Legend

"Grrrrrr"

Set, flying over the forest of Trent, suddenly throats.

Ray looked down at Set like that.....

"A carriage. In the middle of the night like this... from Abruzzo?" I don't think it's Gilm. "

And the gates of Gilm shall be shut at night, and shall not be opened, unless there be a need.

Abuello did the same, but he was still more accommodating than the Gilm on the edge.... maybe we should just say it's okay in a way.

This neighborhood is according to the ruler, but there is also a difference between the gilm, which is on the periphery more than that, and Abuello, which is not on the periphery, although it is near.

As a result, when it came to where the carriage that was currently running on the side of the Trent Forest came from, it was still highly likely that it was Abuello.

"Well, it's not Bob... but as far as I can see, you don't have to worry about that much, do you?" It's a long way from here. "

Nielsen is right.

The black dice that was hunting Bob was much faster than Ray knew, including the black dice.

Unlike the black dice that made such speeds, the carriage that was currently running on the ground was being chased... and the speed of the black sphere was obviously slow.

The distance is wide enough that you can watch with peace of mind.

At that moment, the carriage suddenly collapsed, as if Ray's words were a hang-up.

The carriage, which was running at a considerable speed, fell down, so there was no way it could just fall down.

While scraping the ground, the body of the carriage rolled. Of course, the horse that was driving the carriage could not escape until it was connected to the carriage, and it would roll along with the body of the carriage.

"Are you kidding me?...... Set!"

Grrrr!

Ray was stunned by the unexpected sight, but he returned to himself immediately and called out to Set.

Having heard Ray's words, Set flaps his wings and descends toward the ground.

On Ray's right shoulder, Nielsen was firmly holding onto the dragon robe so as not to be blown away.

Why did the carriage suddenly break down? No… I don't think so. The fact that the carriage was being pursued means that, given the nature of the carriage, it was attacked by the carriage. or else....)

Isn't the reason for the carriage to fall over is because important parts of the carriage, such as the axle or anywhere or the wheels, were broken by collapsing?

And it was broken because the part touched the carriage and turned into black dust... that is, it hit the carriage while it was running.

That's how Ray seemed to think.

Of course, this was only Ray's prediction.

Perhaps there is no denying the possibility that the carriage has been adversely affected by merely poor maintenance and has become as it is now.

Anyway, the only thing that matters now is that the carriage is rolling.

And the black circular sphere approaching the horse-drawn carriage.

In addition, there is no sign that the people who were riding the carriage will come out.

Are you fainted in the carriage, or are you dead?

Ray doesn't know that, but there was no doubt that the carriage had to be protected.

You're an aristocrat!

When Set descends to the earth, Ray descends from Set's back again.

Quickly approaching the carriage, he discovers the family crest and pattern on the carriage.

In addition, even though the night vision is favorable, it cannot be firmly judged until the construction of the carriage, but if we look at the situation in the near future, the carriage looked like a carriage made of quite high-quality materials.

Keep away from magic carriages like Elena's, but they're made from enough high-end materials.

Although inferior to Dusker's usual carriages, it was still enough for the nobility to use.

In other words, it is possible to predict that this carriage is an aristocratic carriage.

It could be a wealthy merchant's carriage, but there are not many merchants with family crests.

In other words, it was highly likely that the nobleman was riding on this carriage.

Ray, I'm here!

Nielsen exclaims as Ray looks at the carriage.

If possible, it was Ray who wanted to help the people in the carriage, but in the current situation, there was no way that such an imitation could be done.

Nevertheless, we cannot leave the people in the carriage intact.

"Set, Nielsen, take the carriage!" If you can, help the people inside! "

In the end, Ray chose to ask Set and Nielsen to rescue those in the carriage.

For now, Ray was the only one who could defeat it.

Then you'll have to do your own errands... specifically, let Set and Nielsen rescue the people in the carriage.

"Besides, not only in the carriage, but also in the ruler!" I need you to secure it too! "

It's a carriage, but you can't run without a ruler.

Not to mention the night, not the day, but the forest side of Trent.

There was no doubt that someone with the right skills was needed, and that person should be somewhere.

The problem is that he was sitting on the bench outside the carriage.

There is no seat belt, so it is highly likely that the rider was blown away when the carriage rolled.

... no, then you're still lucky.

If you're unlucky, you could be caught in a rolling carriage and crushed to death by its weight.

Okay, then Ray will take care of it.

Leave it to me. I'm used to this kind of person.

Until now, Ray had killed quite a few of them.

Basically, it was only a simple act, and more than that, Ray could also attack along with it.

Considering Bob's case, it's not completely reassuring.

All we have to do now is kill the bastard.

I'll take care of it.

Grrrr!

Nielsen and Set replied to Ray's words and approached the carriage.

After seeing off one of them, Ray rushed toward the other.

Eventually, I saw a few black spheres at the end of his gaze, and Ray pulled the death size out of the mysterious ring.

Set, Nielsen, how are you feeling?

Light...... Really light, Ray killed the black sphere with a flow that was already close to work, and called out to Set and Nielsen, who were near the rolling carriage.

Whoever is in the carriage has not yet gone out.

In Seto and Nielsen, even if the carriage was left in its original state, it would be impossible to imitate such things as opening the door and taking out the people inside.

However, it is not that nothing has progressed in the rescue.

Not far from the carriage, a man thought to be a ruler lay on the ground.

As far as the chest is slightly moving, it will be sure to be alive.

(Lucky for you.)

The carriage rolled and was blown off the driver's platform, but there was no injury.

I just can't see where I got injured because it is from the top of my clothes.

"Will the people in the wagon do something about Ray? It's a little difficult for me and Set."

"Am I the one?" I see. I can't keep it that way forever....... I want to finish it as soon as possible, but that's not how it works. "

In Ray's case, this carriage is probably a nobleman.

Besides that, we can't just end up helping here.

At the very least, we need to get them to the camp. but.....

You can't use the wagon.

When I checked the carriage that had fallen again, as expected, some of the axles were missing.

How that happened... it's not hard to predict.

It must have touched the black sphere with an axle.

As a result, the black sphere recognized that it had been attacked and pursued the carriage.

And the carriage that destroyed the axle couldn't keep running, so it must have been like this.

Whether it was the carriage body, the exterior, or the wheels, Ray didn't know why the place like the axle touched the black sphere.

"Alright, I'll take care of it. Let's get the carriage back to its original state."...... Set, push from there. "

Grrrr!

In response to Ray's words, Set snorted and headed to the back of the carriage.

Ray reached for the carriage again... and gradually the carriage moved and returned to its original state.

However, when part of the wheel is damaged, the carriage becomes out of balance and sinks behind the right wheel.

"Geez... well, I wonder what's going on."

Ray mumbled as he tried to open the door.

But even if I pulled the door, it didn't seem to open.

Is it distorted? Can't help it.

Ray doesn't even know how many turns the carriage made due to the broken axle.

But...... and Ray looked at the carriage, exactly in front of the carriage, at the part where the horse was connected.

So two horses fell down.

It's obvious that he's dead when he sees that he's not in a hurry.

Even the horse rolled in a dyingly violent motion, so it's not so strange that the door twisted and stopped opening.

”But... I'll force you to open it!”

Shouting, Ray forced the carriage door open, as he said.

The door of the carriage opens with the sounds of meri, mekimaki, etc.

Rather than opening the door, it is more correct to say that the door of the carriage is removed.

If anyone was watching the sight, would they be convinced by opening their eyes to surprise or by saying that they were adventurers...... no, that they were Ray?

Regardless, he succeeds in removing the door from the carriage safely.

It was subtle whether it was okay to describe the door as safe or not.

"There were... three of them." Maybe one of them is an escort. "

Ray peeks inside from where the door was.

One young man and one middle-aged man in their twenties were considered noblemen, and one middle-aged man was considered an escort.

All three were unconscious.

Is that a miracle?

There is no doubt that the customer is injured, including the fracture, but if you say so, it is about the same.

There are injured people, but there are no dead people.

Luckily, the result of the overlapping of fortunes is a situation that should be called a miracle.

Are you okay?

"Oh, they're all alive. However, the problem is that there are three of them... no, there are four of them, but it's a question of what to do with these four."

If it was just one person, or if it was just one person alive, I could deal with Ray.

Since it was a three-metre-long set, I could put it on my back aside from Ray.

But when there are four of them, the story is different.

Or if the carriage moves, it may be possible to remove the horse and have Set drive the carriage, but I hate the fact that the carriage's axle has been destroyed and it is useless.

As for Ray, he was wondering what to do in this situation.

(Are you sure you want to bring people from the camp? If there are people, we can carry these four people. The carriage... should I store it in the Misty Ring? Horses too)

Ray predicted that it would be better to stop the broken carriage.

There will be a supply carriage coming tomorrow that will struggle to get through here, and even without it, monsters sighing in the Trent Forest are likely to be interested in making a fuss.

If you leave the corpse on the horse, it will be used as a bait for monsters and animals.

In that sense, I couldn't leave it here.

"It can't be helped." I'll go to the camp and call somebody. "

Is that okay?

As for Ray, of course, it was best if Nielsen went to the camp.

Speed means that Set is faster, but Set can't speak even if she understands the words.

Compared to Set, Nielsen, who can communicate normally with words, can go to the camp and help Ray.

Or Ray had the option of going to the camp, but in that case, we need to protect the side of the carriage with Set and Nielsen.

If you just protect it, Set and Nielsen might do something about it, but what if they were there when they noticed the stunned faces?

Or someone who didn't know about the fairy could have been reluctant to let Nielsen out in front of such an opponent.

When that happens, only Set will be left.

Of course, Set is perceived as a mascot in Gilm, but it is subtle whether those who are stunned know it.

Or, if you're not from Gilm, you can't deny the possibility of seeing Set die of shock in the worst case scenario.

In that sense, it was grateful to Ray that Nielsen would go to the camp like this.