Legend

"Wait."

Ray accidentally squeals like that on his way to Gilm.

Probably because the voice was unexpectedly sharp.

He draws the reins half-reflexively.

Just for the carriage, even if the horse stops, as a matter of course, the carriage cannot stop immediately.

Still, it's possible to slow down.

"What's going on?

"... apparently, these black clothes are very important to the other side."

With that word out of Ray's mouth, you understood what was going on... no, you must have understood what was about to happen. The man of your man is astonished.

"Are you going to attack me? In a place like this?

The carriages are currently running in places such as those that have yet to rendezvous with the streets, but still exist far away.

Naturally, we can also make sure that those who take the streets are seen.

Especially now, many go to the guilds where the additions are carried out, which is why many go through the streets.

In fact, even if Ray on Seto's back sees it, there are groups of merchants and thinkers, adventurers and ordinary people and thinkers who are looking for work in the Guild.

It was quite an unexpected development for Ray to have someone to attack where those people are.

"If you look over there, there's something you don't want us to know about."

Sometimes I don't want them to know exactly what's going on, but what's bigger than that is the organizational situation.

This request was made by an organization that has just entered the Guild.

It is also an organization that has no connection to existing organizations and has made them recognize their existence with strength.

… Naturally, it is also damaged in its protests.

Even though it is rare for such an organization to use the force currently available, it was captured in its aggregate.

It can even be deadly to run an organization.

That was the reason I was able to operate in the Guild, but I could be crushed instantly.

In order to prevent it, we need to save those captured by Ray somehow.

Naturally, we understand the danger, but we still have to do it.

Also, if you can get Ray to blow a bubble at your opponent, it will also be of great benefit in the sense of showing off your strength as an organization.

"What do we do?

"They're totally going to kill us.... Well, what do we do"

Ray bothered because he was purely short of hands.

The only allies here will be Ray and Seto, and you.

And in the sense of power, your man is out of his power.

I guess he has enough strength to protect himself for once, but from what Ray has seen, he's not strong enough.

I mean, you can't expect it to be pure force.

If it is force as quality, Ray is not going to lose to those who are about to strike either.

Even considering Seto was there, there was no element to lose if you fought from the front no matter how.

... The problem is that, naturally, they also understand that, which is why they won't necessarily attack from the front.

Because you can't win from the front, you're likely to be using some sort of praiser.

Also, the anxiety element is in the carriage.

The men in black are currently in the carriage.

It's tightly tied so you can't get out of the rope, but that's only for one person.

Considering they pushed quite forcefully into the carriage, each of the black outfits is intimate... which also means they can touch their people and cooperate.

If it's when you're traveling in a carriage, with Ray right on your side, you can deal with that even if it happens, but it's not funny that they make strange moves on the black outfits as they attack.

(Or do you imitate that they usually attack you in places like this? There's people in the street, too, right? It will definitely stand out.... conspicuous?

Having thought that far, Ray recalls what happened in the Hall of Lords.

That the man who pretended to be a merchant stopped him from trying to kill the knight.

Think normally, trying to kill a knight in the Lords' Hall in the Guild is the only act of suicide for the organization.

Sometimes if left alone, they would insult the target for fear, and Dusker would, naturally, retaliate against the organization to which the assassin belonged.

Only Dusker, who has knights and soldiers, naturally has a lot of fighting power.

I guess the attackers are naturally aware of the circumstances around them, so that's not surprising that they seem to have gone into action without thinking ahead.

Of course, even if it was actually retaliated against by Dusker, it might have been worth doing something about.

Either way, it's true that the opponent who imitates what strikes me here, just on the side of the street, overlapped that assassin.

There is no evidence of any kind.

But it really didn't seem like Ray had anything to do with those two.

(Well, that's not what I think around here. That's what the guy in charge of the Knights interrogation will hear. It will be up to Master Dusker to decide what happens afterwards)

Deciding there was no point in thinking about anything here now, Ray jumps off Seto's back and opens his mouth as he walks with the carriage and Seto as he does.

"Seto, if the enemy strikes, I'll take care of them. You check to see if the black costumes in the carriage don't imitate anything strange.... okay?

"Gru?"

Are you okay? And a throaty ceto.

Neither does Seto think that Ray will lose to his opponents in the area, etc.

But when an enemy strikes simultaneously from more than one location, the story changes.

"'Cause it's okay. If Seto could protect this carriage, I could focus on intercepting it."

"Uh... well, I'd love it if you could protect me, too."

Those of you who were watching Ray and Seto slow down the carriage... when you finally park the carriage, that's what they say to Ray.

He is never as strong as Ray found out.

He had some strength and had just the strength to win if he dealt with ordinary people, but he was aware that he couldn't beat his opponents who had specialised in fighting and working out first.

"I know. But you need to keep an eye on the carriage, too."

"... shouldn't you have slowed down and gone into the streets?

"You can't. If there's no one on the street, that's fine, but given the current situation, it could also involve people on the street."

Ray stopped the words there, but he was also thinking of the possibility that some of those on the street might actually be from a black-coated organization.

If you look over there, this raid is exactly what you deserve to call a kick-ass.

If you have a hand to hit, it won't mean you won't do it.

"Uh, well. Don't make it harder to gather people when you imitate like that in your current guild."

To your word, Ray agrees that there is too.

All that is currently in motion is the construction of additional buildings, but even the construction of those additions is not manned enough.

From now on, research and construction of groundships, care for spices, things related to lakes and birth towers… other than that, given the detailed work, that's what I want manpower to be, if not better.

When those who were on their way to the Guild in such a way were caught up in the battle and died or were injured, the feet of many who came looking for work could be dull.

"Well, that's why... you're here"

With the carriage stopped, you thought their presence was known to the Rays, and the men in black show up.

Those who lurked in the grass, and in the shadows of trees and stones.

(If you're in the same black outfit as the guys in the carriage, you're definitely one of them.... but I think the black outfit just stands out during the day anyway at night. Maybe he wants to hide his face or something)

In the sense of being dispersed in the darkness of the night, the black outfit would be valid.

But now it's daylight, not night.

That is undoubtedly remarkable, and those who are actually going down the street are also turning their gaze towards the Rays, such as what the hell happened.

(No, Ning Ro, is that what you're after?

Before the black outfits besieging the carriage, Ray questioned... but now it was also true that there was more to be done than that.

Remove the Death Size and Dusk Spears from the Mystering and take the usual two-spear flow structure.

The black outfits who saw it showed Ray that his face was hidden and invisible but still surprised him from the atmosphere.

This is not unusual.

The fact that Ray fights with a combination of normally very undesirable weapons, the Great Sickle and the Spear, is correspondingly informative because of its rarity.

But if you actually see such a ray in front of you, the power can't be taken honestly just because you were listening to it in the story.

It was exactly as if the Hundreds of Hearts were a sight to indicate the word only at first sight.

Ray's height is never high, but the Death Size and Dusk Spears in both hands are a long substitute for both weapons.

Ray, who holds those two bottles, didn't seem like a very, but easily defeated opponent.

Nevertheless, it is well known that Ray and his men in black are also strong enemies.

If you take the time here, that's what those in the streets will contact Gilm and the guards will come.

Or a soldier, not a guard… in some cases a knight could come.

Given that, no matter how amazing Ray's presence was, there was no way to waste time here.

One of the men in black waves gently.

I guess that was the signal. All those around the carriage are attacked in unison.

... Nor is it Ray who was attacked. In the carriage.

Originally, the purpose of the black costumes was not to defeat Ray, but to seize those captured by Ray.

I know there were times when I would have wished I could have defeated Ray if it had been possible, but that thought blew up the moment I saw Ray...... I had to decide there was nothing I could do about it, even more where I had a Death Size and a Dusk spear.

Nevertheless, I couldn't help but complain about Ray now because Ray had bothered to escort me so I could be sure that this carriage had company.

Flying slaughter!

A flying slash released from Death Size strikes one of the black outfits.

The power should have been enough to sever the opponent… or to inflict a large slash wound on the body without having to go that far.

But although the counterpart in the black outfit was slashed and torn through his clothes and bled out of his shoulder, that wound is by no means a substitute to be called a serious injury.

(What? Does the black outfit itself have a high defense, or is it wearing something like a claw under the black outfit)

Even though I doubt that, Ray's movements won't stop.

Using even a recoil that unleashed a flying slash, a spear of dusk is unleashed.

Instead of releasing it with your right hand as usual, it was a throw with your left hand, still flying with enough speed... penetrating the belly of the black outfit that was heading towards the carriage.

He had strong resistance to the slaughter of the Flying Slash - and still suffered slashing wounds - but the Flying Slash was only a Flying Slash.

It's not a blow that unleashed Death Size itself.

Compared to that, the blow threw a spear of dusk.

Even if the Flying Slash is prevented, it cannot prevent the spear of dusk reinforced by Ray's magic.

"What!?

One of the black outfits who sees it raises a shout of surprise.

I guess we didn't think we'd get our own protective gear pierced so lightly from now on.

And the voice that came up from the black outfit, was it surprising to the others that the movement slowed for a moment...

"Grrrrrrrrrrrrrr!"

Seto's roar echoes around him.

The King's intimidation skills were activated, and some of the black clothes who heard about it could no longer move, and those who could also move fell extremely fast.

"Well done, Seto!

The most troublesome thing about the situation right now is that the carriage is attacked.

To be precise, the black outfits in the carriage will be freed?

In such circumstances, the skill of intimidation of Seto's king is nothing but lethal to the enemy.

Ray, approaching the man in black who was nearby, puts the spear of dusk back on hand and waves it loudly.

The black outfit, beaten with the patterned part rather than the tip of the ear, blew away, hitting his buddy and finally stopped the move.

Even a spear at dusk would have easily pierced the black outfit, or the armor underneath it, causing fatal injury.

But what we need in the current situation is to reduce the opponent's hassle anyway.

It would be more efficient to blow it up and wrap up the other one... if possible about two, than to kill one here for sure.

It was only a matter of intimidation by the king of Seto... but the blow undoubtedly interrupted the movements of the black costumes... and as a result, all the black costumes that struck him within minutes were destroyed.