Empire Entertainment's internal conditions and treatment, as well as the relaxed working atmosphere, this is the most attractive to their behind-the-scenes co-workers.

From the beginning of the filming to the end, Lee Hyun-cheol never interfered with his power in the crew, and did not even personally review the editing. This kind of trust made Kim Tae-ho cherish every day as a director.

Now as his worth increases, MBC has also given a lot of generous treatment to keep him.

But these are temporary, he can see that the reasons for all this are based on the continued cooperation between him and Li Xianzhe.

This kind of feeling is still restricted and managed by the top of the TV station even if the salary is improved. This feeling is one of Kim Tae-ho's least favorites.

Just wait until the next work is finished, so that his foundation in the film and television industry can be completely stabilized.

At that time, Kim Tae-ho would choose to resign, join Lee Hyun-cheol's company, and continue to direct "Infinite Challenge" in another capacity. This is his future plan.

"Anyway, this is an opportunity. President Li has been mentioning you in front of me. I can see that he really wants to work with you, so ah... you look at the script first."

Luo Yingshi nodded slightly, and what Jin Taeho said was not unreasonable.

In the past, I wanted to fight for opportunities that I couldn't get, but now I have no reason to miss it. No matter how much work I have, this is a brand new challenge.

Empire Entertainment is now delicious, and Kim Tae-ho's experience has proved everything.

Besides, he also believes that this old friend, in his eyes, Kim Tae-ho is also an arrogant person. If he can persuade him to take up the job like this, the key point lies in the script.

The meat in the roasting pan, puffed to the sound of the explosion, was sliced ​​into thin slices of bacon, driven by the high temperature, began to release the oil and water in the meat a little bit, and then gradually deformed.

Turning to the first page, the first thing that catches your eyes is a long paragraph.

Luo Yingshi asked himself that he had read a lot of scripts, but none of them could add a self-report to the front page like a preface to a novel.

Very interesting way of writing, with such thoughts, Luo Yingshi lowered his head. From Jin Taeho's perspective, he could only see his eyelashes blinking occasionally, especially serious.

"Everyone has a unique youth in his life. But memory is not the same. The movie in my eyes is a dream machine, which can resonate and produce a strong sense of substitution.

Today, after talking with a certain trainee, I thought of a story. I believe that there is such a picture in everyone's past. The reason for thinking about this must also be related to the communication between me and the trainee friend.

Therefore, I was writing at the desk with the lamp on. I thought that I should give this story to someone who has outstanding ability and can understand my thoughts. Although there are many excellent people in Korea, they can handle such delicate things. After excluding some circles, I thought of a person.

Perhaps, after writing this story, I should find an opportunity to give it to him.Therefore, this mood is the official motivation for me to write.——Li Xianzhe"

After reading this passage, Luo Yingshi no longer cares about the script as much as he did at the beginning.

According to what is written above, the script was born because of a conversation with the trainees around him.But the reason why I wrote it down is to make it possible for a capable person to photograph it.

The screenwriter himself said above that after excluding some circles, why were they excluded, what circles were excluded, and a person who came to mind later.

There was a strange feeling in Luo Yingshi's heart, as if this script was written in order to be able to be delivered to him.

In other words, it was created specifically to allow myself to shoot.

what is this?trust?Or do you simply regret that you haven't been able to cooperate once before, so you don't want to give up?

It was just a simple narrative, but Luo Yingshi was angry with a strong curiosity, and he wanted to read it eagerly.

He knew that he had fallen into the pit set by Li Xianzhe, but this was his voluntary.

The actor Xu Taiyu in the story, like a red rose with thorns, is as enthusiastic as ever. In the school, he is a little overlord with many younger brothers, and his words and deeds are filled with the air of carefree.

For the description of his appearance, Li Xianzhe only used the hairstyle like'pineapple head' in the script. Therefore, a figure with a dark belly, but a more reliable figure than anyone else at the critical moment, appeared in Luo Yingshi's mind. .

And the most attractive quality of Xu Taiyu's body is that he can always be himself, protect the things he cherishes, and will not give up those beautiful things lightly.

This is a charismatic bastard who looks cynical when the sky is falling. He has principles outside and inside, and is extremely reliable.

The male number two, Ouyang Feihua, corresponds to the color opposite to Xu Taiyu. The other side of red is white. He has a calm personality, beautiful appearance, and excellent academic performance.

In everyone's youthful campus life, there will always be such a person by his side or in the class.

He often takes first place and has good athletic talent.

The so-called "school grass" is used to describe such a person. It will appear in any novel or story. The girl in the school is the dream lover. Many girls see him and regard him as their own. Secret love object.Many men will feel jealous when they see him.

As for the heroine Lin Zhenxin, this is an extremely simple name in Luo Yingshi's eyes. In Li Xianzhe's description, she wears thick eyes and a messy explosive head.

The grades count down in the class, and I always copy the lyrics with the teacher behind my back in class. Sometimes I am idiot and clumsy.

Two male protagonists and one female protagonist, personality and personality are all standard routines in youth novels, but Luo Yingshi feels that these should not be the only ones.

I have to say that although there have been several youth films in the Korean film industry over the years, why do you say a few? Because in the eyes of Korean directors, youth films are like niche themes that are not to be seen.

The audience likes to watch abusers. It is best to abuse them to the point of distress and crying.

You can also say that these people like to look for abuse, they have taken too much pressure in their lives, and as a result, they like to find abuse in movies and TV shows.

However,'abuse' or'darkness' or'violence', or adaptation of real events, refracting certain problems, is the mainstream of Korean movies at the moment.

The top ten films appearing on movie websites every year at the box office and ratings are basically commercial films.

In the final analysis, youth films are in the category of literary films. People who watch the movie are used as the method of box office statistics. Many directors who are trying to make literary films, or those who are losing money in the end, don't want it.

Except for the unexpected award for "Miyang", most of the literary and artistic films have directly become areas that some directors are unwilling to involve, let alone campus films that show a person's youth and daily life.

If you want to watch high-rated youth films, you can only watch other countries overseas.

As for the Korean mainland, the breaking hands index is Bae Soo-ji, Lee Di-hoon's "Introduction to Architecture", Shen Eun-kyung, Min Hyo-rin's "Sunny", or Park Bo-young and Lee Jong-suk's "Blood Youth".