Muyoku no Seijo wa Okane ni Tokimeku

A painting called "Victory of the King of Gold", or "Triumph of the King of Gold", exists countless times in the long history of the art of the Weitz Empire.

The events at the Spirit Festival in the year 1008 of the Imperial Calendar, which became a motif, by then, shook the hearts of so many people and burned vividly in the eyes of the painter.

Prince Alberto, with a sunny smile and holding up a beautiful girl in sight with the Spirit - later as the "King of Gold Coins," his figure, which will guide the rising Weitz Empire of the citizen and make him the greatest luxury in history, was conveyed without boredom by several painters, while changing his methods by the times.

The way spirited beauty girls and princes join hands is also seen as a political fable that promises honeymoon for the Church and Empire as it is, and was greatly loved by historical popes and emperors.

"Victory of the King of Gold Coins" was sometimes painted in the Cathedral and sometimes in the halls of the Palace, becoming spoken of as synonymous with majestic and gorgeous grand paintings.

but in countless paintings of those "kings of gold coins" that are supposedly worth a whirl are decorated by churches in areas where people are surprisingly small and, moreover, badly insecure, without much security.

That was because the Abnegation Virgin - Leonora von Harkenberg - who became the model of the painting, wanted it strongly.

I don't mind being stolen.

I don't mind being scratched - if you can.

That's what she said all around her.

It is as if a spirit of selflessness that does not hate self-sacrifice, and also a sober heart that believes in human goodness, are transmitted from it as well.

Painted by Gaephardt, the largest painter in the history of art in the Weitz Empire, that little painting lacks a bit of drama, as if it were a sketch, in terms of the number of colors, and the girl is just being turned around on her back.

But there was a strange power in the painting as to what should be called a work that would be the hand of genius.

If a heartless man steals or tries to hurt the painting, which is decorated defenselessly, then he commits some sort of lapse and is captured.

At the same time, it was often the case that gold luck would be directed at those who caught it, like rewards.

Bless the righteous and the insolent.

To the lowly, the greedy, the evil.

Even through the painting, the girl who preaches to the people whether she is pure hearted, is precisely the Virgin of Abnegation, and people always drool the painting deeply in front of her -