if the movie is getting a lot of attention at the moment, and Adrian is still completely behind the scenes because of Cannes, it's still very easy to keep people out of sight of the new work, easier than Pianist - at least until Pianist is fully released, it's best to keep the news that a miracle director is making a new movie.

Of course. The main reason for this is because of the script's simpler storyline. This script is quite original to Adrian semi-original, mainly describing a single mother in a deformed family with a perverted control over her daughter because she was raised independently.

Since she was a little girl and everything in her life had been wrapped up by her mother, she could only accept passively the opposite. I don't have my own ideas. This changed after a new supervisor was transferred from the company where his daughter worked, a playboy, and somehow the relatively earthy daughter entered his eyes, so the supervisor tried to hook her up.

My daughter, who has no opinions, has no idea what to do with this kind of thing, but the company needs to promote a group of people at this time. She was lucky to be there, so she had to deal with the supervisor, and her daughter's only friend was there to plan for her. Everything was alright, although it needed to be false with the supervisor, her daughter's long-enclosed heart slowly began to unwind until one day she inadvertently saw her only friend and supervisor speak intimately, and the suspicion began to grow in her mind, and she slowly began to wonder.

Coupled with the fact that the mother in the family still had strict custody of her, she had hardly heard her heart, but only asked her to follow her instructions, demanded that she must strive for promotion, and the contradiction between mother and daughter began to become sharp.

These kinds of intertwining are already sensitive and seriously insecure, except that daughters who are usually suppressed by their mothers are starting to get a little nervous. Especially when she discovered that her only friend was also on the list of possible promotions, this nervousness became stronger, and in the aftermath, under all sorts of suffering, she began to hallucinate, as if someone was trying to harm her, and her life was in complete disarray, and finally it erupted, and everything went out of control, and everyone was hurt.

It's a little familiar, isn't it? And some ballet movie. In fact, Adrian did learn something from that ballet movie when he wrote the script, but more from other movies. Leaving aside those expressions, similar scenarios are prevalent in American films, such as "Carrie the Witch," which dates back to the '70s, when the mother took strict control of her daughter, and her daughter resisted because of a series of things that ended up causing catastrophe.

The key is still the way it's expressed, like superpowers in Carrie the Witch, like ballet in a ballet movie. As long as the way you express it resonates with the audience, the plot of dog blood will only add to it, just like the way you use ballet to express the change of heart of the actress, which is really very innovative.

But Adrian left this far behind without even thinking about it, and he said a long time ago that in a movie about dance, ballet is the hardest thing to shoot, or the hardest thing to put a protagonist on the field. An actor can basically dance properly after a certain amount of contact. And then later, we cut it again, and the effect came out.

Unlike ballet, ballet is highly demanding, so the vast majority of ballet actors have been trained since childhood, and disqualified are eliminated early. Together with those sophisticated techniques, it requires sophisticated actions that exhibit a variety of tensions. Neither is an inexperienced actor compensated by six months or even a year of training.

And, of course, Montague, a great late clip always gets the desired effect, making it completely impossible to tell whether an actor or a double is jumping in front of the camera, especially now that CG technology is a thousand miles a day. Back in Gladiators. The technology to change heads has already been used, not to mention now.

But here comes the problem again, so while it's convenient, don't forget what Adrian is up to! Generally, a movie like this with a dance aspect will not be considered by the college unless the protagonist is able to complete 80 to 90 per cent of the action in person. Audrey? That's why Hepburn was there. Because most of the singing and dancing in "Ladies and Ladies" is done by alternates, we didn't even get the nomination.

Adrian may use a variety of methods, such as taking more shots of her dancing and claiming that most of the shots in the clip are hers, and letting the whole crew testify on her behalf, with a very good chance of success elsewhere. But now is not the time, Hollywood doesn't know how many eyes are staring at Adrian, and once caught, it might affect the whole plan. Even if he has a backhand.

It cannot affect that the plan is the bottom line, and besides, the more in this situation, the more positive it is to win, and no one can speak for themselves, although in his last plan for Natalie, it seemed more in the interest of the previous way.

Adrian believed it, too. With my current ability to control, it is absolutely not difficult to direct such a film. Anyway, all I need to do is show Natalie's acting. The whole movie serves this, in fact, the script is set. The way these dog blood plots are expressed is acting!

That's why Adrian emphasized acting repeatedly before, asking Natalie to make her own breakthroughs, so earlier he took her to meet with teenagers who had been troubled by the same problem, hoping to inspire her.

But it was still a tough shot, and the first shot wasn't done for a whole day, and everyone seemed exhausted at the end of the day. The same thing has been done dozens of times, and even the steel casters will inevitably feel tired.

“Tomorrow we continue.” Adrian frowned and announced so, then sat in the director's chair and thought for a few minutes, then rose up to Natalie and whispered to her, and went back to her office here.

Because AC Media acquired Universal Studios, and Universal Studios naturally became the industry, he set his own office under the mountain, away from the famous offices on the Cinema tour route such as 5171, to avoid being disturbed by tourists from all over the world.

“Come in.” Adrian, who kept his eyes closed, called as soon as he heard the knocking.

Natalie, already packed, walked in and silently did it in front of the desk.

“Know what your problem is?” Adrian opened her eyes and asked.

“Trying too much emotion?” Natalie tries to ask in an uncertain tone.

“Of course not,” Adrian waved, “what are you worried about? What are you hesitating about? I can obviously feel that you have several times, a few more slight breakthroughs, to achieve the desired effect perfectly, but every time you reach the last point, you always choose to retreat. ”

He stood up, his hands on the table, leaning in front of her and staring at her severely: "Tell me, Nada, what are you hesitating about?! ”

“... nothing.” Natalie just said that after holding her lips in half.

“Nothing?” Adrian chuckled, “Worried about failure? Worried I won't let you go? Worried of being exposed? Worried about falling off the cloud? ”

Natalie put her head aside without saying a word, and looked at her ears and ears red because of her indignation, and she knew these words were right. Adrian stopped talking, but looked at her coldly and came out of the back of the desk for a long time, walking straight to the door to lock it.

Realizing what he wanted to do, Natalie stood up in a panic, and before she spoke, Adrian grabbed her wrist and flipped it over, and pressed it to the desk.

“You hurt me.” Natalie screamed in pain.

But Adrian had no sense of pity, reaching out and untying her belt, then ripping her trousers off.

“Stop it, stop it! Otherwise I would...” Natalie exclaimed angrily, but answered her with a strong tingle, like stuffing a sausage in two slices of bread without marmalade, making her unable to help but scream.

“Remember what I told you? She's angry! She won't! She wants out of control of herself! She wants to decide her own life! But she's lost! She's scared! She hesitated! Because she never tried! She didn't have the courage to try! She seems strong and fragile! She seems smart and stupid! She thinks she got rid of everything! Actually, nothing! That's right! That's how you feel right now! It's how your body reacts! Remember this! You hear me, Natalie? Remember that! If you can't, I'll do it to you once a day! Understand!”