Legend

Standing right in front of you, man with Halvard, Filma.

He only leads some of the finest of the kingdoms of Mireana, and there's no gap in his standing, and he's just compelling to feel it across the street.

But... Ray felt something that didn't fall into his heart, even as he felt the force of physical pressure that was releasing toward him.

This is probably the first time I've ever met a man in front of me.

No, I'm in a war with the Bestian Empire, and I was seeing him at the time... at least not much, and this was the first time I've ever been hostile - a mock fight to be exact.

Even so, Ray gets that impression, like he fought somewhere before with Filma standing at the end of his gaze.

Could it be that you're feeling that way being pushed by the force of the film's release? I think so, and try to put my strength into my hands holding the Death Size and Twilight Spear, but I had no particular problems and was definitely in the same physical condition as usual.

(Doesn't that mean I feel nervous and have fought with Filma before? When that happens, have you ever fought anywhere in earnest? No, but... if you've ever fought a celebrity like Filma, you definitely remember)

Ray looks at the film and tries to revive the memory of those who have fought so far.

But there's no way Filma and Ray are going to miss thinking about it.

"What's up? Can you afford to think of something extra before me?

"... No, I'm sorry. Before you fight, I'd like to ask you something, have you ever fought me before?

Sometimes even thinking about it doesn't immediately come to mind, Ray asks Filma.

Asked Filma takes care not to put surprises on her face.

I never thought I'd remember myself just being present once years ago.

"Well, I don't know. But... if you beat me, we might be clear around here, right?

Out of Filma's mouth were words of provocation.

To the words of such a film, Ray stepped forward with a gripping death size and a spear of dusk in his hand.

It didn't just come forward either, it kicked the ground and in an instant narrowed the distance.

Sickle, spear, halvard.

In Ray and Filma, the types of weapons you have are different, but there was no doubt that all three were weapons commonly called long objects.

More than that, Filma naturally doesn't like being suddenly able to come inside the time frame.

It was Ray's behavior that I calculated so instantly.

Nevertheless, I'm pretty sure Ray doesn't like fighting with his mistakes packed, more than his weapons are also long objects.

But if Ray acted from himself, he assumes, as a matter of course, how to attack him after stuffing the mistake.

The first thing that shook me was Death Size.

Only the death size, which originally weighed as much as 100kg, would cause a lot of damage if it just hit the patterned part rather than its huge blade.

It was that blow that was wielded around the torso as the hardest place to dodge, but Filma leaped back and dodged...... kicked the ground again soon, this time stuffing her between herself and Ray.

Ray is slightly uncomfortable with the behavior of such a film.

If the first death-size blow waved was a shaped blow that took control of the opponent's vanguard, but still received the rating of no less than Elaine, that was what you could have taken at your own Halvard.

It was enough to make Ray doubt, albeit for a moment, that he would deliberately evade all that big-time.

Nevertheless, we are now in the middle of a mock fight.

Ray doesn't have the time to think about the details, but to prevent the blow of Halvard that Filma has been waving at the horizontal giraffe just to say it's retribution earlier.

Just a flash of doubt here too.

Filma is right-handed and if you're going to wave Halvard to the side of the ray...... it's not strange to wave toward someone with a spear of dusk.

But it's also likely that Ray was given a more effective blow when he attacked that way than when he attacked Death Size in the first place.

Of course, shooting Halvard's blow into one way or the other is a big part of his taste, so if he asks if the current blow was unnatural by the time it was deadly, he won't be able to snort either.

Still, from Ray's eyes, it looked like Filma was avoiding meeting with Death Size.

"Gu!"

With a spear of dusk, he takes the blow of Filma's unleashed Halvard.

But the leak from Ray's mouth was due to an unexpectedly heavy blow, a voice of surprise.

Ray's physical abilities are just not strange to call him extraneous, and if that's normal, he can't imitate Ray's hand being paralyzed by a single blow, etc.

If it were such a blow to paralyze Ray's hand, it wouldn't be hard to imagine how powerful it would be.

(If you were eating a decent blow right now, wouldn't that be dead if that was normal?

Ray's left hand now leaves considerable paralysis, like Leodanis, who was the first to conduct a mock battle, not enough to paralyze his hand with a single blow to blow the weapon he has.

It's not like you can't fight in that state... this is only a mock fight and you have to make sure you don't inflict any fatal injuries on your opponent.

The blow of the film that collided with Ray's twilight spear was also supposed to stop if you had to… in some cases change the spot where you hit it to avoid lethal injuries to Ray.

(Maybe, but!

With that in mind, I wave the death size I have in my right hand as I half-rotate my body.

Naturally that blow was a death-sized stone-piercing part, not a blade... but the film I took when I saw it retreats backwards without hesitation.

Twice.

... Yes, I kept walking away twice to avoid eating a Death Size attack.

(You totally grasp the special abilities of Death Size)

If I hadn't been wary of Death Size's ability to weigh as little as it seems, I wouldn't have done anything so thoroughly to avoid imitating meeting Death Size.

That meant that the film knew that the death size weighed more than 100 kg.

Facing the film, Ray turns his gaze to the death size he is holding with his right hand.

The fact that Death Size has such abilities is not so much hidden through it.

In the first place, anyone who fights Ray with a death size understands that a death size weighs more than it looks.

Still, in the case of Death Size, it would be natural to draw more attention to the giant blade than to the fact that its very appearance can be vicious and weighty.

It was for a moment that I set my gaze on Death Size, but I couldn't possibly miss such a gap even in an instant when I was as skilled as Filma.

The next moment Ray takes his gaze off himself, Filma comes forward again.

"Huh!

Halvard wielded with sharp breath.

The increase in speed compared to the previous one is probably due to the fact that Filma decided from the battle with Ray that if it was as fast and powerful as that, it would be fine.

Ray tries to play that blow that he wields around his torso with a death-size... but Filma doesn't just try to hit the death-size with Halvard, he uses his wrist movements to force him to change the orbit of Halvard.

Originally, moving a heavy object like Halvard forcefully with just a wrist movement is a considerable strain, and that's not strange to sprain your wrist.

However, it is only normal, and the film is not as normal as it should be.

Halvard's long pattern, with its altered orbit, looms as it avoids hitting Ray's torso only with his death size.

That blow, Ray takes it with a spear of dusk, not a death size... trying to tangle up Halvard like he did to Sharisla, but coming back into Ray's hands like that is what makes it so sturdy.

Filma would have naturally read such a move, which would have entangled Halvard and tried to jump up in the air.

We were watching the battle against Sharisla, so we were able to respond immediately.

No, I've even been trying to use that move of Ningro Ray to tangle a spear of dusk as a counter.

Don't let Ray take away his weapon by holding a dusk spear as firmly as his opponent did again with such an attack of film... thus creating a dusk spear and a moment of glue by Halvard.

But while Filma has Halvard with both hands, Ray only has a spear of dusk with his left hand.

This means that the death size that Filma was most vigilant about is free...

"Let it!

It was a film that antagonized with the spear of dusk but was thus a halt to movement, but the death size... literally prunes the opponent's life with ease - this time it's a mock fight, so Ray isn't going to do that either - what the film that saw the Great Sickle approaching took was to pull out the force of his knee and sit on the ground.

If we had imitated things like retreating backwards, it would have been an easy behavior to understand from Ray's point of view, but would therefore have used the motion to tangle up Halvard.

In fact, Ray decided that Filma would behave like that, because he was about to move the moment he left.

So it was unexpected for Ray that the film would come up with the act of falling back, etc.

And unexpected behavior brings a stagnation of thought, albeit momentarily, to Ray… Still, the right hand, which was holding the death size, follows the motion of the film in a half-reflective fashion.

While Filma understands such a death-size movement, she jumps all at once from falling hips to the ground.

Ray didn't even understand how he could make such a move from falling back. I couldn't... but it's an unmistakable fact that Death Size went too far under the leaping film.

Then I even let him imitate things like pulling through Halvard all at once from the dusk spear that was intertwined by the current series of movements.

……

We distance ourselves from each other and silently check on each other.

The sharpness of the gaze that can be directed at you is a glimpse of the other person's gap.

Even the act of shifting your gaze from the opponent for a moment, which was the starting point of an earlier attack, is too much of a battle cut in this simulated battle.

That's how they face each other, a dozen seconds...... or dozens of seconds.

All that time, we observe each other in silence...... inadvertently, some plant leaf passes too far between Ray and Filma from nowhere, as it flows in the winter wind.

Why were there plant leaves in this season when it was snowing?

No one could tell that, but still, the moment those leaves passed just between them, Ray and Filma both step forward at once.

Together, they acted with such understanding that there was nothing for them to miss at this moment, and so there was nothing to be confused about even if their intercourse with them diminished instantly.

Ray unleashes a dusk spear blow as he dodges Filma's waving Halvard blow.

Since it is a simulated battle, it is not a poke by the tip of the ear, but a blow of the horizontal giraffe.

The blow, but prevented by Halvard... Ray waves a death size as if his opponent were to poke a dull moment in the gap.

Filma also took advantage of the momentum bounced by the spear of dusk, trying to strike Ray as he rotated his body... but the movement stops at a pittance.

Naturally, the latter is more overwhelmingly advantageous than releasing a blow while spinning and normally releasing a blow.

No, if the opponent who is the enemy is inferior to himself, it's something else to talk about... the opponent of this film is Ray, not very much, but it's not that it's inferior.

Death size poked in front of me. Having stared at it, Filma thought that she could only reverse it from here for a moment, but in the end she just decided that there was nothing she could do about it.

If this isn't a mock fight but a real fight, I still have a few hands on my wife, but I don't need to bother showing that in a mock fight.

Not to mention that although Ray and I are in a friendly relationship, it's not a clear ally.

In some cases, there may be a future of hostility.

Beyond that, what Filma should be doing here is not exploring the gap between counterattacks...

"Damn. Surrender."

It was honestly about admitting to losing.