Legend

Unexpectedly finding a good magic item store, Ray leaves the store in a good mood... and stops the move in a few steps or less.

I didn't forget anything, that's not why. I realized there were several signs of homicide around me.

"Shit."

Unexpectedly one tongue punch.

I found a good magic item store with a good range of corners and didn't buy it because I didn't have any magic items for me, but I still intentionally engaged with the old man from the store owner.

... It's not strange that Ray himself would be told to be bigoted again by tempting an old man with a reputation for being bigoted, but he probably doesn't look like he cared about it at all because Ray is Ray.

Anyway, I was suddenly interrupted where I was feeling good. I couldn't help but want to punch my tongue.

(Technically... not that expensive. It's pretty much down there when it comes to guys like moonlight bows... huh? Even less is a good place to be immature in terms of killing signs)

You're attacking me more in quantity than in quality? Thinking that way, Ray exhales a sigh that seems boring after a change from his tongue beating a few seconds ago.

If it was at least some arm standing presence aiming at this one, it could have also been food in the sense of increasing its own skill. But the only thing I'm after right now is being technically immature, no matter what you think.

In many ways, it felt like being watered down to a good mood.

(That said, why not just leave these guys like this and go back to the inn)

Technically immature means that if you do poorly, you may make a huge fuss because of the awkwardness of that skill.

If we're going to go back to the old empty pavilion where many of our guests are staying under such circumstances... and if it's going to be a big noise in the inn, it's also true that Ray's position is that it's all kinds of unsavory.

(Then I figured I should clean it up before going back to the inn.... I don't know much about this area)

Not so many places Ray knows about Empire City.

The place where you have no problem causing the most noise in this hand would be where you fought the lunar bow assassin. But there was also anticipation that it would undoubtedly be carefully observed by the guards.

"I can't help it. Walk around the alley appropriately."

There won't be any particular problems in unseen places. Judging by that, Ray leaves the magic item store behind and heads for the alley.

Fortunately, if you walk for about 10 minutes, you can see the number of people gradually decreasing.

At the same time, the killing of the people who are after me has also increased.

"... Well, isn't it time to come out? I don't think there's anything you can do about following me around forever?

Such Ray's words echo where he is at the end of the alley.

Ray's escape doesn't exist there any more than it is a destination. But on the contrary, it also meant that you didn't have to worry about an ambush from behind.

(Well, what kind of guy comes out...)

Somewhat on the inside… A voice that is really slight but pronounced in anticipation.

The way the signs fade is immature, but maybe that's because I was confident in my ability to fight. It was a word I uttered with that in mind, but it was a boy or girl of some age who eventually showed up, no matter how I saw him, whether he was going to be 10 or not...... no, he was a child.

"What joke?

I guess it felt strongly betrayed, albeit somewhat but only hopefully. Turn your gaze to the three children who showed up with a slightly fixed eye.

At the same time, he senses signs of emission behind him and waves heavily the death size removed from the mysteries.

Along with the metal sound of a kink, a short sword cut in the middle of his body falls to the ground.

They attacked me as I jumped off the wall behind me with that short sword, this one sighs like I was somewhere stunned by a child only about 10 years old.

"They thought they could do my opponent with these guys? You've been so sweet again. Aiming my consciousness at the back is not such a bad choice. But if we're going to do that, we should have at least put in an unannounced manpower there."

……

While Ray's words are heard like that, the children hold their own weapons without any particular appearance of changing their expression.

Four of them jumped off the wall of the end-of-life aisle behind Ray. One dagger was destroyed by Ray. And five other people show up in addition to the three earlier as if to turn down Ray's exit.

Each has a dagger, or bow, or even someone with a rapier inside.

A total of 13. All of them were children about the age of 10 or so.

(Well, when it comes to setting me up here, is that the work of a moonlight bow? Or a soul bell? Other than that, it could be an organization… Either way, using a child is an unpleasant hand. You thought if I was dealing with a kid, you wouldn't be able to be serious?

While thinking on the inside, swing the death size big and open your mouth just in case.

"I'm telling you, I'm not gonna condone a kid because he's the other guy, am I? If that's okay with you, call me. Fortunately, even if it's a dead end here, it's big enough for me to get busted."

I can't imagine myself losing here any more than I can afford the spatial space to wield a death size.

When that happened, the rest was what to do with the 13 children in front of and behind us.

Sure, I thought I couldn't help killing them all if I had to, but I still have the feeling that killing kids isn't sneaky.

(Then you'll pass them all out and hand them over to the guards? There 'll be interrogations or something, but it'll be better than me killing you)

Half-aware of how harsh that interrogation is, he still decides it would be better than killing it with his own hands...... wielding a death size.

A dagger thrown with the sound of a kink is bounced over the sky, and the children strike Ray simultaneously as if they had signaled it.

The smallness of the child's death and the skillful use of its swiftness to act were quite collaborative, and if Ray were an ordinary man, he would have been killed without the art of fighting back.

But all I could say was that they were too bad in this case.

"Yikes!

Behind such a childish voice, the dagger being protruded sets a goal for Ray's thick crotch.

We have determined that it is impossible to take a single hit with our own power, firstly stabbing him in the thigh with a dagger and stopping him from moving, while at the same time inhibiting Ray's behavior with the effect of the paralysis poison painted on the dagger.

But the moment he wields the dagger, the child is blown away and unconscious.

He took a blow from a Death Size Stone Poke and blew it up in his torso.

Further, keep that series of movements in place and rotate just above the ground in a death-size patterned part.

Five or so of the children who were coming at Ray are beaten to death in the leg and collapse on the spot.

Of course I'm not dead, or unconscious, so I try to get up, but Tin...... I was hit hard with the so-called Valentine's Cry. Even children who keep their emotions from appearing on the table are unable to rise without being able to experience the pain.

"Now six. Half the rest."

Squirting, Ray swinging Death Size again.

A blow to the abdomen as a child who was up to the surrounding building fell holding a dagger without piercing his head.

Watching you get stuffy as you spit out your stomach fluids, flashing your death size again.

An arrow that flew straight towards Ray's forehead is severed and falls to the ground.

"The bow is a pain in the ass. As soon as possible...... let me knock you down!

Ray kicks the ground and heads to a kid with a bow at a remote location.

A child with a rape pier stops him from doing it, but without hesitation he cuts off the rape pier's body lightly due to a flash of death-size, using his movements to get pigeon-tailed by the stone poke released, and collapses into the ground unconscious on the spot.

The kid with the bow only stopped moving for a moment into such a ray move, but quickly regained his mind and threw the bow he had toward the ray.

There's no point in having a bow more than being approached nearby, so I guess the idea was to just...

In fact, Ray is somewhat surprised by the good driving.

But if the blade is not planted in the bow, it is also small because of the child. When the death size flashes lightly, that's all the bow is cut in two.

As it is, I am deprived of consciousness like a child who had a rapier myself. That's what you decided, you wrap up a child's leg trying to protect the dovetail with both hands with a death-size stone-piercing section and let it roll to the ground, poking it with a stone-piercing where your hand is off the dovetail and causing you to lose your mind.

The next person who attacked me was two men with daggers and two men with rapiers in total four.

It would still be because of its lightness that the kids have rapiers.

He chose a light prey like Rapier as a weapon that was weak because of his children and could be handled even with that weakness.

But...

"Weight, that's the only thing that makes it a big weapon!

Rapier's blade protruding toward me and dagger's blade. A total of four blades are all slashed and torn by just one flash of their swinging death size.

"Become!?

I guess this result was just unexpected: all four children flashed together... that time was only for a moment, but it was still too big a gap to show the presence of Ray in front of them.

Returns the wrist from waving the death size, pointing the stone-piercing part at the target, not the blade, and the blow being waved again.

Four people who were semi-surrounding Ray himself are literally blown away by that blow.

No matter how small a blow it was, it was too much damage for the kids to take.

He gets blown up for about a few meters and hits the wall, making sure the four kids fold up and collapse on the spot.

"Gu, damn... you monster..."

"Heh, are you still conscious? You're tougher than I thought."

Apparently one of the blown up wasn't unconscious, turning his hateful gaze to Ray.

Take that gaze straight and squeal like you're impressed.

Still, he eventually lost consciousness of that one last word, and this rendered all 13 children, the raiders, powerless.

"That was pretty strong for a kid. No, it's because you're a child...?

Looking at the kids who are wrapped up and losing their minds, I wonder what's going on.

Naturally I don't have the idea of leaving it here like this. But even if I were to take you to the guard's stuffing, as I first thought, the number of 13 is not something that I can carry by myself in size by weight, anyway.

"Just so you know, if you go get the guards with these guys here, maybe in the meantime around these guys' superiors will collect them.... then does it feel good to take some of them? Evidence of an attack..."

Think that far, maybe you'll be mistaken around the toddler kidnapper? And I can think of a fu.

Exactly that's what I'd like to refrain from. Ray has to wonder if Seto is here......

With Seto, you can take these kids, and most importantly, you have the option of keeping an eye on them here.

"Mmm, should I have brought Seto after all?

I'm sorry my own partner isn't here, but I'm going to find out if I'm still properly lost.

Because if you've already regained consciousness and you're aiming for a gap, you're in trouble.

However, given the hassle of bringing in the guards, you might want to get them to regain consciousness and then walk away of their own accord. I also think that way.

(Well, I just can't imitate that)

If you imitate the acquittal of the person you've been after, you'll probably be raided again. Ning Ro, even if you strike once and are in return, you can let them live and return, which means they are likely to strike again.

(Given that, I guess it's true that stopping your breath roots here is quick...)

I don't feel comfortable. Whimpering like that, I look up at the sky as if expecting something.

There's a blue sky with no clouds, even though it's already autumn. A grin comes to that sight, as if it were mid-summer weather, for some reason.

Because I felt like the sun was making fun of me for being lost in such a small thing.

"Right. Why don't we just go to the guards and hand them over if we still have these guys when we get back?"

In the end, I went back to my first choice, and I quickly thought about heading to the guard's stuffing, and I feel signs that I'm approaching with great momentum.

The bearer of that sign, which obviously tasted neither the same nor the same as the signs emitted by the people around it, was heading straight for the end-of-the-life alley with the rays.

"Is that the appearance of a guardian?

While I think that way, waiting for signs to approach me by putting up a death size...... eventually two shadows show up at the end of my gaze.

To the shadow, Ray, who looked familiar somewhere, worried for a few seconds... realizing he was the stall owner and clerk who sold the skewer he ate a while ago.

"Sure, of the stall...?

The unintentionally murmuring voice echoed into an alley with three people: Moura, Sistoy, and Ray.