Legend

Ray, who gave the dried fruit to the children to stop crying and make them grown up, walks in the gilm with Seto.

The discomfort I had when I came to Gilm is still there.

Not to mention this discomfort was undoubtedly created by the influence of those who harm themselves, if you think of the killing you felt only for a moment when you gave the children the dried fruit earlier.

Above and beyond that, if we imitated the way we would carry Trent's Forest trees to where the Alchemists are in the present situation, it was likely to be a commotion.

Ray also naturally knows how precious an alchemist is to Gilm.

More than that, it's out of the question to take a dangerous opponent here to where the alchemists are.

(If you can, the guy who's after me... specifically, I'd like to handle the guy who skipped the kill... don't get his tail out)

I want to do something about it sooner rather than later if I can.

That was Ray's honest feelings, but still there was no way the enemy would tail out.

I'm still walking around the city like this, but still no way my enemies are attacking me.

"Gru?"

See how Ray's worried, what do you do? and a throat-beating ceto.

There's a little bit of a sorry color there, I guess, because we can't find someone we think we're after.

As Ray and Seto acted together, the kind of enemy exploration was Seto's job.

It's not surprising that you think that it's your fault that you can't find enemies beyond that.

But Ray strokes his head to comfort Ceto like that.

"Never mind. The enemy was higher in this case.... If you're outside the guilds, it doesn't mean Seto can't find you."

"Grrrrrrrrrr"

Seto throbbing at Ray's words.

It seemed like I appreciated the words, but still showed a little depression.

Ray walks around the city looking for something to comfort Seto like that...... and finds the crowd gathering a lot.

Going into the crowd is tantamount to committing suicide in the presence of those who exasperate killing.

Ray knew that, too, but the purpose of encouraging Seto and… above all, the thought that he might be able to lure his enemies into that crowd.

Seto was looking a little surprised at first, but still figured out Ray's thoughts... or was he simply intrigued by the sight of lots of people gathering, and he goes straight to that crowd with Ray.

Drifting from the crowd are emotions of joy, fun, and fun.

Apparently, it's not like a fight.

At first, I thought that was what we all saw in the fight, but what we hear from the crowd is laughter.

... or laughing for some reason - such as provoking someone - even in a fight, but as far as this was concerned, that seemed different.

"Hey, what is this crowd?

"Huh?... Seto..."

The young man Ray spoke up to whine as small as he was surprised to see Seto.

Calling me Seto in a man is not a rare story.

Ray knows a few others at least, so he doesn't look particularly concerned and opens his mouth again.

"Oh, it's Seto. So, what's this crowd? I can hear some cheerful music."

With so many people gathered just for the smaller Ray, you can't see what lies ahead of that crowd.

You could tell by using Slapenil's shoes or flying on Seto's back, but in the current situation I decided I didn't need to do that much.

"Huh? Oh, yeah. Uh... the street performers are coming. That's pretty awesome, and that's how we all see it."

"Oh, you're a street performer."

Street performers are not that uncommon.

Even Gilm sometimes sees it.

For some reason Gilm is a very easy place to do in the sense that street performers also earn money because of the large number of residents.... Though that is limited to powerful street performers.

There are many armed adventurers in the guilds, and in the case of street arts like using physical strength and motor nerves, it is normal that that is the audience adventurers are more amazing than street performers.

In that sense, a street performer who could excite the inhabitants of the Guild so far is definitely amazing... he was supposed to be an armed street performer.

"What do we do? See?"

"Gru!"

To Ray's words, Seto sounds his throat well.

It seemed completely oblivious to the fact that such a seto would attract the person they would be after.

... Nevertheless, it is a fact that, in the present situation, which is dispersed in the crowd, it is easier for Ningro to deal with it if his opponent moves directly.

With Seto, Ray moves through the crowd.

If only Seto, close to three m long, progresses in the crowd those of such size, many will naturally be pushed.

Fortunately, however, those who watched the street performers do not imitate them to blame, considering that they are also Seto.

On the contrary, I'll even vacate the place so Seto can see more easily.

It would be a testament to how much Seto is loved in the Guild.

... With such a ceto, I didn't care what Ray was moving to sew between the crowds to move forward.

Having thus come to the forefront, Ray and Seto finally succeed in seeing the street performer with their eyes.

"Wow..."

From Ray's mouth, a surprising voice leaked unexpectedly.

Anyway, the street performer is in great shape.

That's the kind of shape that balloons and other expressions deserve.

Now, that look of juggling a dagger as you move around in front of everyone is good enough to convince you that as a street performer you will become this popular.

He looks like a street performer and has makeup on his face... Ray reminds me of a circus clown I saw on TV when I was in Japan.

Of course, a man's makeup like a balloon doesn't mean clown itself.

It's just that I get that impression.

"Phew, phew. Look, look. Swim freely in the sky, dagger figure."

With that said, a man who imitates things like going that way or this way while making a high leap, as if he were stepping on a trampoline as well.

If you look only at your body - I don't know exactly because you're wearing clothes - you look pretty fat.

That's the kind of body that you would think a hundred kg would be superior to.

Even so, he hasn't scratched a single sweat on his face even as he moves around like this.

Only then is it obvious that he has physical abilities that are not commensurate with his appearance.

... and unexpectedly a man of street performers sees Ray only for a moment.

Nevertheless, Ray is strangely convinced that even street performers are naturally more blinded to Seto than he is to take Seto on this tour.

Even a street performer with all this skill would still be surprised to see Seto.

Nevertheless, it was a real moment that the street performer saw Ray and Seto, and he immediately returns to his art.

(With all that flashy movement around, the dagger...... ten? No, you have more. About fifteen? It's amazing to keep juggling that. Don't move. Just juggling that number of daggers should be pretty hard)

The dagger is naturally bladed.

It is possible that the part of the blade cannot be slashed. Still, if you're going to take the cutting edge wrong, it's not weird to get hurt.

If you see him wearing gloves, or possibly blade-proof gloves.

But still, Ray looked at the man as impressed that it was amazing how he continued to juggle with his dagger.

But...... the daggers that were accidentally juggling each other about whether the man made any mistakes, making a tall noise around them, the daggers that were bumped fly to those with rays.

Nevertheless, Ray, who had grasped the trajectory of that dagger, does not seem to do things like jump off the spot with particular surprise.

And in fact, the dagger pierces the ground just beside the ray as it rotates......

"Huh!?

Seeing that dagger, it was precisely at that moment that Ray felt a sharp killing from behind, trying to move half-reflexively… but it was difficult to move because of the place where many spectators were, and he was delayed in moving his body for a moment.

The other person, I guess, was after exactly that moment.

A dagger blow is fired from behind towards Ray's back.

"Grr...... that's right!

While experiencing sharp pain in his back, Ray releases a kick back half forcefully with his front facing.

Kneel your opponent in the heel... in some cases a blow as if to destroy the groin.

"Talk!"

What, the scream of a man heard from behind me at the same time as I felt on my legs the eerie feeling that

So he finally decided something was wrong with those around him, too, and took a distance from Ray and Seto.

Ray, finally free to move, turns his gaze to the man who is falling behind him.

Probably because the audience vacated the place.

The man holding down his bleeding groin was fainting as he blew bubbles out of his mouth.

"... hey, Ray. Are you okay with this? He stabbed a dagger in your back!?

Someone who knows about Ray asks Ray worryingly.

Ray is quite famous among ordinary people, not so much Seto.

I guess the guy who worries about Ray also knew about Ray in that way.

To such a man, Ray checks his back in the dragon robe in such a way as for once... reassuring himself that the dagger's blow is not piercing the dragon robe.

"I'm fine. This robe is also a magic item for once. There's nothing like a dagger blow."

To be precise, I made hundreds of years using the scales and skins of living dragons… it is also a magic item made by Esta Knoll, said to be the best alchemist in history, to be an alchemist at the gate of Zeppyre.

Not very much, but not a substitute that can be expressed with the word once and for all.

I don't... to be honest with you about that can be a hassle, and sometimes the dragon robe itself can't be seen to be that powerful a magic item with the ability to cover it up, which is so deluded.

Dragon robes made of scales between dragon skins cannot pierce that defense in a half-life attack.

... while still, it was definitely a very high performance magic item with features like simple air conditioning.

Feeling the gratitude of the dragon robe, Ray once again turns his gaze to the man who is blowing bubbles out of his mouth and fainting.

It will definitely be quite a while before you wake up from stunning, beyond all that blow to your groin.

There was no other way.

As a man Ray too, I can imagine how much pain it would cause to be kicked in the groin... and how destructive it would be to be kicked with Ray's power instead of kicking it lightly too.

In some cases, the hip may have been crushed before the groin crushed.

I know that, but it was an aggressive reaction, so I couldn't help it.

(If people were a little less, they might have been able to attack or something with their elbows... no, considering their opponents had daggers, is that more reckless than not knowing what other weapons they had)

I rub my face against Ray, who was looking at the fainted man, as Seto rattled his throat saying he was sorry.

Originally, Seto had to notice the enemy approaching first.

However, because I concentrated on the street arts, I apologized for judging it to be late.

Though, it's not that weird that Seto didn't realize it for Ray.

Technology, skills, magic items... I don't know what that means, but they were completely annihilated.

And he came right behind Ray, and the moment he actually pierced the dagger, he revealed his killer temper for the first time.

It is impossible for Ray to think about what to do with the situation to Ceto.

"Whatever... uh, I'm sorry, but can someone get me a guard? You can't keep doing this."

"No, no, no. Why are you so calm when you almost killed me!

Earlier, a man who had asked Ray if he was okay raises his voice of surprise to Ray, who had not shown how he cared at all even though he was about to be killed.

But Ray opens his mouth to reassure such a man.

"If you're an adventurer, it's not uncommon for you to be honest. You don't have to worry about that much.... I'm just glad you were worried."

Yes, I told you.