Day one of the study trip, night.
After dinner, the students enjoyed the last free time of the day.
Some students meet and greet in the lounge, while others rest in their own rooms.
I was invited by Shizukuishi to participate in the Cesar Making Experience in a small hall on the ground floor.
The total number of students participating is about thirty.
One class of students remembers childhood and becomes obsessed with shaping while dirtying their hands with clay.
Sitting reflexively near the rearmost tail of the room in the free seat, Shizukuishi and Kirasaka sat down next to each other.
Yudo then sits down to his face-to-face seat, next to which sits a student who has not been invited by the original plan.
"I didn't know Miyashita was at Cesar Making."
"It's free and memorable."
Yudo tells Miyashita, who sat next to him.
Upon returning to her room after a discussion with Miyashita, she was told that she also wanted to attend the experience class for now.
Yudo would also know that it was not the essence of the conversation, but he told him so because he knew he would never step in.
Experience classes begin and instructors rap about how to make them.
When I listened quietly and learned how to make the least, the time for creation began freely.
Initially, I wondered if we would proceed to work silently in a quiet room, but surprisingly, the room was full of vibrancy, and even if we talked about it separately, we wouldn't seem to gather our gaze from the surroundings.
But I'm just starting to make Cesar.
It's not the right time to bring up weird stories without clapping, so all five of them get their hands on the clay at hand.
... Cesar.
As a sample dossier, each table has a piece of paper with various Cesars on it, all of which have only one thing in common but different shapes.
cloudy, or lion-like hyenas (tendons) and sharp fangs.
But some eyes are adorable, while others are as oblique as bronze statues from which they are derived.
The point would be that you can create it with your personality.
Then about half an hour has passed.
In the meantime, when you're shaping the quadrupedal animal you imagine, your gaze gathers from both neighbors.
Shizuku is as complete as taking out a large photographed sample at the top of the material.
The shape is a pose in which the dog sits, and the whole thing is calculated to look beautifully at the location and angle of the eyes and so on from the front.
The corresponding Kirasaka does not resemble the material at all.
But it's the kind of dynamism that raises your forelegs and runs the earth, and the degree of completeness that your instructor won't be able to say anything with your scary strong eyes.
The way these two are made is an expression of character.
Perfect imitation and perfectly individualized.
What kind of torture are you getting pinched by those two? This?
Awkward, and at the same time embarrassing the low precision of Cesar that he creates.
... if you don't lose your mind.
Have you two done a satisfactory piece, or stop your hands and watch this work process?
"Are you a firewood dog?
"Formally, puppies, or bean wood?
"... it's Cesar, I'm not done yet, so can you guys wait a minute?
Because of the different working speeds, it's impossible for the two of you to get out of hand, but you won't have to take the liberty of starting a quality review.
Or it's not a firewood dog.
I desperately admire the hyena, so I want you to look forward to completing it.
Again, docking parts is more heartbreaking than integrating because you're a boy.
Well, to be honest, it's because subdivision is easier to create parts than integration.
To the unexpected words of the two, Yudo in front of them and Miyashita also zero their laughs.
The indoor buzz goes hand in hand, and it's not a bad time for conversation.
Turn your gaze face-to-face with upward guidance without stopping yourself from proceeding with the work.
Cesar is also completing about 80% of Yudo.
The piece is completely lion-like, but it's an error. Error.
Miyashita is also working on correcting the details, and the concentration of all the members sitting on the same desk has shifted to a much looser one.
"Yudo."
"Hmm?"
The call, his gaze raised, which was at hand.
I only got my thoughts running to the fullest without stopping my hands connecting clay.
The shoulder under the palace sitting next to Yudo trembled, probably because of the suggestion I told her before I gathered in this little hall.
"If you really want Yudo to face you, you better be the first to tell him how you feel"
From Miyashita himself, it is a premature proposal that may be accepted.
From now on, it may be difficult to understand what attracts the gaze of Yudo Ohara to be revealed as favorable before.
But sometimes it's more effective.
Because you are too fond of people, it is harder for Yudo, who is prone to pepper words that can be hung from around him, to be dealt with by friends like those around him, who have told him from the beginning that they are 'in your favor'.
When I told him that, Miyashita also seemed reluctantly convinced.
She also seems to have an idea of how popular you are.
"Miyashita, they're interested in you..."
"Yes?"
When you create the last hyena part you were shaping, you integrate it with a straining procedure around your neck.
Finally, a slight sense of accomplishment boils down to his own creation nestled in a Cesar-like fashion.
The boulder is you, without permission or necessity.
A very ordinary, noteworthy creature like Cesar was created.
"What's the matter with you all of a sudden... Miyashita..."
"... it's annoying that you're worried about me, but keep an eye out for yourself a little bit too"
For me, I wonder if you've ever spoken a line that doesn't even have a pattern.
In evidence, Shizukuishi seems to have narrowed her eyes and taken something into account.
Up to Kirasaka, you weren't interested in taking pictures on your smartphone with my Cesar I and my work side by side.
After a breath zero, I turn my eyes to Yudo and Miyashita, who sit next to each other again.
They looked at each other, Yudo looked awkward first, and Miyashita blushed shyly.
"What kind of blow is it?
"... nothing"
I return it briefly in a small voice to Shizuku, who has spoken to my ear only next door.
She knows I've never assisted a female student in favor of Yudo, so it's a suspicious voice somewhere.
"I don't know if she's serious or joking...... you judge me"
No jokes whatsoever, I said away to Yudo with a serious look and voice.
It's impossible to completely see through a person's mind than to be human.
Except if there's magic, like in the fantasy world...
Miyashita, too, would be different from the help I had imagined, but that's nothing else to ask you to spare.
If you're going to regret it, I want you to tell yourself that you made the wrong person to ask for it.
This is the only way I can do it.
Something I don't like about positive attacks...
"Well... tired, sleeping"
Number one, grab the plate you rode with both hands and step away from the workbench and gently arrange it on the shelf where you will put the finished piece.
It's dry and is scheduled to be sent home when mailing is available.
Let's ask him to be our patron saint.
It's a black company that works seven days a week, so please say hello.
I remember that in my mind, and then I look back and say one last word to the two of them that this study trip would be a branch.
"Eh Sue...... good night"
"You never thought of what to say."
"Shut up."
When I thought about it, I didn't have any words to hang from both of us.
It is unexpected that harm will appear here that I have not truly enjoyed my youth student life.
In the meantime, let's go back to the hotel room and go to bed before Yudo tells us a novel.
That guy's novel, because it's a long time.