Legend

The man who passed out for now stays there, and the Rays go down the road.

A fainted man is nothing but prey for the inhabitants of Slam Street.

I knew that, but that's why Ray didn't mean to help the people who attacked us.

If we're lucky, we'll survive, and they won't take possession of us.

If you're unlucky, they might kill you, but that's all you have to accept because you think it was fate.

… If you are killed unconsciously, it is not a feeling of fear or pain. Perhaps you are fortunate in some ways.

"So, is that the clown Azito?... a clown is normal for a name."

"I can't believe you don't have to be some special aside because you're not named a clown.... Well, I know how you feel"

Lazaria also somehow understands and agrees with what Ray wants to say, even though she replies that way to Ray's thoughts.

In fact, the building wasn't that big compared to before, it was a normal building.

Could there be a basement here, too? and Ray to think for a moment, but Ray doesn't even know if that's right.

That's it, unless you actually search the inside of Azito.

"In the meantime, I'm probably pretty sure you have all the arms, so Lazaria, just like when you're a fang of the wind, just hide tight."

To Ray's words, Lazaria nods naturally.

Lazaria could use enough protection to live in Slam Street, but not enough to intervene in a real fight like Ray's.

Call me to do that and good luck, and then Lazaria hides.

"Well, then, Seto. … go."

"Gru!"

To Ray's words, Seto rings his throat briefly.

The building is slightly larger than normal… but still a house to the extent that the word normal is worthy.

Nevertheless, at the point where there is such a house in this slum city, I doubt it at all.

Most definitely a much easier building to understand than a three-story building with a blue spear.

The question for Ray was that there was no one in that building with roles like watchman, escort, or gatekeeper.

"I thought if I approached the building, there would be a definite reaction.... What do you think?

"Grrrrrrrr?...... Grrrrrrrr"

To Ray's words, he tilts his neck like he doesn't even know Seto.

If it stays like this, that's what makes Ray enter Ajito with no resistance whatsoever.

The clown should also have known that Azito of the organization, who had naturally joined hands such as blue spears, black phantoms and wind fangs, was being attacked.

Even though it is, it is odd that we are not prepared for defense at all.

Could it be hiding somewhere? Or I'll look around, wondering if it's lost like a dawn star, but it doesn't seem like there's anyone in particular around the building.

When that happened, the only way to find out what was going on was to try to get inside the building.

(There may be things like burning buildings from the outside, but then you won't get all the magic items and treasures)

Especially this time, it's a bunch of clowns.

If they are the ones by that name, it is no wonder that there are more magic items than there have been in previous organizations.

... Although the only magic items available so far were ten potions from the Black Phantom Aegis.

Nevertheless, that potion is worth a few pieces of white gold coins per piece, so it is not something that is so readily available.

If you think about using it in times of need, it is not a sufficient substitute.

As for the fangs of the wind...... I don't know what kind of magic items there are still at present with raw hate, but it wasn't strange to have some kind of magic item if it became an organization that focuses on assassinations.... Until I stop by Ajito later, I can't say anything.

Anyway, that's why Ray wants some kind of magic item or treasure from the building in front of him.

"... I can't help it. There's no point in staying here, and I'll just go get it."

Whimpering, Ray walks inside the building.

Behind me, I could hear Seto squeaking with care, but Ray nodded in his heart that he knew it.

"If the black phantom isn't who the discomfort is... is it possible that the clown is suspicious?

Ray proceeding through the building somewhat whining.

But there's no one in the hateful building in particular.

If there is a disposable discarding pawn, like a fang of the wind, Ray can also be convinced.

But it was obviously odd that, despite the building, no one in Azit had enemies.

(No, isn't that strange? Like a blue spear, if you're ambushing somewhere)

With that in mind, Ray goes through the building.

It was very simple in the building.

There are things like chairs and tables, crude but also sofas.

But that's all.

Ray didn't know how many people belonged to an organization called Clown, but it's obviously odd that he still doesn't have a sense of life so far.

(Is this really Ajito? Doesn't even seem like someone's living to see it)

With such doubts, Ray examines the building.

But I still don't see people anywhere.

There are no clowns anywhere to look up some rooms like that.

Isn't that why we ran away, knowing we were being targeted? And as much as I doubt it, I don't see anyone.

But if you run away, if you find out Ray's attacking the organization, then you run away, that's the only sign of anything.

Not very much, but I shouldn't have been able to clean it up in a short time.

"Anyway, if you escaped, did you naturally also take the magic items?"

While I thought so, the moment I went in to see what was going on in the next room...... all of a sudden, a dagger floated in front of me.

"Huh!?

He succeeds in turning away and dodging reflexively, but the blow of that dagger cannot be avoided altogether, and while scratching his cheek, he enters the hood of the dragon robe and stops moving.

That attack could be avoided thanks to evasive actions that were closer to half-country than strength.

Dragon robes can't be broken as much as it was stabbed with a dagger.

But the only area where that powerful defense is exerted is, naturally, covered in dragon robes.

In other words, places not covered in robes naturally cannot be prevented from attacking with dragon robes.

In other words, targeting your face, as it is now, is a very effective blow if you assassinate Ray.

... I wish I could hit Ray with that blow.

Normally, that's the hardest part.

But... that was definitely one hair for Ray too.

Quickly jump back and observe the surroundings.

While retrieving the dagger that was in the hood, I will look into the dagger as I prepare to be attacked whenever I want.

(It's a normal dagger. It's not like the poison is painted, it's not like the dagger of running water is the dagger of magic items. But... then...)

While confirming that dagger, Ray looks around again.

Ray's dagger in his hand didn't come from anywhere, it just suddenly appeared in front of him.

That's what I've been doing with metastases, too.

If it was a dagger like someone usually threw, then Ray would have been able to avoid it and play it.

But when it suddenly appears in front of you, as it is now, it is difficult to avoid it.

… but……

"I don't know who it is, but it was fatal not to be able to hold back with one shot right now. Regardless of the first blow, if you know there's an attack like this, this one can handle it enough."

Say that, look around...... swinging the dagger in your hand quickly.

A tall metal sound called Kin, echoes around, and once again a dagger flying from nowhere is played by Ray's dagger.

"Like this!

While screaming, Ray throws the dagger he was holding.

The direction you threw was ahead of where the dagger you played suddenly appeared.

I don't necessarily have enemies ahead of the dagger's appearance, more than that dagger didn't throw.

Not necessarily... but not without.

Or are you there?

I have trouble understanding that.

If you're not up ahead, you're not. If you're here, I needed to be clear.

"... not here, or"

Ray's thrown dagger pierces the wall of the room, but there's no such thing as a blood trail there.

Looking unfortunately at it, Ray takes the Death Size and Dusk Spear out of Mystering.

Fortunately, the room is quite spacious and there is only room for death size and waving a spear of dusk.

"You're not coming out? You can't attack me properly anymore, can you? That way, whatever you do no longer works.... Is that all right?

It was Ray telling him to provoke half the time, but there's no way the enemy's going to react.

(Have you been transferring, or simply thrown a weapon over here and you couldn't sense it until it somehow came right near me?... Which one is it? I just want to know the information about it as soon as I can. Then take it for now...)

I needed to be clear about that first, beyond the possibility of hiding inside this room unnoticed by Ray.

The means Ray took in that...... something very simple.

But because it's simple, it's also difficult to deal with.

"Come out before you die."

Whimpering, Ray waves Death Size and Dusk Spear.

Move around in the room, taking care not to know where the enemy is, but to be careful when the enemy hits the weapon.

Try to be the one who doesn't know anything, Ray would have looked as if he was doing the dance.

But as Ray naturally didn't mean that... assuming there was someone hiding by some means, and it was only to find it that I was making these moves.

Even if there were enemies in this room, it would be difficult to dodge them from two long objects, thus moving around indefinitely.

Or even if you don't think you can hit it if you stand still, you can't possibly stand still in front of you and in the vicious destructive weapon that passes right near you.

(Now, actually, if there's nobody in this room, that's me clowning...... you're a clown)

While thinking of it that way, Ray looks closely for any discomfort in the room.

It's because of that feeling that if anything suspicious happens to you as a Ray, you should be aware of it as soon as you're moving on the assumption that you have enemies.

(This is how you don't make yourself perceived... the identity of discomfort since you came to Gilm is likely a clown. Just figured that out, but was it worth coming to the clown's Ajit)

This discomfort is the first phenomenon that needs to be addressed.

I just know that, and as for Ray, I think I was lucky in a way.

... At a time like this, I can't say I'm very lucky.

"Don't think it's that easy to dodge, do you? If you're in this room, you can be sure that it stays like this..."

Die.

The sound of the door opening echoes around me as if to block Ray's words I tried to say so.

That's not the door Ray came in, either, it's the door to the one who had another in the room.

The moment I hear that sound, Ray also stops performing again and runs out toward the door where the sound was heard.

Unless Ray's swinging dusk spear or death-size wind pressure opened the door, it's obvious who did it.

Which would mean that someone in the room with Ray escaped.

(I thought you were likely to have enemies, but I'm glad you were. If it weren't for me, I'd be in a room with no one to dance on my own)

It was Ray who entered the next room through an empty door, but I could see that door and another door that followed it open again.

Even if, naturally, we follow that door to the next room, there another door opens again.

"You think you can get away with this!? Flying slaughter!"

Slash released from Death Size.

However, the slaughter caused deep scarring to the wall, but it could not harm the escaping opponent.

Nevertheless, I decided that I would run away because I was afraid they would attack me over there, and I went to the next room...... there was another door in that room besides Ray coming in, but that door remained closed.