Magi Craft Meister

The enclave in the town of Seki was quite busy.

There are five wind floaters (blow floaters) in the Shawlo Empire and two airships in the Kingdom of Cellular, moored.

Jen's "Hurricane" was parked on the edge.

"... this is asphalt pavement"

That's what Jen shrugged when he went down to the airfield.

"" Analyze ""

If you sneak up on the structure, it looks like it's laying crushed stone over a tidy ground and asphalt paving over tightly cemented.

"This would be pretty durable"

There, the attendant came.

"Welcome to the country of Mitsuho, to the town of Seki. Dear Gin, Elsa,"

"... what's your name?

Jen is surprised that he was suddenly called by his name.

"Yes, I am familiar with it." The Third Generation Magic Engineer, Magicraft Jazz, "with Jin Nido, and his wife, Elna, no, Elsa Nido."

The attendant raised his hand and pointed to the family crest of the 'hurricane'.

"The only family crest with two pulls round is the Nido family in this world!

The attendant then writes something down on the paper in his hand before handing it to Jen.

"This is a form for issuing an immigration permit. Proceed in the immigration building over there."

The clerk pointed to a two-story building about 200 metres from where he parked the 'hurricane'.

When Jen checked the form, it was signed by the attendant and also filled in the date and time.

"Please be careful not to lose any paper that has not been checked on arrival as it is invalid"

"Okay. Thanks."

"I will keep the airship responsibly here. Have a good trip!

Jen and Elsa walk out of here breaking up with the clerk. Reiko and Hope also take their luggage with them.

The immigration building was scrubbed.

"Welcome, welcome to Mitsuho"

The receptionist greets Jens. If you look closely, it is an automatic doll (automata). It wasn't Jen's work, but it was quite done.

Contact number two, please.

The first visitors, Jens, were led to number two.

"Master Jin Nido and Master Elsa Nido, right? And Lady Laeko, Lady Hope."

The process ends as soon as you submit the completed form.

Cards about twice the size of business cards were issued. Really, there's also Reiko and Hope's share.

"Always make sure you carry it"

"Okay. Thanks."

Have a nice trip.

If you take the exit opposite the immigration building, it is already the town of Seki.

Once upon a time, it was a town of 'gateways' surrounded by stone walls, but now the atmosphere had changed considerably.

Though the walls remain, the gates are open, making it an open town.

"Oh, that's busy."

This town of Seki is one of the cities that also flourished in Mitsuho.

People hiccup from outside Mitsuho. Tourism, commerce, and research are all for different purposes.

For those people, the town of Seki was in what should also be called a 'mini-mitsuho' shape.

There is a tourist information center, and there are also "antenna shops" in modern Japan, and you can quickly see which towns have what attractions and specialties.

I have a big chamber of commerce branch and I have no trouble starting a deal.

The library is also built and boasts a considerable amount of books.

"In the meantime, let's take the inn"

"Mmm."

"Then I was wondering if you'd like this one."

Seems you told me, Reiko led the Jens.

It's a hotel a little off the main street. I had just one room available, so I make up my mind there.

The hotel's name was' Silver Moon Pavilion ', he said.

"That's a good rate of accommodation."

Sleek and calm, two-story stone construction. It is unusual for Mitsuho, where there are many Japanese and Western compromises, and it is an Imperial Shouro architecture.

"I guess it's for tourists"

"Yes, it seems so"

Jens is upstairs in the corner room. There are plenty of bungalows around so it's reasonably nice to see.

I decide to put my baggage down and head out to see the town.

Half of it is for tourist purposes, which also means checking how Mitsuho is doing.

"Reiko, hold this pochette for me"

"Yes, Father."

In one case, it is a children's pochette with no change of philosophy, but since it is actually made of 'Sea Dragon' leather, it does not scratch one with a normal sword.

Also, there is a super compact transfer magic team inside, so if it's about gold coins or Persica juice, they can send it here.

In addition, Elsa's tote bag has a transfer magic team planted on the reverse, allowing her to send the contents to Penglai.

Neither can I accept anything that exceeds the size of my bag.

While snakefoot, so far no two-way transfer has been possible in one bag. It is a one-way route to sending or receiving.

The reason is that unlike the transfer gate (warp gate), when installed at close range, the magic interferes with each other and malfunctions.

Still, with this, I wouldn't be inconvenient with my money, and I wouldn't have to worry about my luggage if I was shopping at my normal level.

And Jen and Jen rolled out into the city of Seki.

"You've changed a lot."

"Mmm."

Jen thought it was a natural flow because it was a town with a lot of people in and out.

The old house is a Japanese compromise, but the new building is an Imperial Shouro ceremony. In other words, less decorative, quality rigid stone construction.

In the meantime, there was a dryer with an old-fashioned shop.

"A Japanese compromise... isn't it? This is Japanese-style already."

Wavy on the slab wall. Structure that supports the building with columns, not walls.

The front is a glass drawer.

"Pretty restrained."

Jen, interested, decided to go into the store.

"There you are."

It was the old lady who had the store number. I wonder if it was over eighty, the wrinkles (wrinkles) on her face are deep, but her spine stretches with a pin, and she is still scratching.

"Ooh..."

Somehow reminiscent of Showa's wooden architecture, Jen thought. Well, Jen himself was born in Heisei.

"Bonito...... is this kelp? Oh, there's also a dried walnut. Oh, boiled and dried servants."

It was in a store called Dry Goods Store.

"Customer, this is the first face I've ever seen, but you know more about it. You're the one who's stuck in the stock?

"Yeah, right. After all, Japanese style food is important for stock."

Jen thinks in my head that in the case of western-style dishes I should say more like von or bouillon than stock.

"Nice bonito."

A dead verse that feels a little different from what I made in Penglai.

Cuttlefish are applied to mature, but it is likely that this mold type is subtly different from Penglai.

In Penglai Island, a closed environment, the same type of mold has been used for 400 years, whereas in Mitsuho there has been a slight but mildew type change, Jen imagined.

So,

"Two of these dead days, male and female, please."

"Thank you very much."

The bonito is grated on three sheets and then further grated on the back and belly is referred to as this verse, of which the one using the dorsal side is called male verse and the one using the abdominal side is called female verse.

Female festivals are high in fat, so they are used for the stock of thick, flavored stews. It is said that male festival should be used to taste diluted, such as sucking.

By the way, the commercial sharpening seems to be mixed both ways.

Jen remembered a long time ago when Dean asked me about such savings (cum).