Muyoku no Seijo wa Okane ni Tokimeku

Hearing Adeira's statement of determination, he said, "Wine to celebrate, I'll get it!" and the girl strained and disappeared into the wine cellar - so what's with the "celebration" when she says it's Emilia's birthday - Adeira somehow went back to her seat.

I ask my servant to fix my face dirty with tears, and I apologize with all due respect for "disturbing and disrespecting you" as I push the awkwardness to kill him.

Both Emilia and the servants simply shook their heads gently and replied "No".

On that face, there was no such thing as contempt that she had always felt at will, but only understanding and warm encouragement seeped.

Their attitude hasn't changed dramatically, I'm sure.

Adeira realized that she was now feeling accepted because she had changed herself at this moment.

"Hey, sir. That girl... that's amazing."

"Yeah?"

My husband, with a gentle expression as usual, hits me with a gentle gavel.

The hands were naturally wrapped around the fist Adeira was holding in her knees.

Encouraged by its warmth, Adeira began to speak of her pomposity and thoughts.

"Damn, it was the first time I was admitted to doing everything I could like that, and I was hugged hard. She said," You're the hero, "and she smiled at me... and I felt like I was allowed to."

"Yeah."

"But I'm sure... if it's true, it must have been something she wanted me to do."

Dietrich's movement, which was stroking the back of his hand, stops.

So Adeira realized. My husband also said he knew the girl's spectacular past.

Turning his gaze, he smiled and nodded, "Right."

So, they totally figured it out.

"Oh my God, until halfway through, I was wondering why this kid wouldn't be angry or crying when he said terrible things like this... I'm sure she doesn't know how else to do it. I was exposed to worse violence when I faced my teeth, so I could only accept everything..."

Adeira remembered that when the girl hugged her, she was squeaking about such things as "I'm glad I'm more honest".

I guess there was something about seeing Adeira explode her emotions that made the girl wonder.

Maybe I realized by seeing Adeira's ugliness without trying, "it's okay to cry so much".

"The truth is, even that kid must have had a lot of thoughts he was pushing to kill. So just now, I was followed and exposed my emotions, and I lay a shadow on Master Claudia... The truth is, you must always be chasing the shadow of your late mother. What did I say to that girl..."

to harsh guilt, when Adeira leaned down with a slight eyebrow root,

"Everyone can mourn, Adeira"

From the side, Rin's voice flew.

It's Mrs. Emilia.

Adeira lowered her head deeply again toward her mother-in-law as she rushed to wipe her tears.

"Um, mother-in-law. I'm really sorry about this."

"Though I think it's great that you changed your attitude that way, Adela. I'm not the one you should apologize to."

My body squeaks at my crisp voice.

But no more, Adeira was neither angry with it nor more scratched than she needed to be.

She's right.

And my mother-in-law is giving me a hard time. To the next Marquis, as it deserves.

Adeira worked so hard on her head that she thought she was dull herself that she desperately recruited her.

"Um, mother-in-law. I think you're right. So, um, so, uh, I wanted to make amends for her."

"Well, do you?

"Yes.... I just wonder if you will accept that child, who is offered something to himself"

Girl self-denial is deeply rooted.

And it was also clear that any gold and silver treasure offered to consider her crowd would turn it down with a bitter smile.

"To be embraced or to be accepted? I'm sure that kind of thing is more necessary to her. But that's what my mother-in-law has already done. So, I'm going to point that at something else. To her - to her people."

"What do you mean?

As Emilia blinked her eyes funny, Adeira turned her face bright red and explained as she grabbed it.

"When I was listening to your husband's work, I thought to myself, Brainwashing, etc., but when music is comforting to people's minds. So, for example, if you go to the lower town where that kid's been spending time, and you teach him songs and music there, I'm sure, the kids will smile. Even if we had a hard day, I wonder if we could ease that pain just a little bit."

That meant nothing more than that to my husband's work, and that she wanted to join with me.

Both Dietrich and Emilia look at this one as surprised.

Adeira bared at the strength of her gaze, but grabbed her fist for a long time and continued.

"Ah, I'll do anything. You can teach songs in Lower Town, no, I don't mind singing them myself. Anyway, that's how I want to help someone, too. - Just like she did to me."

"Adeira......"

Dietrich, who was listening beside him, smudged and called his wife's name, and broke his face.

"Then I have to do the same. I had her push my back, too."

Gently told, Adeira nods.

Mrs. Emilia watches how it goes,

"Yes."

I nodded contentedly.

"Well, if that kid says, 'I thought Adeira would think so,' etc., he's even worked out a specific concept already."

Next to the lady, Klaus whines about that as she strokes her beard.

I couldn't help but laugh at how many girls would see the truth.

Ten minutes later, as soon as Adeira cut out the story, the girl

"Huh? I want to do something... Dear Adeira, the singing princess of the Lower Town Opera Company, do you?

And, as a matter of course, we have come up with a specific concept, so we were going to lose a lot of time together.

"Adeira and Diete" is a masterpiece of opera, depicting the real Marquise, Adeira von Harkenberg, and her husband, Dietrich, that there is no stranger within the Empire.

The story of Mrs. Adeira, who lamented her own incompetence and lived a lazy day, waking up to true love by the intervention of the Spirit, with her husband's affection and growth captivated the hearts of many people.

Among other things, the theme song "Look at Azakusha", sung in the play, invites people to tears and performs at the Harkenberg Opera House, built in Lower Town, or immediately begins to burn in people's mouths.

Until then, speaking of opera, the majority portrayed the elegant life of the nobility, but in the book the affliction was portrayed in equal measure, with some later scholars pointing out that "it was this opera that narrowed the distance between the hearts of citizens and nobility".

In fact, Mrs. Adeira, along with her husband, said that she was vigorously committed to music education in the lower town, and thanks to that, the people of Richiert favored the upper nobility, so I guess the allegations are not a mistake either.

Incidentally, some scholars say that the original drafter of this opera is Leonora von Harkenberg, Adeira's niece portrayed as a spirit.

Leonora seems to have been blessed with the talent of poetry, and her letter to Adeira was littered with a number of poems from which the lyrics were based.

Amongst them, the poem "Hymn," which praised the Spirit of Light, is persuasive because it is so stylish that it is considered an example of a lady's poetry.

Scholars of twisted things, etc. sometimes attached such difficulty to "hymns," such as "Is it a poem made by a girl from Lower Town blind to the glow of gold coins", but it was not particularly approached by the public, and now the theory that Leonora is the living parent of opera is exclusively powerful.