Monster Factory

Chapter 1218 1197: Special effects supremacy

At the same time that the ocean raised waves covering the sky and covering the sky, there were also waves in the hearts of countless audiences below.

It's over. It's over.

The waves rushed hundreds of knots straight towards the Parrot.

The Parrot has only 35 knots, and it's not at full speed yet.

Screaming and fluctuating in the virtual cinema, the camera, which was supposed to move with the giant waves, rushed in to the Nautilus and was ultimately set on the faces of civilians who were suddenly surprised and scared by helplessness.

Boom ~

The next moment, the Giant Wave drowned the Nautilus with thunder.

Even if the audience is less convinced that the movie starts shortly, the protagonist will be walking down the street with the sea moving cities.

But the big, solid wave cap is on the Nautilus, and the audience can't find a reason to keep moving cities alive.

Perhaps the city sank and the protagonists and collaborators fled the lifeboat?

This afterlife story has appeared more than once in previous films.

As the black shadow of the Fearless New York pressed close to the Parrot colliding with the giant waves, the surfaces gradually calmed down.

Countless viewers are now with the New York, which surprises them that the Parrot is still floating at sea, and its deck is still splashed with water, but its surface is intact...

what's going on

The Fearless New York unbelievably lifted the Iron Fin again.

The same tremendous wave.

This time the camera turned to the Nautilus Operations Command Room, and countless viewers finally understood the Nautilus's undamaged secret.

As the wave approached the Nautilus, the protagonist manipulated the weapons platform, firing a deep water bomb like a small boat into the past.

Deep water bombs were struck as a barrage, and as soon as the deep water bombs, which had set the time for their detonation in advance, burst into the waves, they instantly sparkled.

First, it compresses inward, and when it is pressed to the limit by water, the impenetrable shockwave diffuses outward.

Hundreds of metres of waves have become more vulnerable than bubbles before such humans have developed terror weapons specifically to attack submarines that roam the pitch-black ocean.

Screen-like deep water bombs tear the waves apart with a huge mouth that fits the Nautilus.

“Wow! ”

Countless audiences are out of concern, shouting out loud and excited.

……

Two and a half hours later, Drifting Cities: Rise came to an end.

The movie is over, and countless viewers are reluctant to leave the theater.

For the first time in two and a half hours, viewers saw the visual shock of a virtual film. For the first time, it was discovered that there was a kind of movie that allowed people to be in such a position to experience a magnificent wave from the depths of their souls to something they had never seen before.

Many viewers here have seen the first urban comedy film produced by Qingyu Media.

But that movie is only a 2D version, and even after the virtual film and television department's technological transformation, it still doesn't meet the virtual requirements.

It can only take viewers away from the boundaries of traditional screens, and the two-dimensional plane of stubbornness. In terms of 3D and immersion, there is simply no comparison to a real virtual movie.

Drifting Cities: Rise is a different film.

It uses IMAX technology, which was hailed by the film industry as the "ultimate experience of cinema" before holographic glasses appeared, and only Hollywood has the technology to play around with it so far.

This two-track movie, left and right, itself has ultra-high clarity and ultra-high color intensity that makes ordinary movies disappointing. The technicians converted it and presented it to the audience through holographic glasses.

The audience exploded directly.

This is a movie, distinguished by God's perspective, where you can admire a science fiction legend that occurs in the ocean.

What 3D movie, what IMAX?

In front of virtual movies, they're like black and white TVs 50 years ago, even for free, without the desire to watch a second look.

After the movie, not only did the audience explode, but so did those inside the film and television community who had long been watching the movie.

"Drifting Cities: Rising," a film that shook them up and made them fully aware of the experience. When you encounter a virtual movie with holographic glasses in traditional movie mode, you will only be hit with no power to fight back.

So...

In order to survive, do you choose to unite against the virtual world of the giant animal industry, or do you take the initiative to seek opportunities to make their work more responsive to technological developments?

8: 45.

Ignatius has been sitting in the virtual cinema for more than a dozen minutes and is still unable to leave.

After watching the movie, Ignatius had lost control of his emotions and his eyes were a little wet, "Mr. Ye, this is the movie. This is the ultimate experience that our filmmakers struggle to achieve. ”

“It takes a good story, too.” Ye Qing had withdrawn for a few minutes before seeing Ignatius come back in as soon as he sat there.

Ignatius kept shaking his head, "NONONO. ”

“Mr. Ye, in fact, in our Hollywood directorial circle, there have always been two disagreements. ”

“One is the drama stream and the other is the special effects stream. ”

“The plot stream sees a movie as good or bad, related to the movie plot, related to the core idea of the movie, and what value orientation and humanistic spirit the whole movie story expresses to the audience. ”

Ignatius laughed at himself with a mockery: "These people believe that this spirit is both dark and bright. Success is as long as it is profoundly expressed. ”

“Special effects streams are simple and crude. ”

“They think that movie effects are the biggest determinant of a good or bad movie, and they're willing to try anything that looks ridiculous in pursuit of perfect effects. Even some directors, in order to perfectly simulate a few minutes of weight-loss footage in a movie, took the whole crew to Russia to rent the kind of weight-loss flight simulator that was specifically designed to train astronauts. ”

“Which school do you stand in? ”

“Me?” Ignatius scratched his head, "Of course I preferred the special effects stream. ”

“It turns out that the only thing that really detonates the enthusiasm of the global audience is the special effects stream. ”

“Different cultural backgrounds give rise to different ideas of cinema, and the drama stream is almost impossible to attract global audiences, but the perfect cinematic effect can be. ”

“Top of the line effects, paired with a not too weird story, can harvest a massive box office. ”

“I almost forgot the box office.” Ye Qing laughed and patted Ignatius on his shoulder: “Do you know what happened in the last ten minutes of the film? ”

Ignatius shook his head.

Ye Qing told him that in more than ten minutes, the "Drifting Cities: Rise" ticket actually sold nearly ten million more tickets.

Tens of thousands of sheets...

Within more than a decade, nearly one third of users opted for a second brush.

This second brush, of course, is mostly for holographic glasses users to buy tickets to watch, as can be seen from server data dedicated to holographic glasses ID authentication.

In more than a decade, "Drifting Cities: Rise" is the equivalent of breaking the Huaxia Single Day Box Office record set by a virtual cinema a short time ago.

Ignatius relieved God and said very seriously: "Mr. Ye, I think soon, global filmmakers will be treading the threshold of the Giant Beast Industry Building. ”