Legend

When the red wall disappeared, there was nothing left.

Looking at Ray's magic annihilation, Ray turned his gaze toward the carriage... but there was a carriage that ran away as if it was trying to get away from here a little sooner.

Didn't you notice?

When the Gosh-led researchers found themselves in a similar situation, they rescued the carriage that was being attacked by stragglers, but then the Gosh came to Ray's place when the battle was over.

You tried to say thank you to the people who helped you.

Or did you know it was Ray and decided it was dangerous to ignore him?

Anyway, I didn't try to escape like a carriage at the end of Ray's gaze.

Just think about what to do, Ray.

However, I will not let the carriage escape like this.

In the first place, we still don't know who's on that carriage.

He that knoweth not thirst, knoweth not thirst, but he that knoweth not thirst, thou shalt not keep it.

If you know the enemy, you have a question as to why you imitated the enemy.

Either way, what on earth did you think you did to imitate me in this case... There was no doubt that you couldn't let the carriage escape like this.

"Set, I'm sorry, but please step on it." Take me to where the carriage is. "

Grrrr!

Leave it to Ray! and the throat-set.

Looking at Set like that, Ray looks at Mirelia on her right shoulder.

"If you're coming with me, hold on. If you don't come, go away."

In Ray's words, Mirelia grabbed hold of the right shoulder of the dragon robe.

Mirelia's attitude was enough to surprise Ray.

I didn't expect to do such an imitation here.

She might be good at flying herself, but when she grabbed Ray and the set that Ray was on flew, Milleria screamed.

There's a big difference between flying yourself and catching someone flying.

That's why Ray thought that Mirelia would just take her hand off the dragon robe when she heard her own words, but apparently it wasn't.

(Even though it's a similar name to Milaine, Mirelia is a lot... no, it doesn't really matter.)

Ray thinks of it for a moment.

In fact, Mirene, a well-known Set enthusiast... and Mirelia, an adventurer who is more than that, has a similar name.

But it's only a similar name.

Just because the names are similar doesn't mean they have the same personality.

"Well then, let's go. We can't let him escape."...... Set "

Grrrrrrr!

Rae's words roared high, and Set ran out.

To make sure you don't lose sight of the carriage, Set runs on the ground instead of flying.

The speed at which Set runs is familiar to Ray.

But... as expected, there was a scream coming from Mirelia's mouth on Ray's right shoulder.

In a way, it was as expected, so Ray doesn't seem to mind if Milleria thinks it's bad.

Set, who was running like that, instantly filled the space between him and the carriage.

If you were riding directly on a horse instead of a carriage, you might have been able to run a little faster, but you can't imitate that because you're holding the body of the carriage.

However, even if you ride directly on a horse, it doesn't make sense because you lose the speed of Set.

And when Set suddenly approached the carriage... it suddenly slowed down.

(Did you give up?)

Rae had such a question when she saw the carriage, but if you could hear the ruler trying to run the horse somehow, it was clear that she hadn't given up.

Then why did the speed of the carriage suddenly drop?

While thinking about it, Set lined up next to the carriage and overtaken it... At that time, he saw that the horse was clearly frightened and convinced.

Lately, Ray hadn't done much with horses, but he was often scared of Set when he did.

Although he had many occasions to deal with the horses in Marina's stables, the horses were hard-trained to drive Elena's carriage.

Whether you're in front of a griffin set... or a dragon, you may not be frightened.

However, such horses are naturally very expensive and not accessible to anyone.

On the contrary, only a handful of people can have such horses.

Of course, the carriage horse that Set just beat is not such a well-trained horse.

It was lucky that such a horse stopped moving due to fear as Set approached...

If it had been a rampage out of fear, it would not have been just the people in the carriage.

In addition, even if the movement was stopped, there was no damage because it was in the form of gradually stopping the movement as it is now, but if the carriage body suddenly stopped, it would have hit the horse and become miserable.

In that sense, there is no doubt that the horses' judgment was optimal as long as they were conscious.

"All right. Nice set."

"Gruuuuuuu..."

It was a set that was praised by Ray, but even though I didn't do anything like this, I was praised, so I squealed my throat in bewilderment.

Ray stroked Set's back without worrying about what was happening to her... put Mirelia in her dragon robe, which was in a glocky state, and then approached the carriage.

Mirelia was quite astonished when she was suddenly placed inside the dragon robe, but she must have noticed that the inside of the dragon robe was comfortable for winter nights.

There was no appearance of any particular noise, so I became quiet.

With such concern for Mirelia, Ray approaches the carriage.

The first thing you're going to see is a middle-aged man who's working as a carriage owner, not somebody in the carriage's body.

"Who's on this?"

”Eek!”

In response to Ray's question, the man of the court had a scream in his mouth.

Ray didn't have to scream, but if you think objectively, Ray on set is scared in many ways.

Not to mention, I don't know if the ruler knows about this situation in the Trent Forest.

If you knew that, just because you fully understood Ray's existence, it wouldn't be strange to think that you were scared because you ran away from Ray.

If you don't know Ray, it's no surprise that you're scared because you ran into someone who was riding the griffin at midnight.

... but it's subtle whether there's anyone who doesn't know about Ray's existence beyond going to the Gilm.

I don't know if I can help it.

Looking at the guru who can't say anything in front of him, he decides that it doesn't make sense to call this guru anymore, and goes to the carriage.

I was very curious about who was in the carriage, but I decided that if I wanted to know about it, I should just look at the person in the carriage directly, without asking the gentleman.

Ray, who had arrived in front of the carriage door, knocked on it lightly.

Ray and I don't know who's in the carriage.

I don't know, but if you knock like this... even in a situation where the carriage is parked, there's no way that people in the carriage won't come out.

As Ray expected, the door eventually opened.

"Thank you for your help."... I didn't expect this to happen all of a sudden when I came here. The gentleman was suddenly... unhappy. I guess all I wanted to do was run away from it. "

The man in his fifties who came down from the carriage called out to Ray.

What the man in front of him knows about his death is that he came to the Trent Forest in this situation, which is not strange.

However, the man who looked calm was somewhat powerful as a person.

That's what some people like Dusker have.

The facial appearance itself is normal, and it is by no means a strong face.

However, the force felt by the man was proof that the man in front of him was not just an ordinary person.

... but I don't think just ordinary people would come into the Trent Forest at night like this.

Who is it?

Tsubaki is the Brokers. Right, it's easy to tell when you're from King's Landing.

"From the capital of the kingdom...? Then, did Dusker say so before?"

"Hmm. You're right, my lord." I'm here to find out about the fairy township and the fairies. "

"Well then..."

"Wait. Why are you talking to Brokers like that?"

Ray heard such a voice in the carriage, trying to stop him from saying anything.

When I turned my attention to the voice, there was a young knight of a woman.

A female knight is not so unusual.

Of course, there were fewer knights than men, but there were still quite a few.

What makes this place different from Japan is that women are never inferior to men due to gender differences, such as strengthening their bodies with magic power and using skills.

Still, from the whole point of view, there were more male knights.

What about you?

“I'm Isna. This is Master Brokers' escort."

The knight, who called himself Isna, cast a light on Ray again.

“I called myself. Now it's your turn."

"It's Ray, Rank-A Adventurer from Gilm, Ray." Is it easy to understand when it comes to crimson? "

"I see, you are."...... but even though I'm a rank-A adventurer, such words against Brokers-sama..... "

"Wait, Isna, that's okay." You know I don't like being hard on you, right? "

Brokers tells Isna so.

Isna looks unhappy with the Brokers.

"But, Brokers, no matter how many rank-A adventurers..."

"Isna also heard about the alias of Crimson, right?" If so, you can say that Ray is more useful to the country than Kaoru. "

"No, that's not true..."

"Besides, Ray took care of Isna." Don't forget that. "

Aftertreatment?

"Guu..."

When Ray asked Brokers what he said, Isna gave him a regretful expression.

And I turned my gaze to Ray.

Seeing Isna like that and the Brokers laughing in trouble, Ray immediately understood what the aftermath was about.

I see, it was you who attacked me.

"Guu..."

Isna moaned again at Ray's words.

In other words, it basically targets the attacked target as an enemy.

In other words, if we don't attack, we won't be recognized as enemies.

Even so, this carriage was being chased by a pigeon.

It must have been Isna who created the cause.

“You came with the Brokers, didn't you have some information about the coward?”

"That was... sudden, so..."

I attacked him with a hammer.

Isna said so, but Ray wondered.

I didn't expect to be attacked while camping, but how on earth did I attack the carriage?

The carriage had windows as well as doors, so I convinced myself that I had attacked from there.

So, what brilliant lady from King's Landing is doing here at this hour?

"What, it's getting a little late for you to leave Abu Ero?"

"... then I think you should stay overnight in Abu Ero."

Ray can't understand why you imitated Abuello when you can stay overnight and adjust the time to arrive at Gilm during the day.

The Brokers just look at Ray like that and smile, but they don't try to tell us why.

Isna thought that there were many things about Ray's words, but she couldn't say anything more than Brokers had stopped her, and she seemed unhappy.

(Whatever the Brokers, Isna is a typical chairman type. It's too realistic.)

I decided that it was not compatible with Isna.

It was a fact that Ray, who preferred to act freely, was no match for Isna, who was noisy about the rules.

Not only Ray, but also Isna understood that, and even if she turned her gaze to Ray, she looked troubled.

"In the meantime, I want you to listen to me because I will explain the current situation."...... I'll tell you, it was a pretty dangerous place. "

Saying that, Ray explained the current situation.