Legend

After reporting to Dusker for lunch, Ray returns to the marina's house once.

I didn't want to get too noticed to contact Grimm.

I could have gone back to the wheat pavilion at dusk, but the wheat pavilion at dusk is full of guests even during the day just for the inn.

Considering that, it was still safer to contact Grimm at the Marina house where there was still no one to be sure of… or just the person you knew, even if you were there.

Most importantly, the wheat pavilion at dusk is also a luxury inn, which makes it impossible to easily enter someone else's room or eavesdrop.

And if Ray says he's going back to the marina's house, then naturally the other faces will act together.

"Well, I'm a little tired, so don't let me sleep in my room. Seto needs to play with the yellow. When it's almost evening, I'll be back at the birthday tower."

"Gru!"

To Ray's words, Seto rattles his throat that he understands, and quickly heads to the courtyard with Yellow.

Elaine, Marina, and Vihera look at Ray so they know what he's going to do in the room and tell them when they know what's going on.

... Marina in particular has a serious look because it's about the Spirit.

As for myself using spiritual magic, I guess it's natural.

When I nod small at those three, Ray goes to his room… precisely the room he uses when sleeping at the marina's house.

Behind you can hear Seto and the yellow noise.

When he returns to his room listening to that voice that seems happy, Ray immediately takes out the pair of orbs and starts them, calling the grimm.

"Grimm, can you hear me? Grimm."

I'll try to call the orb against me a few times, but there's no way the grimm will be reflected there.

Did something fail? And while that's what I think, Ray still goes on and keeps calling out to Grimm.

And... a minute or so later, Grimm's appearance was finally reflected in the orb of a pair.

"Ray? It's rare to hear from you at a time like this."

That said Ray reminds me that if I say so...... and Grimm is undead.

Essentially, undead is an active presence at night.

I called such a grimm in the day, so it's not strange to be told this way.

No, I guess it's done to this extent because Grimm thinks he's like his grandson, Ray.

If anything other than Ray... it's not surprising that if a total stranger imitates calling Grimm at a time like this, then it's the Grimm that kills him instantly.

Most likely, a stranger won't get the first chance to contact Grimm in a pair of orbs.

"Oh, with that said, was Grimm undead?... Could he have been asleep?

Ray doesn't know if the undead is going to sleep, but he asks anyway.

In such a ray inquiry, Grimm shakes her neck to the side.

'No, I wasn't just focusing a little on the research.... So, what happened?

Ray gets to the point quickly when he can't fit in and makes sure Grimm isn't mad.

"Actually, just now, I went to a space with a little whisp, where you find an emerald with a crazy spirit sealed. Could that have been put down by Grimm?

"Umm."

Lighter than expected, Grimm answers.

For Ray, that was unexpected.

"You can be so honest, okay?

'I don't mind. It's not something to hide. I'm going to let Ray know about this.'

"Really?... So, what did you think to imitate that? Marina cared a lot about you, didn't she?

That I cared was a pretty softened expression.

In fact, because if Marina had been here, she would have been so angry that it wouldn't have been strange to question Grimm.

I understand that Marina also has an overwhelming difference between herself and Grimm. I understand... but that's not why I can tolerate grimes that imitate things like driving spirits crazy and sealing them in emeralds.

'By marina, is that Dark Elf's daughter? I see, isn't it strange to be such an attitude if you are one who has a deep relationship with the Spirit? Then the Lord and the Dark Elf's daughter will make a little mistake.'

"Mistake?"

'Bye. Guess that's what Ray said, but that's what the Dark Elf's daughter thought when she drove the Spirit of the Wind crazy and sealed it in the Emerald?

"Oh.... I didn't even say" Spirit of the Wind "

Ray didn't even know if he knew it was the Spirit of the Wind that sealed the marina in the emerald.

But you probably didn't know you didn't tell me.

Grimm said he sealed the Spirit of the Wind immediately like this, probably because Grimm still sealed it.

"The Spirit of the Wind did not drive Noun mad. Was that Gilm? It will be a long way from the city where Ray is, but there is a mountain called Mount Orleon. At the foot of the mountain, every few or more years, a mist containing special magic occurs, but when the Spirit touches the mist, it becomes insane '

"I mean, even the spirits that were sealed in that emerald?

'Bye. When I needed a little fog to pick it up, I was lucky enough to get lost and go crazy because of the fog. "

There were also questions about what it meant to need such a noisy fog, and how rare the hell that fog was to occur every few or more years, but Ray doesn't talk about it.

Especially when it comes to the latter time, Grimm was undead a long time ago... and that's what has existed in this world since the days with Zeppyre.

For such a grimm, it was an immediate realization that a few or a dozen years.

"Now I know why the Spirit went mad, but why imitate the kind that seals that Spirit in an emerald?

'I thought you'd rather seal it than kill it. Or I thought a sealed spirit might be able to use it for something, too.... and in fact, this is not how I use it now.'

"Even Grimm, can't you go back from being crazy because of that fog?

"The ingredients of the fog are special. Difficult. I've tried everything... so far, it's impossible. '

To Grimm's words, Ray is convinced that he is.

I was just a little surprised because I felt that Grimm would be able to do something about it easily.

"In the meantime, I understand the story.... So, what kept those emeralds in that space?

'I was wondering if that Whisp would react. It turned out to be a failure. "

Ha, and.

Too bad Grimm squeaks.

Most of all, it just seemed like Ray was creating that kind of atmosphere.

Grimm's face is more than a skull, and he can't imitate things like checking his expression.

That's why I could only somehow anticipate it in that atmosphere.

"Right. At least when we saw it, it didn't seem like Whisper was responding."

From what Ray has seen, putting the emerald down just seems like a futile act.

In the first place, I wonder why Grimm chose the sealed emerald of the mad Spirit there, as there are many other materials to do.

"The Emerald thing is, if anything happens. I left it in that space with everything else... didn't you see that one?

"Oh. I could have guessed that emerald would be something Grimm put away. If you think about it, you can't hunt for treasure in that underground space."

What happens if I imitate what Grimm has prepared so that it is the way to go home?

That's not about whether Grimm gets angry or not, it stirs up fear in the sense that there could be some strange commotion as a result of taking it home.

Besides, if Grimm intentionally placed various objects, if he moved them from where they were positioned, something strange would not necessarily happen.

"Non didn't think so complicated. I've been doing a lot of research on that whisp, but so far, there's been no progress. '

From here to the forest of Trento, a few minutes at the speed of Seto… in some cases it won't take a minute.

But the problem is, you can't fly out of here.

To travel to the forest of Trento, you first need to get out of the main gate of Gilm, then get on Seto and move.

Given the hassle, it's definitely more overwhelmingly advantageous in terms of researching Whisp to have a direct connection to your lab in that space.

And as for Ray, who knows how good a wizard Grimm is to be a researcher, it was only surprising that such Grimm didn't do much good with Whisp research.

"It's about Grimm, so I thought you already knew to some extent,"

"What does Ray think he is?"

With a shudder, that's what Grimm says to Ray.

As for Ray, I had the thought that Grimm could do most of the more than he had ever helped me with more than once.

"I'm talking about Grimm, so I figured I'd do something about it."

"... at all"

To Ray's words, Grimm groans small after a few seconds of silence.

It was clear from Ray's eyes that it was coming from the blindfold.

My face is skull, so I didn't know for sure if it was illuminated, but if Grimm had a decent face, it would probably have turned red.

That made me feel like making fun of Grimm a little bit, Ray, but if I did such an imitation, I would decide later to be scared and change the subject.

"So you can't release the Spirit of the Wind that is sealed in the emerald after all? Not to stay crazy, but to get it back to sanity."

'That's hard. In the first place, I've never heard of stories of crazy spirits coming back to normal due to that fog, etc. That's why I think it would be interesting if we could get it back to sanity...'

So Grimm, who stopped the words, shook his neck to the side.

That was a testament to the fact that there was nothing we could do so far.

"Right.... In the meantime, I'll tell Marina about the area."

"Umm."

I'll finish the conversation because Grimm nods and then goes on to talk for a few minutes and Grimm is going to be busy with the research.

That's how when Grimm disappeared from before the opposing orb, Ray quickly left the room.

It was supposed to be a little rest in the room, so I don't think it's a little early to get out of the room.

However, given the fact that Marina is playing with the spirits, I thought it would be better to have a good conversation around it.

And should I say, the marina was waiting in front of Ray's room.

Ray said he was going to rest and I knew he was going to get in touch with Grimm, so I guess he wanted to hear about the situation as soon as possible.

"Can I talk to you inside? Here, maybe Ara or Bühne will ask you, right?

Both Ray and Marina, the sharpness of the five senses is human apart. … both sides, but not human.

So if Ara or Bühne could just get close, I'd know soon enough, but maybe, just in case.

With that in mind, I also understood Marina's desire to talk in Ray's room.

Try the marina, I want to focus as much as I can and listen to Ray.

The two enter the room.

In the room, it's not that different from the inn.

In this case, should we admire the fact that it is very different from a luxury inn called the Wheat Pavilion at dusk, or should we think it is the same as an inn even though it is a mansion in the aristocratic district?

While I think that way, Ray sits in a chair and Marina sits in bed.

That silence fills the room, dozens of seconds.

Eventually Ray opens his mouth.

"First, I'll tell you what Marina cares about. The spirits that were sealed in that emerald went crazy because Grimm didn't do it."

That's what I'm saying, explain what Grimm told me.

At the end of that explanation, Marina showed relief.

Because it turns out that Grimm didn't drive the Spirit crazy, he sealed it in Emerald to avoid killing the mad Spirit.

… although it was also found that Grimm could seal the Spirit into emeralds and, in some cases, other gems.

Still, it's obvious that Marina wouldn't do an angry imitation if she watched her attitude toward Ray, and that was enough to reassure Ray.