Let's Manage The Tower

As usual, Kaiseki was stuck in the study of magic tools and came to a relaxing space.

As he lay on the sofa where he was sitting, halfway through, the door with the metastasis gate was slammed open.

I was slightly delayed from the sound and heard something running.

When the sound came to the sofa where Kaiseki was lying, a tap sounded and something came on top of her chest.

"Hmm? Oh, Nana. I came to see you today."

It was Nana who was miniaturized on the exam aid.

He strokes his neck as usual and waves his tail happily.

Looking at Nana like that, he pointed his neck towards the door, and there was a maid golem standing there.

When Nana realized she couldn't open the door, she opened it.

Incidentally, the maid golem has the ability to recognize whether it is okay to open the door without asking for permission, or whether it is necessary to obtain permission.

The early conversation has the ability to identify the opponent.

"Oh, thank you. You can go back to your original job."

When Kaiseki called out to the golem standing with the door open, the golem greeted him before leaving the room and shutting the door.

First of all, it is impossible, but we are watching for any unauthorized use of the portal.

If anyone shows up to use the transfer gate illegally, Mitsuki or Kouhi will be contacted immediately.

"Nh... I can't heal you."

The examiner, who had been mof-moving Nana for a while, leaked it.

There is nobody in the relaxing space but Nana, so nobody listens to the murmur.

Nana pretending her tail while being stroked everywhere by an examiner looks like a normal dog.

This is all the more true because it is miniaturized to ride on the exam aid.

No one will be able to discern the nature of a god beast when they see him playing with Kaiseki.

After enough of that, Colette came into the relaxing space.

"Oh, healing?

"Oh, it didn't work out, and Nana just showed up."

Waff!

"Fufufu, Nana always comes in the right time."

As Colette said so, she reached out to Nana's neck in the same way as Kaiseki.

♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦

"So? I knew it wasn't working?

"That's right. It will cost you no matter how hard you try. I can't use it very commonly."

I have been developing magic tools in the lab since this morning.

When it comes to development, it is the development of communication equipment that Kaiseki has been studying since he began developing magic equipment in the Amamiya Tower.

If we ignore costs and locations, we are able to develop things that can communicate over long distances.

They have already been handed over to Razek Amamiya and kings of other countries with high family density.

However, the cost is a substitute for a price close to that of a national treasure.

This is another dream that is popular with the public.

The development of inexpensive communication equipment has been going on since the beginning, but it has not progressed at all, as can be seen from the current study aid.

I sometimes use my free time to think about it, but it doesn't work.

In the first place, I can only think of communications that Kaiseki knows about as much as landlines and mobile phones.

If it's as close as a transceiver, it's possible to communicate, but it's impossible to reach it from a distance.

Installing a fixed antenna, like a mobile phone, will cost a lot of money.

To go further away, the materials that are absolutely necessary become expensive.

There is a good reason for this, and because magic needs to be used in proportion to distance, tools to manipulate the magic and devices to store it become very expensive.

Just like a landline, physically connecting can also be costly.

It would be good if it could be installed at a certain price, like electric wires, but since things that come into contact with electric wires are not generally popular, it is inevitably costly.

Even if you put a relay base in between like a mobile phone, it makes no sense because the base itself is costly.

In the end, none of the methods we have studied have been able to contain costs.

"I feel like it's better to rethink that I can't do this anymore."

Coon?

In response to Kaiseki's words, Nana leaned her neck as she snorted.

The examiner who had something to do with the trick unexpectedly stroked his head.

It was Colette who was looking at it while soothing, but her expression felt like she remembered it.

"Have you tried the power of the Spirit?

"Ah, I did it. A long time ago."

"Not as far as I can see."

"Yeah, well, to be clear, the spirits are whimsical. I couldn't get a steady output."

With the power of the Spirits, we can reduce costs to a certain extent and deliver them to places far away from our voices.

However, the spirits themselves may be whimsical, so they could not always produce the same level of output.

"Oh, I see. Spirits are whimsical, that's what they often say."

"By the way, that whim depends on people. I can clearly tell who can use it from who can't."

I see.

Spirituality is classified as one of the special sacred laws.

It is said that the ability to manipulate spirits is divided into the preferences of each spiritual.

Therefore, it is said that if an individual who uses spiritual art does not suit the spiritual taste, he/she cannot use it no matter how much he/she hones the technology.

It's the same even if you use a tool that doesn't affect the surgeon, and if you switch it on, the intensity of the light will change at that time.

This makes it completely unusable as a tool that anyone can use.

"Ah ~ ah. I wonder if you can find any groundbreaking materials."

Colette smiled for a moment to say something convenient.

"I've heard that conversation over and over again."

"Yes, but come on. If we don't make this progress, I'm going to have to say it over and over again."

"Don't rush, don't rush. There's plenty of time, so why don't you take your time?

Instead of being an elf, Kaiseki shifted his gaze towards Nana to Colette.

"Well, that's right. You still have the feeling you had before you became a real god. I don't know if this is a good thing or a bad thing."

"Oh, that's okay, isn't it? Every time you do that, will I or anyone else stab you in the nail? Especially around Mitsuki."

"Well, that's true."

To Colette, whose face looked like a prank, the examiner gave it back.

♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦♢♦

Did you call for the air? Mitsuki came back from the kitchen just in time.

I was just getting ready for lunch.

"Oh, Nana. Are you going to have lunch?

Waff!

Nana replied cheerfully to the inquiry.

The taste of the bee meal is the same for Nana.

"Are you ready?

"Mostly. After that, just wait for the people to get together and do one last trick."

"Thank you always."

"Oh, suddenly what?

"No, somehow?

"I see. It's thanks to the mites that we always eat delicious food."

Mitsuki made a strange expression when Kaiseki and Colette praised each other.

"... did you do something?

"No, no. Nothing."

As far as examinations were concerned, I somehow only talked about them.

It doesn't mean anything in particular.

"Yes, it is. Anyway, if it's lunchtime, why don't we go to the dining room?

Oh, yeah.

"Agree"

Kaiseki and Colette were prompted by Mitsuki to finally raise their hips and go to the dining room.