Nigotta Hitomi no Lilianne

25, Fairies, Missions and

Turns out I was reincarnated into another world.

Kuti's pedigree lecture showed that there are many people-shaped races in this world besides humans.

There were no many people-shaped races in the world of my life like this one.

That alone shows that it's a different world in this life and in my lifetime.

I like different world reincarnations and have read a lot of light novels.

Maybe it didn't leak and I admired the world like that.

And I came.

Fascinating and fuzzy worlds!

The servants in cosplay I saw at Alec's birthday party are actually real, not cosplay.

Yes... real beast ears.

The real ones are too mundane.

Viva and mundane!

I am about a year and a half old baby.

It's a little hard to roll out all over the city and see the two of us.

But what do you think?

I have at least 30 servants in this house.

Nearly half of them are commonplace.

I mean, there's no need to roll out into the city.

It's a muffled search in the house.

However, there are numerous problems.

First of all, a year and a half after I was born into this world, I only met Alec's birthday party once.

I don't know why, but I'm not coming into this room at all.

Maybe it's because the nanny role that takes care of herself has ena.

The ena, the lord of this house, treats Alec and Claire equally.

No, it's partly on top of that.

Does that mean that her room, which is such her jurisdiction, does not need other servants, etc.?

Or maybe there's a credit problem.

So much so that you don't have to ask if Ena, who is on the same or better footing as her masters, has credibility.

But how about a servant?

They will be carefully chosen when hiring, but they won't be when it comes to putting their full confidence behind them.

Not to mention the blind baby.

There will be more than trust needed.

Because I think it might be a little too much not to even come into the room once in a year and a half, but this is a different world and this house is rich.

Maybe there's a reason why I don't even think about it.

is pre-construction.

There's a lovely world in front of me.

Put that away on raw waste day.

As a matter of urgency in the future, we will work out an operation to get out of this room and reach a nice field full of dreams, hope and romance.

Fortunately, you don't have to go into the room to expect a servant to come to the front of the room.

Preparation of meals, etc.

When time shifts, Ena goes directly to have it made, but basically the meal is brought to the front of the room by a servant at a set time and Ena goes out to pick it up.

I didn't realize it at first, but depending on the type of knock, there may be a difference between the other person being a servant or "people entering the room".

Even if the type of knock is servant, they are never within sight of the inside of the room… mainly from the position of the crib.

Is it only manners to treat you like a shadow?

I wonder why it's been so thorough so far, but I don't care now.

The maneuver to be worked out is how to get out of this room and approach the servant.

To indulge in the mundane, the target becomes "ear" or "tail".

With all the thoroughness so far, it won't be the first time a servant hugs him or her on his own.

We must therefore also think about that area as part of the operation.

The more I think about it, the more difficult I think about it.

Even that I got out of this room, only twice.

Besides, it is obviously necessary to reach the servants' goal, "Normufu", which is to restrict contact with them.

In order to indulge, it is necessary to maintain it even after reaching the goal "mundane".

It's a really high difficulty mission.

Can you fulfill and do it safely!?

No...... you have to do it!

Even though I know I can't do it in my life, there are moments I have to try!

If it's for the mundane!

I'll do it!

◇◆◇◆◇◆◇◆◇◆◇◆◇◆

Mission number one, open sesame seeds!

Finish the brain simulation and move the plan to execution.

First of all, the first door, "Escape the room."

First of all, it's a positive attack.

The door is probably the type that turns the knob and pushes it open from inside the room.

Naturally the door has no magic power, so I can't see it.

But when I stretch my magic power, when there are obstacles such as walls, I can't go any further.

This is used to measure the position to the wall.

From there, explore the boundary between the door and the wall by hand.

If you are your height now, the door knob may arrive, but I dare not open it here myself.

Or if I open it myself, it's visible that Ena will take me back.

That's why I'm letting Ena open this place!

Yes... there's no point in being brought back.

Allow Ena to open it and create the fact that it will be put out of the room by Ena's hand.

Let's start here.

Sayuka! Nice field!

Slap Ena's readings on the book and let them pause.

I can now stand even without the aid of grasping and such, so I get out of her lap a little bit and get up.

Ena is getting a little overwhelmed because it's never happened before to let her suspend herself while reading and move on to exercise.

Start moving in the form of sewing that gap.

Stretch your magic power in a straight line and measure the distance to the wall.

I have no doubt that if I were to run like this, I would be taken off my feet with an obstacle.

I was just reading some books, and they're supposed to have some.

In a meeting with Kuti in advance, she is having it installed so that she can grasp the position of the obstacle on the route of progress with her detached magic.

So now I have no problem with obstructions.

But you can't run in a hurry here.

Because for Ena, it's only out of her mind that she knows the obstacle.

Run and you'll be grabbed by Ena soon.

Therefore, walk to avoid obstacles to a large extent.

If there is no obstacle in the direction of progress, Ena will not stop either.

In order to cope with an unexpected incident, there should be no problem if it is not followed by head sliding.

Step by step and walk to the first goal, the Wall.

Oh, that's unusual, I can hear you from behind saying if you're in a better mood for exercise today than in the book.

I don't seem to be willing to stop it at the moment.

Then we arrive safely at the first goal, the Wall, and next we will check the feel of the wall by hand exploration.

When I checked the chill ena, I looked at this one smiling about two steps away.

There seems to be no problem.

From the feel of the twisting wall to the soft feel of a tree.

Apparently, we've arrived at the door.

I stretched my back a bit and looked up there and it feels like a door knob......

[Door]

And there was a magic sign depicted.

When I looked to the side, I looked at the doya face and saw the fairy thumbing up.

You didn't have to look for it by hand!

Now, if you do such a penetration only quickly in your mind, turn around Ena, who is holding back, and gently bang the door.

"Yeah? Lily, is that the door?

You want to go outside?

Yes!!! and gut pose in my mind and knock on the door again.

Now move your gaze from Ena to the door.

Now you will convince Ena of what intent you are knocking on the door.

"Hmmm... I'm not supposed to let much out of the room...

You want to go out so badly?

Mr. Doya's face beside him is also knocking on the door with him.

This sound effect will be appropriate.

I can't hear you though.

Knock on the door again with a bang and watch Ena.

My hands are hurting a little.

I'll stare at Ena and try to keep it open and puffy.

"Hmmm...... I do think he's out of the room twice, and I think he can?

Claire and Alec told me not to leave the room yet.

Sorry, Lily. "

Paddon?

What did I just say, Mr. Ena?

They tell me not to let you out of the room yet, so!?

Then what are we gonna do!

What can we do to get to the nice field that we will be waiting for!?

Myself stiff as I look at Ena.

Kuti hangs a blast on me like that.

"You can go out on your own!

Adventure! Assault!

Decide everything with her voice.

Carefully position the door knob.

[ Door knob ]

and he wears me a name tag of magic.

This is it, and if you don't do it, the man will scrap it!

...... I'm a woman now though.

This door is the type to push open.

If this was the type to pull, it would have been out.

God hasn't let himself go yet!

Change the operation quickly and never grab the door knob with both hands, all at once.

Ops change on an ad hoc basis!

Mawa.................................................................................................................................................

The door knob barely moved under the power of a 1-and-a-half year old baby.

... what a door knob! It's super heavy!

The door knob itself was the type of thing to turn, but whether it was made of tin or copper or not moved coldly and poorly.

It's like an old hardware that doesn't have oil on it.

"These guys, no.

It's locked properly, so no matter how much you do, it won't open. "

Oh, my God!

I opened my eyes and stared at where the door knob was, but the name tag changed.

[ Door knob Locking]

It was.

Oddly enough, the fine Doya face of art hated me now.

I let go of my hand from the door knob, and when I sat down, Ena held me up and sent me back to where I was reciting.

When the hell were you locked up?

Even when Theo or Ellie came in. If it didn't sound like they were unlocking it, it wouldn't have been like someone was removing it from the inside.

Now let's go on with the book - and the voice in my ear, completely depressed by the nice field (and mundane) that kept me away, could only be heard by the devil.

The fine fairy of art returns with her shoulders clasped and her neck gently shaken to the left and right.

The name tag on the door knob.

[Mission Failed]

It had changed to.