Legend

The day before she was due to leave Gilm with Elaine and Arla...... Ray, who didn't have to prepare anything in particular, was still voluntarily looking around again today.

Of course, the purpose is those who are wrapped in red cloth, but there is also the thought that there may be something else interesting.

Next to such a ray, there is also the figure of Seto.

The last few days have been Seto, who sometimes acted away from Ray, but I guess that made me miss him. He decided to act with Ray today.

"Grrrrrrrrrrrr?"

Look at the store selling dried vegetables, at the end of Ray's gaze, and Seto buys them? and tilt his little neck.

"Uh... right. I've heard that dried vegetables are full of flavor.... or did you read it?

Ray shrugs, even as he wonders just a little bit about where the knowledge is gained.

Did you hear that the flavor was delicious, Seto pulled the dragon robe with the couché and indicated in his attitude to buy it.

Ray strokes his head trying to calm Ceto down while he is pulled by such a ceto.

"Okay. Look, I'm coming with you, so just calm down. Because stores don't run away."

I understood Seto liked meat, but I didn't think Ray would react so hard even with vegetables.

Most importantly, if you only eat meat, it is natural that the nutritional balance will be unbalanced, and in that sense, I would be happy for Ray to be interested in vegetables.

"Oh. There you are, Seto to Ray. You want me to buy you something?

In that little shop, the shopkeeper's old lady had a store number.

That's fine, but Ray still doesn't think he'll be given it too, if it's just Seto, and gives him a slightly surprising look.

Although the oldest woman of the store owner had no wind that cared about how Ray was doing, she was dressed in warm clothes and sat in front of the magic items for heating and smiled.

"Right, I'd like something tasty, but let me know what you recommend"

"All the vegetables we keep are delicious. I can't tell you how energetic I am."

Hiya, and a laughing old woman.

In fact, the vegetables being dried are as squeaky as the old woman's face, and you wouldn't be able to say they're very healthy.

Most importantly, the flavour is concentrated and the flavour is enhanced by the light of day, and it is good to use a variety of things when cooking.

Nevertheless, Ray's diet is often about eating the dishes he's cooked in the dining room where he's basically in mystering, rarely cooking on his own, and to the extent that he may be a cook's arm.

... If I was in Japan, Ray didn't know if the indication was accurate that I should go to the supermarket and prepare only tofu for ingredients, such as hemp lady tofu vegetables, or pot meat vegetables that I should prepare only cabbage - though.

"For now, a piece of silver coin can be used to cook properly in a packet."

With that said, Ray gives an old woman a piece of silver coin.

If this is some kind of restaurant, then that's more silver coins… in some cases I buy dishes even if I use gold coins, but this time I bought the ingredients for the dishes. Also, Ray has hardly ever used dried vegetables.

If that happens, I'll be cautious, as it should be.

(If I give it to the marina, I think she'll cook a lot, so I don't think it's going to go to waste.)

Imagining the marina's hand cooking, Ray receives a pack of dried vegetables from the old lady...... and stops the move.

Ray wasn't the only one who stopped the move. I was hoping what dish the dried vegetables would be on Ray's side, the same goes for Seto.

The old woman had a strange view of such a sudden movement of Ray and Seto.

But at the next moment, Ray and Seto are in a certain direction... looking behind their backs.

Precisely the building that pinched the crowd of people behind it….

"Sorry, I'm in a bit of a rush!

"Gru!"

To say just that, I store the stuffed dried vegetables I received from the old lady in mystering and rush right out towards you.

Naturally Seto is also following Ray again, and to one and one who suddenly disappears from sight, the old woman is just flabbergasted.

But this old woman also lives in the Guild.

I decided that this much disturbance was what was common and immediately went back to my job… to my store number.

"Hey, why do you notice at this distance?!? You're lying!?

One woman runs like sewing a gap in a building.

She's one of Calles' people who said she wanted to strip Ceto.

If it was meant to be, I would have had to wait in the prepared room, but I was so bored and unbearable... I just said I was going to come out and look around the city for a moment.

Along the way we find Seto and follow Ray and Seto.

If that was all, there was nothing Ray or Seto would have noticed either...... if we attacked, wouldn't we surprisingly be able to take it down lightly? The moment I thought that way, Ray and Seto turned around and found exactly where the woman was.

And the moment Ray and Seto saw me, the woman was fleeing reflexively.

If you instinctively stay where you were earlier, you'll definitely get caught.

It was an act of judgment... but it was also a failure until it was fatal.

Because that's how I perceived the woman escaping, and Ray and Seto decided that the harm done to them was undoubtedly caused by the person, and they started chasing her.

Although it would have been safe if it had stayed on the spot, it would have been subtle again.

If Ray and Seto approach and are asked if they can keep hiding with it, the woman is not sure she can snort.

I guess I could snort without any particular problems until a few minutes ago, but I wasn't sure I could snort at Ray and Seto in person.

With strong regrets for his actions, he now leaves as fast as possible to distance himself from Ray and Seto, anyway.

I am confident in the speed of my legs, and I am confident about small turns.

No matter how high physical abilities Ray or Seto had, I was only confident that I was winning in that regard.

Even if I look directly at Ray and Seto with that eye, I still think so... because I firmly understand the harshness of the environment I have lived in?

... So when I noticed the footsteps approaching from behind gradually approaching me, my head turned bright white.

I didn't think there was someone I could catch up with in this situation.

Even if you're obviously losing in terms of combat power, fighting from the front in the first place is what stupid guys do, and smart self pokes at your opponent's weakness.

I had that idea...... in the current situation where there is clearly a stronger opponent from behind than me, there are no weaknesses or anything.

I didn't think there was a weakness in one person and one person who saw themselves earlier in the first place.

Footsteps approaching gradually.

It's only fear for a woman that can't pull her apart at all, even though she's on the run at full speed.

Turn around and you'll know exactly how close you are.

But if you imitate things like turning back on the way you're running, even if it's slight, it definitely affects the speed at which you run.

And most importantly, if I saw with that eye Ray and Seto following me from behind in their current mental state, I was definitely convinced that my heart would break.

That's why now we can just keep running forward even.

Still, the footsteps from behind never let go...

"Well, isn't it time to end the chase around here?

Unexpectedly, the woman slows down her running to the voice she hears right next to her ear.

And once you slow down the running speed, you won't be able to get any faster... gradually the running speed will drop and eventually stop on the spot.

Ray and Seto stop again, too, when they see the woman running in front of them stopped her leg.

It was obvious from the speed that I was pretty confident in my legs, and I could understand that Rays chose the option of escaping without hesitation the moment they noticed me.

But... Still, it wasn't an unexpected speed for Ray, and I've seen people faster than women many times before.

Not to mention that there are Seto, not just Ray, so the result was visible when a woman chose the option of escape to catch up.

Still, it was a well-deserved rate in terms of the speed of escape, so it was helpful in that it saved Ray a lot of trouble for the woman to give up running away from herself.

Leaving Seto behind the woman, Ray circles in front of the woman.

This alley is by no means narrow - it is large enough for Seto to run - but if he is nevertheless held up in front and back by Ray and Seto, there is already no option for a woman to run away.

"So, can I talk to you? Naturally, you know what we're talking about."

"... what is it about? I just ran away because they came after me all of a sudden, and there was nothing dark behind me."

Even though she thinks it's painful, the woman manages to delude herself.

But isn't the status quo not that bad with the words of deception spoken toward Ray? I also think.

I have no doubt that I have harmed myself towards Seto - that I want to strip him.

But that's just what I thought, and I didn't actually take any action.

More than that, even in a situation where Ray is cornered like this, you never come to yourself from the other side...

Slash.

A deep slashing wound is created beneath the woman's feet, as if the woman had managed to mislead the story, slashing and tearing the very idea.

At first, the woman didn't know what Ray had done.

I wondered why a sudden slash wound was created underfoot… a sharp slash wound, as if it were not expressed in the word sharp as well.

But... at the moment when the woman's gaze was directed at Ray, I understand what created that slash wound.

Yes, if you look at the death size Ray has, it was obvious what did it.

"You don't want to hear that kind of joke. It is clear that you are harmful to me or Seto. You better not expect me to lose my hand here than I am."

"Wow, I haven't done anything yet, have I? And if you do me harm, you don't know what will happen... do you?

"I guess so.... but maybe not? If we stick you out to the guards for now, I think we can find out what you're thinking from that side, and we have the means to turn you over to the Knights of the Worst."

That's what I told you, Ray, but this one is half as threatening.

It is true that Ray is a very important figure for Gilm and for Dusker.

Still, I can't imitate capture and interrogate anyone more than just pointing harm at them and not actually taking any action.

If the woman thought calmly too, she would have thought that far around.

But only now...... I can't think that far in the present situation where I've been shown the power of Ray and Seto in different ways.

Especially narrowing the woman's mind would be the death size that had been taken out at some point and the slashing wounds on the ground created by it.

It was an interrogation with obvious force, but now the woman can't blame it.

Because if you say anything here, that's what you're assuming when Ray's death-size blade is pointed at you.

"Ah... wah... I..."

I have to say something. But if you say something here and imitate it to betray Carles, it is very likely that your life will be lost.

If so, what to do...... that's how the woman was lost, then. My voice sounds unexpected.

"This is where the commotion happened! A man tries to make a woman do what she says by waving violence! Guards, please come quickly!

Such a voice echoed around him, and Ray frowned slightly at its revealing content... without even looking behind him, waving a death size.

Moments later, a sharp metal sound echoed around him.

If you look closely, the ground is rolled with daggers slashed and torn in two.

"Huh!?

The woman who decides that this is her buddy's follow-up to let herself go tries to escape reflexively, but realizes it, Ray slaps the death-size pattern on the woman's body, and the next moment, the woman hits the wall of a nearby building and loses consciousness.

"Shit!"

But when he sees it, Ray pounds his tongue and waves the death size, turning the flying dagger into two in one again and dropping it to the ground.

... Yes, not Ray, but the dagger unleashed against the unconscious woman.