"You're right, both reasons for rejection are 'irreversible change'. Well... then when I say 'reversible change' is possible... what do we do?

"Huh!?

"Oh my God!

In response to Ambrose's abrupt remarks, Garnett and Valentine speak up at the same time.

"What do you mean, right?"

"That's your first ear. I didn't hear you say you could do that."

"That's right. I can't do it."

Garnett distorts his face just because he doesn't understand.

But Ambrose turned to me for some reason, not Garnett or Valentine, and said something suspicious about his ears.

"It's not me, it's you, Lord Luke."

"... what? Hey, wait a minute. What are you talking about! You can't do that to me..."

It's like I don't remember.

Reversible human modification? I don't have the skills to do that together.

Or do you mean do it independently of your skills?

In the midst of being suddenly pointed at the spear and confused (or less), another thought passed the back of his brain.

Maybe I can.

I might be able to.

I haven't even been willing to try it before, but if it sounds like it, it's happened once before - in the very flesh of a garnet like no other.

"I hear the backdrop to the battle in the neutral city of Athlopolis. I think you've managed to connect the tree flesh of a tree man (dry ad) to Lord Garnett, who lost both arms."

"... I knew you meant that...!

"[Synthesis] and [Fusion], which are the derivative abilities of [restoration] skills… Using them, you should be able to combine human and demonic… and even demonic flesh. Besides, it assumes full restoration by [repair]."

Ambrose is right, I let some of the flesh of Administrator Fraxinus restore his arms to the material when Garnett lost both arms in the battle against Hadary, an Agate Ram executive.

Technically, it is part of the Great Tree whose flesh has changed, the Tree Man (Dry Ad), but it is never wrong to think of that as the flesh of the Demons.

And sometimes both arms were nicely amputated, and Garnett was able to get his arm back safely without any after-effects... but surely that one could be called a 'reversible human remodel'.

"... if that's all right with you, maybe I can. But it wouldn't be realistic! What are we gonna do with the material? Are you going to let them carry some of the bodies of demons and demons?

It is unlikely to be denied in the form that it is impossible in principle, so we try to deny it in the form that it is realistically difficult.

Even if it's a temporary change, even if it's me who does it, it's because changing Garnett's body into alien is not a good idea in itself.

"Then I already have a plan. You can use this."

Ambrose took out something like a round plate flat in his hand and threw it here unwrought.

I am stunned to accept it.

"Medallion! No way. Scoll's...!

Artifact Medallion.

It can also be described as a Warcraft Scoll lurking in the second level ceiling (Sora) and sucking up the magic of the light-emitting function, or as the nucleus (core) of the giant Muspel used by Agate Lamb as a force of war in the Battle of Athlopolis.

The identity was a magic item produced by a man named Loki in an era when ancient magical civilization was still alive, generating by magic the flesh of a monster called a warcraft or divine beast.

I also hear, among other things, that the powerful god beasts ravaged the earth at the time and drove the ancient magical civilization, which was glorious, to annihilation.

"This has the ability to use magic to braid the flesh of a warcraft. Moderately controlled, you will be able to prepare as many materials (...) as you can use for temporary enhancement (...)"

"Moderate control? This guy is an artifact we just found! You can't possibly do that!

"I can do it. I'm very surprised myself."

Inadvertently breathtaking with a light response.

Without waiting to inquire what it meant, Ambrose began a detailed explanation with himself.

"This wasn't the first time a medallion was discovered. More precisely, by obtaining this complete (...) All (...) Medallion, it should be said that the identity of the previously found unidentified artifact…"

"... If you're an incomplete medallion, do you mean you've found it many times before?

"Oh. Of course I had no idea that the name 'Medallion' was aside and that it was a substitute involved in the demise of ancient magical civilizations. I can tell you guys brought a breakthrough to a completely stuck study."

From the voice of Ambrose, who speaks so, I felt a loud and joyful sound.

As a researcher, I guess I can't help but feel less delighted at the progress of the research that was thought to be at an end.

"Until now, we only knew that by shedding magic, we would produce a part (...) of the flesh of demons. There were theories about whether or not we could produce a complete demon of living conditions, but the claim that it was realistically impossible prevailed."

Only part of the demon is created from a missing medallion... a nasty sight just to imagine, but if you are indeed a researcher wizard, you may be the subject of research that moves on and jumps.

According to what Fraxinus told us, medallions were scattered throughout the world in irrecoverable numbers, and the curtain of the annihilation of ancient magical civilizations was raised by their activation with the magic of nature.

In other words, the medallion itself would have been present in large quantities, even if the substitute for the level known as the Divine Beast was rare.

It's not an unnatural story if those wrecks have been found in the past.

"I was told that the study of artificial life was being carried out by some alchemists, and it was thought that it might be the remains of a prototype aiming at the same thing… for a moment, the study was going on until it was able to (...) work (...) live (...)"

Garnett ironically pinches his mouth from across.

"Making the most of it? You were also doing research on making meat out of magic and feeding it?

"Some wizards are actually going for it, but what I'm trying to say is another study."

Ambrose replied softly so, pointing his own flesh with his thumb.

"It's our material for human modification. Of course, I use other ingredients, which are usually about 30% of the time."