Otherworldly Merchant

I might not be so surprised if this image appeared in any art gallery.

But deep underground at this moment, the scene in front of us actually came from the early days of Japan thousands of years ago, which is extremely surprising!

I looked at this sight and my feet were half-hearted, which slowed God down and kept moving forward.

It wasn't until recently that I realized that the round was enormous. The full moon was not in front of me, it was just a long way out of the way.

Nor is the swordstanding tall figure here, still standing far beneath the full moon.

& # 160; & # 160; & # 160; & # 160; & # 160; & # 160; & # 160; & # 160; I was a little far away, and from my distance and perspective, the full moon, giant trees and shadows seemed to be connected. Actually, there's only one giant tree here.

The giant tree was made of bronze, and the whole tree was roughly three people hugging it thick and more than 20 meters tall.

Whether it's trunks or leaves, even every crack is engraved like a living thing.

It was a miracle to be able to make such a realistic and huge bronze apparatus back in those barbaric years!

But Japan has never experienced the Bronze Age. How did this thing come about?

You know, Huaxia and the rest of the world have never discovered such a huge bronze appliance, and thousands of years ago, far less than the Japanese ancestors of Huaxia civilization did?

I looked closely at the giant tree and found that the giant tree was made of bronze, but it wasn't fake, and it wasn't stitched, and it was just like the top and bottom, with no cracks. It's just that the bark is embedded with a lot of fine sand and a lot of little black dots, and only a few slightly depressed spots reveal a piece of bronze green.

Oh, I see!

Now I finally understand that they are not using the firing method, but the filling method!

Just make a big model, then pour in the bronze water, wait for the bronze water to cool and set, then remove the bronze mold, and the appliance is done.

However, copper molding was also a very advanced technique at the time, which Japanese ancestors may not yet have mastered. So they took a different approach.

The model of the bronze tree in front of you is actually a giant nest of ants.

They cut a hole over the nest and poured the bronze juice down, flowing down the cave.

Needless to say, the inner structure of the nest is similar to that of a tree.

Wait until the bronze juice cools before removing the nest and chopping off the inappropriate parts, so that a giant, skilful bronze ancient tree is complete.

These Japanese ancestors can't help but admire these fantastic ideas!

I turned away and looked up and saw nine big crows standing on the top of the tree.

Almost every crow has an arm, three claws each, staring at me dead from the top down.

Even though it's far apart, some of it's not real, but I can tell right away, it's not like what the black and white shadows call a porcelain raven, it's made of black shade.

Black Yin Stone is a very special stone, and most people, except those who specialize in yin and yang ways, treat it as ordinary black marble.

This is a Yin through Yin material, the most common use is to act as an eyeball for statues, which, after being immersed in special French water, produces a peculiar effect.

All you have to do is stare at your eyes and you have a feeling of looking at people and even holes in your soul.

Especially on the temple statue, you would mistakenly assume that this is the Buddha's spirit.

But it's you who's actually looking at you.

It's like a special mirror, but it's not the light, it's the soul!

Black-and-white shadows have been trapped in ancient tombs for more than seventy years, and every moment they don't want to unseal and escape.

Over the years, there has been a deliberate search for clues and ways to crack them.

They said they would see an ancient bronze tree through the three forks, with a three-legged black porcelain crow, smashing the crow, and then they would open the Falun Front and let out their eyes.

For the time being, most of what they say is true.

It's just that this crow is far from one, it's nine, and it's not porcelain, it's black.

Looks like they didn't find a clue outside either!

It is quite possible that the two of them, by chance, did not know where to deduce a record of the original builder leaving behind or writing, or murals.

The builder with the record may not know what it is, and there may have been only one crow when he recorded it.

But if so, is it credible if the black and white shadows say that just smashing the black crow can open up the Falun Front?

Of course they didn't mean to trick me, otherwise they wouldn't have agreed to go into the wooden box.

But the problem is, if we want to lift the curse on a few of us, there is only one way to go.

If we can't find a place to open the law, if we can't see an eye, we can't talk about anything else.

Dang!

Suddenly, the sound of a weapons collision came from afar.

I followed my reputation at the end of that huge circle of full moons.

Hidden in the glorious moonlight is a bright, bright evening glow, accompanied by a pale white air-conditioning that flows far from that direction.

Hongxia, air conditioning, is it Miss Caiyun and Little White Dragon?

When I had this thought in my life, I was suddenly a little overwhelmed by surprises, and no longer had the heart to look at any bronze tree, spreading my legs straight ahead!

The moonlight brightened this cave like snow, and I walked through the fog as fast as I could.

When, when, when!

That sound of crisp ears became louder and louder, and the evening summer grew brighter and brighter, releasing the colorful light of the lane!

Six or seventy meters later, a few figures appeared in the fog ahead.

One wears a snow-white mink coat and grabs a one-metre-long ice cone gun with both hands.

Another wears a Japanese kimono and shoots a flaming knife in his hand!

Isn't that Miss Caiyun and Little White Dragon?

I've seen you!

I'm fine! My eyes were so hot, I almost cried.

Looking at the situation, the two of them were in a fierce battle at the moment, and I hurried as I accelerated, pulling my knife backwards and hurrying over!

A dozen more steps closer, and it was only clear that it was not a man, but a monkey, who was at war with them!

The monkey, not too big, was almost like a three- or four-year-old, with golden hair all over her body and glittering blonde under the reverse lining of the moonlight.

The monkey grabbed the knife with his reverse hand, holding two blue-ray daggers tight, his teeth grinning up and down, and then rushed toward Miss Caiyun, then toward Little White Dragon, very fierce.

You can't even hurt its shadow with a little white dragon!