Muimui-tan

- One...

Kew's old man and I go down the spiral stairs. It's only after the water pulls, and it's going to slip. We need to get off with care.

Along the way, there was an opening in a different direction from where Joan and the others were. Is it the regular route to proceed here?

It's just open, but there's no way out of there. It wouldn't be wacky to assume you can fly like me, and this. Then, it's just a window, right? Do you want to go down?

The open parts were one, two, four... The fourth had a path leading to the other shore. A metal bridge that connects this one to the other. There are no railings. If it falls, it's dangerous.

Um, the switch that was on this tower was eight, seven, four, right? I see, is it like lowering the water level to 4, crossing over to the other shore, manipulating the water level and coming back to 7? No, but what does this mean, raising the water level? If we can lower it, we should lower it more and more, right?

Do you want to come down?

The seventh was also crossed by a bridge of metal crossing to the other shore. You'll be right to go down, and, Ma, let's keep going down.

Even so, this is a wack down the distance we were going up. Ha, it's a long wack. He said he'd be tired of coming down. It'll be quite a while since I started coming down, but will Joan and the others be okay?

And get to the bottom.

The bottom part had the same construction as the top of the tower. Four pillars supporting the ceiling. The difference is that all the surroundings are covered in walls. Columns have lines and switches just like the top. This one has everything from one to eight. But if I push the top here, there's more and more water and you're gonna die. There's a switch here. It doesn't mean anything, does it? What? Here. Oh, but it's covered in walls around you, so if you go from the bottom to the second switch, you're okay?

And the same pedestal as the top in the center. Plus a giant lever with rotation. Lever? Lever? Wonder what, turning this thing around opens something up like it did on the outside wall?

Do you want to touch the pedestal for now so that you can come and go up and down?

You're not going up this distance again or anything.

"Lord Kyou, once, we will use the transfer."

"No, sir, hey, ma'am"

The view changed when I touched the painting on the pedestal.

Yeah, that was a small room earlier. Exactly. Wouldn't they attack me this time? So do you want to go back?

Two footage floats when touching a picture of a pedestal in a narrow chamber. The top of the tower and the bottom room? So do you want to go to the bottom room where Kyou's old man is waiting?

- Two...

Returning to the room at the bottom, Kyou's old man waited arm in arm.

"Sir, what does my husband know?"

No, I don't know anything. What am I suspicious of? Oh, well, you didn't explain it.

"One of the eight great labyrinths, the labyrinth of the world tree, had the same thing. That was the thing that made it easier for me to come and go in the labyrinth... '

Yes, it is.

"I see. Sure, my husband is from Nahan... I get it."

I don't know, but I'm glad you do.

"Do you want to try Lord Kyou?

Yeah, well, try it and you'll see!

"Yes, no, I think we should check this lever more than that."

Well, that makes sense! Let's check out the levers that concern us first.

The lever is rotatable. Yeah, slave work again? The process of turning the wheel will begin.

Kyou's old man and I are turning a giant lever. The loud noise of the gear engaging as the lever moves sounds galloping. Hmm, that's a heavy lever. You don't envisage this being moved by normal people on their own, do you? It's called this size, I still wonder if it was the powerful giants or something that created the labyrinth.

When I turned the giant lever around, one of the indoor walls made a loud noise and began to open. There was also a loud metal noise coming from the outside.

I guess the end of this wall is the goal. Sounds like the last of this labyrinth, doesn't it?

"Sir, I think you should check the sound above first."

Kew's old man talks to me looking at the open end. Um, that way first? Then why don't you just go up the stairs and check it out? Now the water's pouring in, you can't die if you want.

Go up the stairs and return to the road you came from. Exit into the connecting passage of the upstairs section and look up. It's a blowout, so you look pretty up there. Hmm, you still don't get it. Could it be the other side? Oh, yeah, we should just forward it and see it from the top, right?

Lord Kyou, we're going back.

"So, sir?

I brought Kyou's old man back down the road.

"Transfer. Lord Kyou, near the pedestal. '

I call Kyou's old man near the pedestal with a question mark on his head. Come on, let's go.

When I touch the painting on the pedestal, the landscape changes. All right, you're in the same small room as earlier this time. I kind of expected the door to open with the trick earlier, didn't I? Even so, the line didn't extend from the open wall section in the basement earlier. You could see with hidden aisle doors, traps and lines, why, you couldn't see over there. I thought it was a secret room because I can't see the line here either, but maybe it opens up like an earlier basement.

"What is this, sir?

So this is the transfer.

"Lord Kyou, don't leave the pedestal."

We need to get back to the top next time.

Touch the painting on the pedestal again and go to the top of the tower.

Come on, I wonder what's going on.

"Sir, look at me."

To confirm the sound, I went back to the top, but the reason for the noise and the change was obvious.

At the top of the tower was a metal bridge leading to the original inlet side. I guess we can go back to where Joan and the others are.

All right, let's just rendezvous.

As me and Kyou's old man were crossing back over a metal bridge with no railings, a horrible walking Joan from the other side and a fourteen that seemed to be able to afford it walked.

Now you're joining us.

Well, I'm a little nervous that no one's checking the water level on the other side, but you can transfer it on the pedestal, so it won't matter.

"Sir, I think the lads are here."

Uhms. So, do you want to go back to the top of the tower? Hey, I'm glad we're in a windless labyrinth. This bridge, if the wind blows at all, it's going to fall down there, right? Scary, scary.

Meet Joan and the others at the top of the tower.

"Sir, let's camp for once. I don't even think there's a Warcraft out here, so I think you should take a break."

Oh, it's that time already. I'm also concerned about the end of the road that's opened, but you should go on in full swing.

So, the camp starts.