Legend

"You don't have people unexpectedly.... but I knew it."

Whimpering, Ray looks around the building.

Neither did the middle-aged man earlier, who was actually a constituent of the blue spear that was fooling himself, really do anything to attack Ray, backwards of Ray's expectations, and left the building intact.

"Ah."

Huh, Ray remembered leaving it to Seto about the guy leaving the building, but with that said, I don't think he could hear the screaming kind of man earlier.

(From Seto's point of view, that's how it was understood that the guy was the one with nothing particularly wrong?... Well, from what I see, he seemed like a helpless person)

I was curious about the man earlier, Ray, but I thought Seto attacked me for now and I can't hear him screaming, so I decide to leave him alone.

... In fact, Ray didn't know, but even from Ceto's point of view, the man who came out of the building only looked like an ordinary man who didn't have the fighting power, and the wild prospects that Ceto had - many questioned the word wild - but he missed it as a fine opponent.

"Oh, this is pretty good"

Inside the newly entered room, even with the office, it is worth mentioning, and I hold that thought that Ray, who saw it, might also be some good stuff here.

"I mean, even in the organization behind you, you do administrative work and stuff like that.... unexpected, isn't it?

While whining, keep the chairs and desks made of wood in mysterious storage because this tissue will disappear anyway.

Because I decided that throwing it in the meantime would be a certain weapon, and that it could be used as firewood more than it was made of wood.

When the five chairs and desks that were in the room were stored in the mistering, the next thing Ray looked at was a shelf that seemed to contain a variety of objects, starting with paperwork.

... Nevertheless, I don't even think Ray has anything important in that shelf.

If it was an important thing, it would be hidden somewhere, that's what I had decided.

"Still, there's no denying that there might be something important in there.... hey, blue spear! I'm glad you guys are running away from me and hiding, but if you do, I'll take everything in this building from you! Still okay with that?!?

Ray screaming with meaning to provoke the opponent.

Of course, I don't expect the other person to come out for real with this cry.

Still, maybe...... really in case, but I definitely should have just done it than it could have been.

Neither did Ray think there was anything particularly important, but the idea is also strong that if something actually happened, the option not to come out would not be over there.

... Nevertheless, no matter how much Ray screamed, there was no way someone would come out.

"Maybe you ran away, didn't you? For once, there's a seto outside the building, so there's no way we can get away with it.... but if you think you're building an underground corridor, let's not talk about it again"

Using an underground passage, not just outside of this building, but more elsewhere...... that's what makes it hard to detect that in any number of sets, if you're making an entrance or exit quite far from this building.

If you want to move outside, you may be able to notice the presence of enemies with odors and sounds, but when it comes to moving under the ground... that's hard.

"Uh... have you failed? I didn't think it would imitate fleeing attacks from the front."

The world behind means a lot to Fujiko.

Especially organizations that are after Ray's assassination, starting with blue spears, take extra care of face and pride just for emerging organizations.

If you don't, you may be judged to be an easy enemy to give and create an extra enemy.

That's why, even if it's Ray... I didn't think the organization itself would take the sort of means to escape just because one of them attacked Azit.

Most importantly, Ray is in a position to be targeted by emerging organizations, including Blue Spears.

So, if the person you're after is going to imitate things like running away if you fight back, the face completely crushes.

If you're going to work in a guild and your face crushes like that, it's hard to work.

... In fact, there are issues like how Ray can do it safely when he hears that he's going to attack us, but he won't understand it unless he's actually involved in this fight.

"Are you going to run away like this? Isn't a blue spear a fine name, a good escape leg, or something like that better?

Half...... no, it was Ray screaming with the full meaning of the provocation, but no reply coming back against Ray like that.

(Isn't this really nobody in this building anymore?

With that doubt in mind, Ray, who looked around at the ground floor section, uses the stairs to head upstairs.

However, Ray's prediction that there might not be a blue spear person in this building came off when he went upstairs.

"Heh. Apparently, you didn't make the choice to run."

Upstairs there was a hallway, with several doors lined up regularly.

In the meantime, there are signs of multiple people coming from the deepest door, that door in the middle of the hallway... and there's been a strong killing drive to understand that Ray went upstairs as well.

However, some of the causes of the killings were occasionally provoked by scattered rays.

"Well, then... you start by saying hello"

Whimpering, Ray takes out the blue spear he took from the man he knocked down before entering this building from inside the mistering and throws it after a few steps of aiding him as he is.

Long time no spear throw, not a dusk spear.

But in the sense of giving a preemptive greeting to the organization Blue Spear, it seemed to Ray that this spear was the one most deserving.

The spear thrown by Ray's force makes a sharp noise as he slashes and rips the air itself, while proceeding upright… eventually penetrating the door in the direction of progress and heading into the room.

"Geez!"

"Wow, shit! What the fuck!?"

"The enemy, Ray did it!

Screams heard from across the door.

... Normally, if you throw a spear, you will stick it in the door or, in some cases, destroy the door, but the fact that it doesn't do that and penetrates it is the horrible thing about Ray throwing it.

Ray's strength and body twist, when to get your hands off the spear.

If I made any of those mistakes, I wouldn't have given the spear that much power.

In one respect that it could be done, Ray's skills on spear throwing had overwhelmed others.

Nevertheless, the person does not care at all about how his thrown spear looks and continues down the aisle without his weapon in his hand.

Eventually, Ray, who arrived in front of the door, observes what was going on inside from the hole created by the spear, but he finds that there is no more confusion.

... naturally. Even though we were waiting for them, we didn't expect to get preemptive attacks from the people we were waiting for.

(Although not everyone is confused)

Currently, there are definitely signs of confusion across the door, but at the same time, the kind of killing that is unleashed against you is not completely gone.

That was it, if Ray opened the door and came inside, there were definitely a few opponents waiting to make an attack, even soon.

I don't think Ray would want to be too big a part of the enemy's ruse, even more than I know.

Head for the door pierced with a blue spear and wave your feet.

That's also a forward kick...... so-called, a kick that releases in the back, not in the back of the foot, like it's called a yakuza kick.

If it was a door made of some kind of metal or magic metal, or even eating Ray's kick, I might have been able to carry it.

But a building in Slam Street. There can be no such thing in a building owned by an emerging organization.

No, or maybe a metal door could have done something, but the door Ray kicked was wooden.

The doors blown by the kick are blown apart by all the hinges.

"Whoa, whoa!

"Stupid!

You hit a blown door, you hear that scream.

Ray enters the room without looking like he cared for such a voice at all, and understands that the room is nearly twenty tatami, a room of considerable size. No, no, take the death size out of the mysteries and shake it.

"Power slash!

That slaughter, which increases the power of a single blow, blows up collecting a few people who were right around the corner.

The unlucky thing would be the first guy to hit a swinging death size.

The level of power slash is currently three.

It has not reached a jumping level five of extreme power, but nevertheless as a result of the striking force of Ray and the weight of the Death Size...... the man's upper body becomes flesh pieces and blood fog and flies in the direction Ray unleashed the attack.

Also, that's not all.

Some have guts hitting their faces and getting into their mouths, or taking damage as if they had eaten a shotgun at close range by pieces of bone.

The first man the attack hit was instantly smashed in the upper body, but naturally a death-size blow wouldn't stop with it.

Nevertheless, the influence of blowing the upper body of the first man has largely diminished its power, and fortunately, the men after the second have nothing to shatter their upper body like the first man, even if the death size hits them, and the upper body blows up safely, hitting their mates and stopping moving.

"Chi! Here he comes, it's Ray! Kill him!"

A man in the back of the room screams when he sees Ray entering the room.

Men in their fifties or so, strong faces.

Those who belong to the blue spear in the man's sharp voice attack Ray simultaneously.

Naturally, it's the blue spear that each of us has to attack.

A spear protruding simultaneously by many who were near Ray.

Such an attack, such as the one that deserves an expression such as "Xu".

But Ray plays with the dusk spear that took the blow out of Mystering.

... The death size I had with my other hand takes advantage of the recoil when I waved the spear of dusk to turn the torso of the man I was trying to turn behind the ray into two straight upside down.

Originally, there is no way that a single attack can do something with just a number of spears that can be described as "wax".

But... that's only normal.

Ray's blow couldn't have been normal.

"Whoa, whoa!

A man screaming while being blown away, not knowing what happened.

Still, I should say that I didn't let go of the blue spear I had in my hand.

... Still, considering I've been blown away, it's impossible to return as a force of war right away.

"Multiple Slashes"

Head to the men gathering and wave Death Size.

Some men tried to shield the blue spear, but Death Size cuts off the blue spear pattern lightly and slashes its torso into pieces.

... but naturally that blow doesn't end alone.

A swinging Death Size blow unleashes three slashes at the same time against the others around you, even though you have done nothing.

With no idea what happened, the others who were there are slashed and torn apart and blown away.

(You're just the right guy in a way)

Numerous...... Ray mouths his thoughts that I don't think he's dealing with the people in the organization behind him either.

At any rate, I wouldn't even think of the blue spear face as being thought of that way if I used it here because I had just the right skills that I hadn't had much chance to use before.

"Magic Shield"

A shield of light is created and its shield of light is plunged into the enemy as it unfolds.

"Painburst!

"Uhhhhhhhhhhhhhhhhh!

A man whose right shoulder was amputated by a death size wielded using a pane burst screams like he has no body or lid.

Painburst increases pain when attacked is currently Level Three and has the ability to inflict eight times more pain on the opponent than the original pain.

If you get your right shoulder amputated and given eight times as much pain as it should be, that's not strange for a big man to cry out.

The neck of the man rolling around the floor is cut off with a death-size blow that snaps up, preventing the blue spear of the man who came attacking him as if he had been half torn, with a magic shield, and piercing his torso with a spear of dusk.

"Penetrate!"

Stop the Death Size movement with the force of your hand that severed your neck and activate another skill again.

The death-sized stone-piercing part wraps around the wind and pierces the torso of the man who was nearby.

So when you pierce your torso with both a spear and a death size, you hold a weapon that remains pierced by both sides and wield it loudly.

The body of two men flying by that shock.

Forced through the men who evaded the body in a half-reflective way...

"Well, what do we do?

He let the death-size blade touch the back of the man's neck who was giving the instructions, and that's what he asked.