Monster Factory

In the sun, the new mechanical giants lined up neatly.

They stand still, with streamlined cockpits slightly raised and integrated large curved glass embedded in the cockpit, adding a touch of sci-fi trend.

They have red satin on their chests and huge red silk blossoms on both ends.

The exciting music slowly stopped, as the live guests, and the audience in the live broadcast room, stared at each other.

The music plays again!

“Psst.”

“Wait, wait, wait, wait."

Sixty mechanical giants in a triangular formation, Type I, moved, collectively flanked by a cold body made of steel, and two robotic arms lifted behind them.

With the rotation of the arms, accompanied by a click of mechanical sound, the tool, which was originally fixed to the mechanical arm, fell off onto the tool holder and two huge hydraulic claws were locked into the mechanical arm.

When the robotic arms of the two hydraulic claws are locked and rearranged in front of the body of steel.

A shocking scene happened...

Sixty Giant Gods Type I, actually ripped off the red satin hanging from the body of steel, revealing the blindfolded nameplate, while also clamping the big saffron on both ends of the red silk in the mechanical grasp.

“Hiss…”

There was a chilling sound in the guest gallery, the LOGO of Beast Heavy Industries sparkled in the sun, the exquisite monster engraving, and the crossing of the hammer and wrench, more beautiful than the artwork.

All the familiar accompaniment music continues, sixty Giant Gods Type I, brushing up the right robotic arm, grabbing the saffron, pointing to all the guests on site.

“Wait, wait, wait, wait.”

The Giant God I, pointing to the audience's right arm, swings like a wave with a rhythm.

“I planted a seed and finally I grew fruit ~”

Little Apple, a classic song widely circulated internationally, when the first sentence was sung, the audience in the guest room and the live webcast room completely stared out their eyes.

Because of the Giant God I, the right robotic arm wave swept through the guest table, the left robotic arm actually accompanied the music, the claws circled in mid-air, the steel body twisted.

Music continues!

Along with the accompaniment, he sang: "Turn into a candle and burn yourself just to light you, give you everything first, as long as you rejoice ~”.

Sixty mechanical giants actually held large satin blossoms, covered the cockpit position, and covered underneath the steel body, twisting left and right like dancers.

The Mechanical Giant God I does not twist the Watersnake waist, but the Skillful Master perfectly simulates the jitter waist effect by controlling the Giant God I, small range forward, brake, back, brake, the jitter caused by inertia in the process.

The audience in the guest gallery had a bit of restraint in their emotions, and they covered their mouths with excitement, their arms there uncontrollably following the music, shaking together with the mechanical giant type I.

Many of our guests are BOSS characters who are struggling to restrain themselves from dancing with this enthusiastic atmosphere.

No, we are the big bosses...

“Wait, wait, wait, wait.”

“Boom!”

Sixty mechanical giants, lifting their arms and clapping their hands.

“Boom!”

Again, pure steel collides with iron.

The beating was shocking, and the people were sweating.

Sixty Giant Gods Type I, after clapping his hands, waved at the crowd.

Dancing, Waving ~

Finally, a guest couldn't bear, and his blood boiled with the giant god type I.

He stood up and yelled, "Red face warms my heart, lights the fire of my life, the fire! ”

“You're my little apple, like the most beautiful cloud in the sky! ”

Responding to him, it was beating music, it was a huge body of dancing steel, and it was the majority of the audience in the boiling guest gallery.

The audience is totally overturned!

Under the shade, they scream like they're about to rush to the sky!

Go to * * * * * * Identity, I can no longer control my body, I want to twist with the music.

“Boom!”

Every time the Giant God I beats, the audience in the guest room claps with all their strength.

Sixty Giant Gods Type I is a leading dance, passing to the entire guest area, and a unique mechanical movement sound in the live broadcast room, which is another kind of accompaniment.

It doesn't matter if you don't jump, clap your hands and twist.

In their eyes, the Giant God I is no longer a machine, as if it were a living metallic life, sixty of them dancing side by side, and the significance that has emerged is even deeper than a hundred Weimi models dancing.

The owners of those construction companies, a blush neck thick, had it not been for the huge size of the Giant God I, they would have gone to grab the mechanical claws of the Giant God I and jumped with them.

Outside watching is lively, inside watching the doorway.

By the standards of mechanical engineering equipment, the Giant God I exhibits -- infinite possibilities!

Sixty simultaneously unincorporated manufacturers who dare to play like this are either crazy or have absolute confidence in their mechanical performance and stability.

Obviously, Giant Beast Heavy Industries is the second type. Sixty Giant Gods Type I is so precise that it is so poignant that as the music dances for so long, the formation is still neat.

The larger the machine, the greater the difference in individual parameters.

To give a simple example, two excavators lift the robotic arm to the highest level and then pull the lowering lever simultaneously.

The robotic arms of both excavators cannot land simultaneously.

The error may not be discernible to the human eye, but if measured on the instrument, the time error is found here, usually between 0.05 and 0.08 seconds.

This difference is due to differences in the accuracy of the moving parts inside.

There was a slight difference in one action. If ordinary machines were to perform, the difference would accumulate after a hundred actions, and the scene would become a pot of boiling porridge.

The Giant God I, even after two minutes, did more than a hundred moves and the formation was still neat.

What does that mean?

Describes that the parts and components of the Giant God I are of the same height and represent the lifetime of the Giant God I, far surpassing other engineering machinery on the market.

Why are foreign mechanical products generally half or twice as expensive as domestic ones, and they are also very competitive?

Low failure rate at work due to good quality.

Hmm……

The example of time lag given above is the foreign goods taken.

The bosses, who were still watching, or were only going to order one, had been completely conquered, and they were going to smash the pot to sell iron.

The atmosphere is warmer than at the guest house in the live broadcast room of the official website.

“I'm going crazy! ”

“Oh, my God, I wanted to come here and see a pocket. Why would I kneel down to the mechanical giant type I on the screen? ”

“Stunning! Totally stunning, this linkage technology, and the way the robotic arm moves, not to mention domestic. One of the most famous manufacturers of engineering equipment abroad is a family, and they promise not to even try. ”

“Doesn't that work with this kind of equipment? ”

“I'm the owner of Kyushu Construction Company. I can't. I'm going to ask my beautiful secretary to book the plane ticket. ”