Legend

Ray and Rodos facing each other in the woods.

The Death Size, also a symbol of deep red in Ray's hand, is held by the Devil's Sword in Rhodos' hand, facing each other from the front.

It's probably because Seto is raging, hearing screams coming from all over the place, but the two of them don't seem to have moved at all.

Set up each weapon as if to spy on each other… Eventually, we both move at once signaling the screaming voices of the soldiers we have heard again.

"Ahhh!

……

Ray raising his roaring voice and Rhodos only silently.

The Death Size, wielded for the purpose of pruning combat power, rather than taking a life, is plugged into Rodos' Devil's Sword before its blade arrives.

Kickin ', the tall metal noise echoes around.

It was an avoided rhodos to be deprived of combat power by a single blow, but at its price it is blown directly next to the demon swords that prevented a Death Size blow.

……

But silent. And when you get in position in the air without changing your expression, you hit the trunk of a tree that was supposed to be tapped with both legs, killing the impact.

At the same time, he uses the motion of hitting the trunk of the tree with both legs to kill the impact, and kicks the trunk of the tree as it is.

A human discrete move to be blown straight to the side, hit straight into the trunk of the tree, and kick the trunk of the tree again at the next moment.

But Ray plays a death-size blow of a long sword stuck out at him, I guess that's about right.

Metal sound spreading through the woods again.

Originally, long patterned weapons like Death Size are very difficult to use in places like many trees growing in the woods.

Of course it is difficult to use it in the woods even if it is a demonic sword like the one used by Rhodos, but in the case of a long sword there is an attack method of poking it aside from slashing it.

And the surrounding environment was not particularly bitter than the way Rhodes was best at attacking was poking.

Originally, Ray would have been unilaterally attacked due to the disadvantage of a long pattern of weapons.... Yes. If it was meant to be, yes.

"Sweet, you're sweeter than Liot!

If Rodos' long sword is the Devil's Sword, Ray's Death Size is another magic item.

That's not just a magic item either. It is the kind of crystal of Ray's magical power with enormous magic, created by Warcraft.

However, the death-sized blades, which are wielded by magic, also cut lightly the trees growing around them.

It's not just trees like thin trunks. Even trees that are decades old will be lightly cut off.

"Flying slaughter!

Further releases are the flying slaughter.

But Rhodos waves the Devil's Sword down toward his impending slaughter.

Gally, Ray's unleashed flying slash had been scratched off by the Devil's Sword, even as the deafening sound echoed around him.

"Then!"

Taking advantage of being blown away and the distance open, Ray enters into a magical chant.

To see if I was lucky, accidental, or an act of understanding all the magic I had unleashed earlier.

"Fire, burn your enemies according to my will"

At the same time as the chant of the spell, a mass of flame is born on a death-sized blade.

However, the number is one, and the magic included is considerably lower than the magic I used earlier from the top of the forest.

Instead, the chant itself was very short and was already complete when Rhodos set up the Devil's Sword and tried to step out toward Ray.

"Fireball."

Fireballs unleashed with the completion of the spell fly straight towards Rhodos.

Normally, Ray doesn't use magic in the woods either, considering the danger of extended burning.

Furthermore, it is now autumn and the air is dry.

Growing in this forest are evergreen trees with green leaves all year round, but if you still touch the magical flame of Ray, it will burn so much like a dry tree.

(Well, if that wasn't a coincidence earlier... show me that seed, will you?

A fireball released from the Death Size pushes straight towards Rhodos.

You realize the danger coming at you, Rhodos silently puts his right hand forward.

Then the next moment, the fireball was disappearing as if it had never existed.

The fact that this is not a dream indicates that places such as faces and hands are burned due to the temperature of the fireball that came just outside Rhodos.

But the burn also recovers as if to rewind time.

"... I see, right arm"

It was the right arm that Rhodos offered for the fireball.

Ray's eyes caught something like a bracelet embedded in its right arm wrist.

"Sure, my flaming magic seems to be something I can handle with that... but the price seems to be enormous"

Being burned doesn't mean you're powerless of all the magic of the flames.

No, it means you can't deactivate it until you touch it, to be exact.

And naturally you can't ignore the heat to touch the flames... and Ray understood that far, but still frowns.

It certainly wouldn't be difficult to defeat Rodos in the present situation. Some hands use magic that is so widespread that it cannot even be touched, and most importantly, if it is absorbed, you do not have to use magic.

However, that also means that there will be a need to scratch against Rodos, and as far as that recovery rate is concerned, I realized that Rodos cannot be stopped by half-life damage.

(Plus... it's a magic item that gives you all that healing effect. You should definitely think there's something at stake. That's not strange to be told you're shrinking your life. No, is that what makes you look unwilling?

Esta Knoll, an alchemist at the gate of Zepile, made magic items worn by mysteries, dragon robes, and more.

With no risk whatsoever, it was Ray's view that magic items with all that healing effect would be difficult to make even with Esta Knoll.

(Then, rather than dealing damage and preventing it from moving, will it be necessary to capture it so that it cannot move in a captive way?)

Tie the joints with a rope so that they are extremely immobile.

I thought about it that way, then.

……

Unexpectedly, Rodos, who was facing Ray, retreats when he stops moving, disappearing from front of Ray at first sight.

It is fleeing until brilliant, and Ray is taken aback for a moment.

But when I decided it would be best to capture Rodos here and now, and then I tried to run out to chase him...

"Grrrrrrrrrr!"

To Seto's voice heard from above, Ray stops on his feet.

You'll let them know there was some kind of anomaly. Ringtone.

For a moment, Ray thought he might want to follow Rhodos like this, but if there really is any danger, the Frizione army could be harmed as well.

He decides so and waves to Seto where he has given up his pursuit of Rhodos and opened it slightly.

Found Ray, Seto wings down to the ground, prompting him to immediately ride his back toward Ray.

"What happened?

"Gru!"

Later on, Ray rides to Seto's back with nothing more to say to Seto, who growls his throat.

As he went up into the air with a few steps of help, what Ray saw was an ambush unit retreating.... was not a unit coming away from that ambush unit towards the woods where the Rays were.

"That... came as reinforcements to the ambush? No, but it's too late to go into action for that split. Then... what?

"Gru?"

I was wondering, Ray, what are you gonna do? I make a quick decision after thinking for a few seconds towards Seto, who asks.

"Let's knock it down. He's definitely more of an enemy than he's coming at us, and he's probably more than staying here, even though the ambush troops are on the run. If we miss it poorly here, we'll have damage against this one."

"Grrrrrrrrrr!"

Seto sounds bravely at Ray's words, and leaves his wings flapping to the sky of the opponent coming towards us.

"Shall we start with a little hand check? Flying slaughter!"

With that word, the flying slaughter released from the Death Size flies toward the troops coming straight to Ray.

The slaughter disappeared while slashing and tearing down several soldiers, but it has never lasted a lifetime because there has been a distance and the flying slaughter is not powerful enough to break off the opponent in armor.

Only a blow that was originally unleashed with the meaning of restraint as well, and that was as expected even for Ray.

But what wasn't what I expected was that even if a few of the leading soldiers were injured, the momentum never diminished at all.

On the contrary, putting up a bow and releasing an arrow, releasing magic, made the attack on Ray feel somewhere resentful.

No, the White Rose Knights should do better than attack us in the first place.

In fact, at the end of Ray's gaze, the White Rose Knights are cutting their troops toward ambush units that are retreating, if the Fifth and Sixth Units release arrows and magic.

It is the Hall Army that reduces the damage done by its allies, and it can be said that the troops under Ray's eyes are moving or rampant in total personal affection at a time when they are not doing it.

"Grrrrrrrrrr!"

Seto sounds as he avoids flying around the sky endlessly through flying arrows and magic.

Can I attack you? To Seto, who asks, Ray stores the death size inside the mistering and takes out the spear instead.

"Seto's skills stand out when used here. Sorry, but focus on avoiding me for a while... Yikes!

Spears that are unleashed at the same time as they are finished.

Spears thrown purely with their arms instead of using a run or an entire body go straight to the troops attacking the Rays. He smashes the head of one of the soldiers who was in the lead and still pierces the torso of another soldier into the ground with no spear power whatsoever killed.

But the soldiers continue to attack with no fear at all.

Ray himself did not know, but the soldiers of this unit, led by Count Schvindell, consisted mostly of those killed in the spring war.

In other words, now in front of the soldiers...... precisely above are the enemies of those such as their own family, lovers and friends, which is why they continue to attack without any concern for the damage done to their allies.

As for Ray, who doesn't know that, he worries for a few seconds about how he dealt with troops on the ground who just seem to be half-running.

But when you see things like wind slaughter, flaming arrows, and stones flying from troops on the ground, you make the decision that it's just dangerous to hesitate any more.

"Even if I look at it like this, it's just rampant... can I get it together and clean it up? Seto, please evade for a moment."

"Grrrrrrrr!"

It's okay, Seto, who choked his throat to leave it to him, dodges a bunch of magic, beginning with the slaughter of the wind that came at him, winged.

Seto, who moves so heavily in the air as that, will have difficulty targeting even if it is aimed from the ground.

Few of the arrows have been unleashed, and few are flying in the wrong direction.

"Fire, dance, dance. Light up your surroundings with your magnificent dance, and enchant the wide-ranging to burn with their beauty dance."

At the same time as casting a spell, a massive flame of human magnitude is created.

And the world rewritten by Ray's magic reveals itself.

"Dancing and Dancing Flames"

At the same time as the activation of the spell, the flames of the Great Humanity, which appeared around Count Schvindell's troops, freely emptied, touching and burning down the target.

That flaming motion wasn't strange to describe as dancing as it was in the spell.

But what the dance of fire brings is death against the beholder.

Those who touch its flames are burned up without distinction: soldiers, knights, nobles, etc.

The sight, which should also be called exactly the Flaming Hell, has the effect of forcing those who had blood on their heads to calm down as well with Ray in sight.

If you see the sight of your people burning up instantly in front of you, that would be natural, too.

But...... the Earl of Schvindell, who still leads this unit, never frightens and screams to attack Ray.

Many of the like-minded aristocrats of Count Schvindell have legs.

Until now, I've only heard about it in the story, and Ray's strength I've only seen from afar in the arena.

However, I saw the magic of widespread extermination, which can also be described as the demonstration of Ray's dominance, and once again I knew its strength in the form of a practical experience.

... It would be the aristocrats who actually intended to use it, although they were acting together with Count Schvindell, who had a desperate look on this situation in particular.

Its nobility, which can only be said to have seen the drama wrongly, is embraced by the flames and burned down with a voice of resentment and a voice of despair as to why this happened, along with Count Schvindell.

Minutes after using magic. There was no longer a creature on the earth but a single horse, and the flames that appeared by magic also disappeared as if it had ever existed there, when Ray gently rang his fingers.