Nozomanu Fushi no Boukensha

Then, we discussed various policies, but basically it is not a good idea to stand out very prominently.

Well, that's true from the start, but until we get rid of the disappearance of the new adventurers Shayla talked about, we should pay particular attention.

But in fact, the trouble is what to do, and the most desirable thing is not to dive into the labyrinth for a while.

It's just that I can't do that any more than I want to evolve as a demon.

Anyway, if it's just for a few days or so, if you're going to be unable to dive into the labyrinth for weeks, months... it'll be a troubling story.

Well, besides the labyrinth, the demons are in the woods and mountains around there, so you can main that one, but the labyrinth is still better when you think about efficiency.

Demons can be inferred by their strength, hierarchy, etc., and the types of demons that appear are limited.

Naturally present demons rarely appear irregular in that regard, and they are inefficient.

That being said, I'm sure I want to wear this look and the jealousy from around me to get into all kinds of trouble.

That's why we set ourselves in the direction of keeping it adult for now and giving up and operating normally if things don't change after a while.

At that time, I was told that if I could, there would be party members, etc., but if I was fighting demons, it could eventually evolve.

That's more than intolerable. I'm limited to saying who I can suddenly show such a scene to.

It's best if you follow Lorraine or Shayla, but Lorraine doesn't always get to the labyrinth because she has a job there, and Shayla is just an Adventurers Union (Alliance) official, and her combat skills aren't a big deal, so she's not an appropriate party member.

In the end, I had to dive into the labyrinth by myself.

Well, you can rest for a while...

For now, it is a few days.

Don't go to the labyrinth, something will happen in the meantime and my wet clothes will clear up a little too.

By the way, when I say what I'm willing to do without going to the labyrinth, I think I'll take it even at the request of a proper chore relationship.

I have received quite a lot of things in my life, so I have acquired quite a lot of things about the skills that I said so.

I don't have much trouble in that sense.

And for now, as something to do, it would be the receipt of weapons.

I asked for a blacksmith's clope, and it's been awhile.

Sometimes I stopped by the labyrinth to try and swing, etc., but it's not strange that it's time to complete it.

I thought I'd go.

◆ ◇ ◆ ◇ ◆

"Oh, you're here... I know why. It's done."

When Crope recognized my face, he said so, slightly alleviating that bitter running face and raising the edge of his mouth.

At the end of his gaze is a single sword, shining silver.

Perhaps that's the sword I was asking for.

"... is that what I am, or what?

When I asked, Crope nodded,

"Ah. I worked out to withstand all of the magic, chi, and holy chi. The material is also restrained... I have a few legs..."

"Fukubu, let's hang on"

It was a dialogue because I knew I would say that if I made an unplanned expense, I would have it.

Clope doesn't want that in my words, I guess, but think about it for a second.

"... Ha. You (...) always do. Okay, I get it."

That's what I said and nodded.

Then,

"By the way, you can try to make it, but it's a special sword that doesn't have a lot of use. I want you to actually try it. If there's anything wrong, I want to fix it, and if it's flawed, I'll rebuild it. Of course, as far as I'm concerned, I meant to make it well... but it doesn't look like I'm gonna have it all. I don't know what's gonna happen."

That's what I said.

This, Crope would be right.

Both magic and chi, if about, are quite so, but besides that, there is no one among them who is holy.

Moreover, at a level where you can make use of all of that in battle, it would mean that you are seldom there.

A sword for such a special human will not be ordered inside, and from a blacksmith would be a kind of challenge.

It was perfectly natural to want to see what it actually did.

I snorted,

"... should I go to Nagawa?

Yes, I asked.

There is a large courtyard in this shop where guests can try out to make sure they are made of weapons.

I asked him if I should go there.

Crope laughed at it,

"You know me well? Exactly."

And, ironically for you to know, I stood up and began to take the lead with my sword.

I'll follow that back, too.

And when I got there, Claude handed me the sword.

I'll take it.

It was a nice touchy grip that sucked on my hand.

If you didn't fully understand my old habits (...), you wouldn't be able to make any famous artisans like this.

No doubt Clope made this knowing who I was.

But then again, I grabbed the sword and thought, "I'm glad you're a corpse ghost."

Needless to say, when it was a corpse-eating ghost, Ghoul, because the grip on the sword was quite uncomfortable, such as when it was a boner, Skeleton.

I didn't have any meat on my hands.

Now I have that thick meat on my hands, albeit withered.

Even when you have something, you can grip it pretty close in your lifetime.

"How's the grip?

Crope asks, so I snort.

"It's not terrible... I'd like to see it quick and tight."

"Right. Well, whatever the purpose is, do you want to go with a wooden doll without difficulty? Wait a minute."

That's what Crope said, he prepared a target like putting a mannequin on the tip of a tree stick, and set it up in the center of the courtyard.

There are other straw, bamboo and armored dolls and all that, but it would be the easiest option.

A higher quality weapon, such as Kamikaze Silver (Mithril) or Orihalcon, would be nice to have a doll wearing metal armor, but that's not all I asked for from a boulder.

It is special, but the weapon itself is normal in character.

If you try to cut something made of metal that is too firm, the damage will be quicker.

Well, you don't have to worry so much if you can put your mind and magic into it, but you don't have to bother to create the possibility of hurting them by trying out.

I lay down my sword toward the target.

First, usually make a bare gesture on the spot to ascertain the position of the weight and center of gravity.

Well, as usual.

I guess it's only natural because it's the blacksmith I've always asked to adjust.

Then I stood up again and shook it into a wooden doll, without any magic or anything.

Shin, there was a sound, and the sword passed between the wooden dolls.

That's the feeling.

Shortly afterwards, a neat thread-like wound occurred on the doll, and the doll fell in two.

Clope seemed slightly surprised when he saw it,

"... dude. You've lifted your arms for a long time, haven't you?

That's what I said.

The comparator would naturally be Lent Fina of the past.

This couldn't have happened to me back in the day.

Not that I didn't cut it, but I did it in a different way.

Somehow, should I say it feels like I'm slapping it off?

In contrast, if you look at the cross section of the cut doll, it is cut off completely and the performance of the weapon is improved, while the cut human arm is the kind of cut that wouldn't be like this if it weren't for it.

Indeed, I was able to recognise objectively once again that my arms were considerably better than they were back then.