Legend

"... Ah, Demon Stone"

It was Ray watching the giant dragon head disappear, but he realizes and squeals so.

Regardless, Geiska tried to unseal the monster...... and the demonic stone of being swallowed up in the head of the dragon created by Elaine by dragon language magic with Geiska, which is not here anymore.

For that matter, I just realized that Ray... there was no other means of attack in that situation, and if I had no choice, I would give up the Demon Stone.

A demon stone of existence that seemed like a monster that had to be sealed rather than defeated, so as for Ray, it's slightly... no, I'm pretty sure I was expecting it.

"I'm sorry. But there's no way we're going to release a brace of light here."

"Uh... right. No, never mind. If I had burned that meat cocoon completely with deep flames, I wouldn't have bothered Elaine's hand."

As for Ray, I'm not going to blame Elaine just because I understand that the sweetness of my stuffing is responsible for this one.

... It wasn't exactly the sweetness of Ray's stuffing, it was more like being outdone by Geiska's life force than expected.

"How about a mistering, then?

"Hmm? Oh.... No problem."

Elaine tells me that Ray takes Death Size out of Mystering.

With this, it would have been a lot easier to fight Deotres... but I can't seem to use it at the heart of it. I wonder what that meat cocoon was capable of.

(No way, you didn't think it would seal the effects of mystering. No, it was sealed because you could do that much?

Think that far, Fu Ray remembers.

Ability to manipulate space, and.

And this space was also created by its ability.

Now that whoever was making it is dead, this space is not always safe.

"Elaine, let's get out of here and get back to that house. If it was that meat cocoon that was forming this space..."

To put it that far, you also understood what Ray wanted to say to Elaine.

Quickly nod and gaze into the passage we went through as we entered this space.

Moments...... Sounds like pissilli echo around you, as if you were waiting for that timing.

While it was a small sound, there was still nothing like Ray and Elaine missing that sound.

"Let's go!

That's what he shouts, and Ray runs out without waiting for Elaine to reply.

Naturally, Elaine follows Ray, too.

It was a fairly large space, but with Ray and Elaine's physical abilities, that degree of distance would not be an issue at all.

Piscilli, Ray and Elaine enter the aisle, listening to the ruined sound of the space being heard as Piscilli.

Naturally, I didn't think that passage would be safer than that meat cocoon was expanding the space, either.

Ray and Elaine run at full speed through such passages.

The passage is narrow, so there are naturally various inconveniences to running at full speed, but I still needed to run even more than I could possibly get caught up in the collapse of space if I stayed slow.

Parin, Piscipsi, Biki...... I hear that one after the other.

That seemed to me to mean that this space would undoubtedly be destroyed before it was so far away, but escape was a top priority anyway.

Fortunately, make it Ray or Elaine, that physical ability would have been something you should have called out-of-the-way.

The speed at which it ran at full speed through the aisle was not very much, but not the speed at which it could be put out, if that was the normal person.

But Ray and Elaine kept running like they cared about it at all...... eventually they would see where they came in the aisle, i.e. where there was a hidden door leading to what they thought was a study or something.

The hidden door remained open, so I was able to run through it without having to imitate opening the door again.

"Huh!?... Huh? Master Elaine? Lord Ray?

Arla, who was reading the paperwork on her desk, sets up a power axe half reflexively against Ray and Elaine, who suddenly jumped out of the hidden aisle, but soon understands it's the two people she knows, and untangles them.

But Ray and Elaine turn to Ara like that and scream desperately.

"Ara, get out there! Maybe this mansion will collapse soon!

"Ray's right! Hold the paperwork properly! Let's go!"

Tell him so, and Ray and Elaine will also jump out of the study with the paperwork that was placed on the desk as appropriately as possible.

... If it were normal, suddenly you wouldn't be able to believe something like this right away.

But...... for Arla, the option of not believing Elaine's words does not exist, and she immediately gets the power ax and paperwork right in her hands and leaps out of the study after the Rays.

Neither Ray nor Elaine checked on Ara like that... after all, if it was Ara, it would be because they understood that there was nothing to get lost in here.

Ray leads the way, as he leads Ara and Elaine.

If the trap I'm setting in this house activated, that was the immediate action I was going to take care of myself...

(No trap?

Running down the hallway, Ray questions.

Until we got to that study, it wasn't that long a distance, but that's what set the traps.

Beyond that, I just thought countless traps would activate just as well when we escape the house... in fact, there's nothing like a trap activated at all and we can run without any problems.

While running through the paperwork in his hand but storing it in the mistering, Ray thinks… eventually comes to one conclusion.

Perhaps Celestan had a substitute like some key item that manipulates a magic item called a house that creates this trap one after the other.

But that Celestan was absorbed by Geiska, who had a fierce hatred, of everything he had.

Maybe at that point, to Geiska...... no, there could have been something in the lump of charcoal, like a key item manipulating the countless traps in this house.

But the chunk of charcoal that Gaiska's will had left was eaten to death by the head of a dragon that emerged by Elaine's dragon-language magic.

In other words, now its key items and thoughts don't already exist in the world either.

In the first place, if it was eaten to death by that dragon's head, Ray wouldn't even know where it was going.

(Ask Elaine... maybe she doesn't know)

Either way, I can conclude in the wind that the trap being set in this house is also no longer activated because key items have been lost with Celestan in the rays.

That's only an anticipation in Ray, and it could actually be different.

But in the meantime, I decided that it would be easier for Ray to understand.

"We're going outside!

The house where Celestan originally lived doesn't have the size of a mansion.

That's why if the Rays really run, that's also what they can do to get out in less than a minute.

But...... that's how the moment the Rays tried to get out, as if they were waiting for that timing, the door opens and some soldiers show up.

For a moment, I thought that might have been the arrival of soldiers from the Duke of Keller family brought by Elaine... who actually came inside the house were the soldiers from the Marquis of Seysol.

It would be natural to think about it. The soldiers of the Marquis Seysor family managed to break through the trap and enter this house before the Rays entered this house.

In that, what happens if Celestan dies and realizes that the trap is no longer activated... the sight at the end of Rays' gaze was the answer.

"Huh!? Get out! Don't come in the house! I don't know what this house is anymore!

Ray doesn't even know what's going to happen. I don't know...... I can hear Piscipsi, Guisi, and a little bit of anything else coming from behind me.

Besides, the sound you hear never leaves or goes far as if it were coming after the Rays.

Nonetheless, the soldiers who came into the house do not look like they would react to Ray's anger if they heard that they were the first of the soldiers of the Marquis Seisole family to come into this house.

... To be precise, there were soldiers who entered this house before those soldiers, but all of them are hooked into a trap and escaped.

But Ray felt the sound of the ruin keep getting louder and louder from behind and decided that it was absolutely unsavory to stay here... he decided to forcibly break through the scene if he couldn't help but say something to the soldiers.

"Get out of here!

Screaming again, Ray rushes towards the soldiers gathering in front of the door.

Naturally if you look at the Rays going in like that, the soldiers need to deal with it too.

I don't have a weapon, but Ray's coming at us.

Beyond that, I decided I'd bump into you like this... but you can't go out the door more than there's a bunch of soldiers coming from behind.

Then, naturally speaking, we need to do something about it, those who enter the house and manage to avoid themselves from the direction of Ray's progress… and some who decide what they thought Ray was hostile to them and try to erect a long sword.

Most importantly, there was no way that people could imitate such things as pulling a long sword out of the sheath of their hips in a situation where they could barely move, and in the end they couldn't even pull out a long sword.

Towards such soldiers, Ray penetrates.

As a matter of course, hitting the soldiers upright causes a lot of damage to the soldiers, but there is no other way.

(I don't have the time to break the walls... and most importantly, the walls aren't even sturdier than they look in a house full of these traps.... and does the phenomenon that really seems to be the collapse of this space end only within the confines of this House?

It was Ray who fought the meat cocoon in the space that was inside this house, but there was no guarantee anywhere that the phenomenon that seemed to be the collapse of space would only take place in this house.

Beyond that, anyway, I could not deny the option of leaving this house sooner… and also from the premises and, if possible, from Slam Street or, in some cases, from Anesis.

If this house were bigger and the size of what we should call a mansion, the door leading outside would have been wide enough to use Slapenil's shoes to run over the soldiers' heads.

... In that case, regardless of Elaine having Slapenil shoes as well as Ray, there was also the question of how to get Arla out of there without Slapenil shoes.

Together, such an imitation could have been made if it had been a mansion, but although this house is only somewhat larger than normal, it is only on a scale that cannot be called a mansion at all.

That's why the front door is no different than a normal house, and we can't use methods like running out of the house through the heads of soldiers.

(I can't help it, don't resent me. And if you blow me away, you'll get out of this house as a result, so help me.)

So determined...... Ray keeps going, sticking from shoulder to shoulder towards a bunch of soldiers.

If you look at Ray's posture, it's not hard to understand what Ray is trying to do now.

Naturally, the look on the face of the soldier, who will first bump into Ray, is severely drawn.

Even more unlucky, the man knew what kind of person he was going to be pushing at him.

It's a small body, but it hits decently with an adventurer with an alias.

Naturally, you get hit by such a person... and besides, if you think about the soldiers of your buddies behind you, how much damage you get pinched in between... that would be an event you don't even have to think about.

But...... Ray is already right in front of himself and this is not the kind of situation I can do right now.

All a man can do right now is be careful not to get hurt as much as he can even if he gets blown away by Ray anyway...... no, just be careful not to die.

And at the next moment, the consciousness of the soldier who bumped into Ray fell into the darkness lightly, as if he had been told that such determination would do nothing.